Slipped Discs: 2/25/2020

There’s a disk hole in the disk hole

Welcome back to the latest episode of Slipped Discs, where I give you a head’s up on what nerdy stuff is available to come home with you, because I still believe in physical media!

Once more, all this information comes from Blu-Ray.com, but they list everything that will be in the stores, whereas I shall provide you with what I feel is the interesting genre fare.

And boy, we have a lot this week to make up the lack of cool stuff over the last two weeks! So let’s get right into it!

Knives Out The gist: “A detective investigates the death of a patriarch of an eccentric, combative family.” Say what you will about Rain Johnson, (and boy howdy, will the internet not stop saying things about him), the guy knows how to make a mystery. This movie has a rock-star cast, excellent flow, great characters, a tight plot, and was a high point of last year. Well worth buying, it’s out in Blu, 4K, and the usual Best Buy exclusive Steelbook.

Pet Sematary Two (1992) The gist: “The “sematary” is up to its old zombie-raising tricks again. This time, the protagonists are Jeff Matthews, whose mother died in a Hollywood stage accident, and Drew Gilbert, a boy coping with an abusive stepfather.” Poor Edward Furlong just couldn’t catch a break after T2. I mean, the movies he did afterwards weren’t bad, but they weren’t great either. He got more heat than he deserved, to be fair, as it wasn’t totally his fault the movies weren’t the greatest. This one is an ok sequel, and also has Clancy Brown chewing on the scenery, so it’s worth a look. Especially as it’s getting the patented Scream Factory Collector’s Edition treatment.

Casino Royale, Quantum of Solace, Skyfall, Spectre All the Craig Bond movies are getting a nice Blu-Ray and 4K re-release. It’s almost like there’s a new one about to come out. And you don’t need the gist of them from me. Casino is the best, and I can take or leave the others.

Xtro 3: Watch the Skies (1995) The gist “Marines travel to a deserted island to diffuse bombs, only to be terrorized by an alien.” They made three of these crappy flicks? Ah well, this Blu is coming from Vinegar Syndrome in a regular and special edition limited to 2,000 copies. So, get it while it’s hot?

Frozen II The gist “Elsa, Anna, Kristoff and Olaf are going far in the forest to know the truth about an ancient mystery of their kingdom.” Look, I know “Let it Go” is the overplayed hit of 2013, but that’s because it was damn good. And while this movie doesn’t have a breakaway pop hit like that, it’s still a decent movie. There have been a lot of worse Disney sequels. It’s out in Blu, 4K and the obligatory Best Buy Steelbook.

Reigo, the Deep-Sea Monster vs. the Battleship Yamato (2005) The gist “The film, set in World War II, depicts the story of the real-life Japanese battleship, the Yamato, which is confronted in the Pacific Ocean by giant monsters, including the most fearsome of them all, Reigo.” You had me at Kaiju vs Yamato.

Raiga: God of the Monsters (2009) The gist “A giant monster surfaces from the sea among others, and attacks Japan.” Per Wikipedia, this is the sequel to Regio there, and “features a more traditional Godzilla-like kaiju“. So, once more, I’m in.

I want my two dollars . . .

Better Off Dead (1985) The gist “Lane Meyer is a depressed teen who loses his girlfriend Beth. Her given reason for breaking up is: “Lane, I think it’d be in my best interest if I dated somebody more popular. Better looking. Drives a nicer car.” Anyway, poor Lane is left alone and thinks up treacherous ways of killing himself. He finally meets a French beauty called Monique and falls for her. Simultaneously, he must endure his mother’s terrible cooking which literally slides off the table and his disgusting next door neighbour Ricky (and his mum) while he prepares for the skiing race of his life – to get his old girlfriend back!” To me, there are two directors that defined teen comedies in the 80’s. The first is John Huges. The second, (who I actually like a little more, if you make be pick between them), is Savage Steve Holland. His movies are cutting, subversive, hilarious and just bonkers. This is one of his best, and has a powerhouse cast of John Cusack, David Ogden Stiers, Kim Darby, Curtis Armstrong, and Diane Franklin. This edition is a FYE exclusive Steelbook, and I will definitely be picking it up.

One Missed Call Trilogy The gist “No synopsis for One Missed Call Trilogy” Again, Blu-Ray.com, I’m available, if you’re hiring. Anyway, this set is from Arrow Video, and collects the Japanese originals, not the terrible American remake. The first is actually by Takashi Miike, so it’s worth a look.

The Hunt for Red October (1990) The gist “A new, technologically-superior Soviet sub, the Red October, is heading for the U.S. coast under the command of Marko Ramius. The U.S. government thinks Ramius is planning to attack, but C.I.A. analyst Jack Ryan has a different idea. He thinks Ramius is planning to defect, but he has only a few hours to find him and prove it, because the Russian naval and air forces are trying to find him, too.” The last Cold War movie; a fantastic Sean Connery movie, the best Jack Ryan movie (sorry, Harrison), and probably the best adaptation of a Tom Clancy book, this techno-thriller is an absolute classic. Solid cast, still effective FX, and it’s about time it got a nice 4K release, in a cool Steelbook, no less. One ping, and one ping only.

Color Out of Space The gist “After a meteorite lands in the front yard of their farm, Nathan Gardner and his family find themselves battling a mutant extraterrestrial organism that infects their minds and bodies, transforming their quiet rural life into a technicolor nightmare.” Go read my review here!

Stop Making Sense (1984) The gist “The famous concert movie by rock band Talking Heads, filmed over three nights in 1983 at the Pantages Theater in Hollywood.” Ok, yes, this isn’t exactly a genre film, but it put Jonathan Demme on the map as a filmmaker, and through this movie and their videos, Talking Heads defined a large part of the look and sound of the 80’s. David Byrne is having a bit of a renaissance repurposing this music with his American Utoipa project, so you should check out where it all started.

Other titles of note: Return of Ultraman (1971), Ultraman Orb: The Origin Saga (2016), Zombie Island Massacre (1984), Code 8 (This stars the Amell cousins!), Zombeavers (2014), After We Leave, Gappa: The Triphibian Monster (1967), Spookies (1986), Flesh Eating Mothers (1988), Hollywood Horror House (1970), Paris Is Burning (1990)

Whew! As I said, there is a lot out this week! What a way to close out February. Let me know which of these are a must-buy for you, a pass, or which ones I missed!

Cage, Alpacas & Chong: Color Out of Space Should Have Been Crazier

“I think something’s wrong with Dad.”
Format:Movie
By:Richard Stanley (Director)
H.P. Lovecraft, Richard Stanley, Scarlett Amaris (Writers)
Genre:Horror
Released:January 24, 2020
Review Date:February 24, 2020
Audience Rating:Not Rated
RevSF Rating:6/10 (What Is This?)

Movies based on the works of H. P. Lovecraft can be a squirrelly bunch. Some, like the HPLHS’s The Call of Cthulhu have almost no budget, but are labors of love that capture what draws us to Howard’s weird tales. Others, like Re-Animator, use his stories as a springboard, which don’t quite truly adapt the work, but once again, get the core ingredients right enough, so you end up with an enjoyable scary flick. And others, like Castle Freak, go off in their own direction, with debatable results.

Then there are the movies just “inspired” by his works, and going over that list could take days. So I’ll just move on (*cough The Thing, Cast a Deadly Spell *cough*).

The biggest problem with adapting HPL to film is that, to be honest, a lot of what pulls us to his work is, frankly, unfilmable. It’s all about the tone; the mood; it’s being inside someone’s head as reality comes unglued in ways that tears a character’s mind apart. It can be done, but it takes skill. It’s just a lot easier to make a big rubber monster, dip it in slime, then let it run wild as people scream “Ia! Ia!” while running around with Elder Signs painted on rocks. Though, sometimes, I’m there for that.

However, when someone really gets the material, and puts in the effort to make sure that its done right, you can get a true horror classic.

Color Out of Space is . . . not in that category.

This is actually the third attempt to adapt one of HPL’s most famous (and in my opinion, one of his best) works. Of the movies that have tried to tell this story (Die, Monster, Die! from 1967 with Karloff, and The Curse from 1987 with Wil Wheaton), this one is the third. And probably the best of the batch. Which, sadly, isn’t saying a whole lot.

The basics of the story are as follows. A nice farmer family living in the deep part of the woods have their life upended when a strange meteor crashes onto their property. It’s a strange, soft stone that slowly dissolves into the soil, and is a color that we have never seen before on Earth. This color acts like a strange radiation, mutating the land, the plants, animals, and then the farm family into bizarre, twisted, horrifying creatures

This version of the tale comes to us from Richard Stanley (The Island of Dr. Moreau) and Academy Award Winner© Nicolas Cage. With this pedigree, I was hoping that we would get the same level of otherworldly high weirdness we saw in Mandy. But we only get a few glimpses of that Cage here. He does a pretty reserved performance for most of the movie as Nathan Gardner, a man who has moved his family to this rural farm in the wake of his wife Theresa’s (Joely Richardson) cancer treatments, hoping that the quiet will help her recover, help their marriage, and that raising alpacas for their milk and fur will keep them afloat.

Their three kids are Lavinia (Madeleine Arthur), their rebellious teen daughter who is dipping her toes into Wicca; Benny (Brendan Meyer) the stoner teen son; and precocious young Jack (Julian Hilliard), who is a bit nerdy, and a bit weird. We also have Tommy Chong as, well, Tommy Chong, living in a trailer at the edge of the farm.

Everyone does what they can with the roles, especially at the start where it follows the template of “city family moves to the country and tries to adapt” formula. Cage’s Nathan is obviously out of his depth, but Cage plays him with an awkward charm. You believe how much he still loves his family, and is trying to make his wife believe that her recent trauma hasn’t changed how much he cares about her.

Then the meteor shows up, and things get weird. But not weird enough. Weird in ways that make you go “huh?” more than going “augh!”

There are only two or three times where Cage gets to let out the really crazy side we’re waiting on, and while a more restrained performance is usually a good thing, it hinders more than it helps here. Especially when Lavinia goes full cultist crazy, carving runes into herself in an attempt to battle back against whatever is happening to her family.

When Cage isn’t the craziest character in your HPL movie, something has gone wrong somewhere.

Still, there are a few reasons to watch the movie. As I mentioned, the performances are pretty consistently good across the board, the effects are cool, and the choice to make the Color a pink/purple/violet works, providing some stunning visuals. And the scene where Cage is interviewed by the local news team about the strange visitor from another planet is hilarious.

As an adaptation of the original story, the movie hits most of the beats pretty well, and fans of the work should find the movie of interest. Fans of Cage will also probably enjoy this as well, even with it being one of his tamer performances. And horror fans will most likely think that it’s ok.

In the end, I thought that Color Out of Space was decent, but a little bit of a let down when all was said and done. I didn’t regret watching it, but it’s not a movie that I will be coming back to again any time soon.

If they had leaned harder into being weird, or let Cage get a little more . . . Cage-y as the world twisted around him, I would have enjoyed it more. It feels like it tried to split the difference, to be both a character study and Mandy-ish, and ended up being weaker because of not committing to being either a subdued character piece, or full Cage crazy.

Gary Mitchel is a frightful messenger from unformed realms of infinity beyond all Nature as we know it; from realms whose mere existence stuns the brain and numbs us with the black extra-cosmic gulfs it throws open before our frenzied eyes.

Slipped Discs: 2/18/2020

A boy and his Hitler

Welcome back to the latest episode of Slipped Discs, where I give you a head’s up on what nerdy stuff is available to come home with you, because I still believe in physical media!

Once more, all this information comes from Blu-Ray.com, but they list everything that will be in the stores, whereas I shall provide you with what I feel is the interesting genre fare.

We have another pretty thin week this week, but it is February, so I supposed it’s to be expected. So let’s hop right into it!

A Beautiful Day in the Neighborhood The gist: “The story of Fred Rogers, the honored host and creator of the popular children’s television program, Mister Rogers’ Neighborhood” Not so much a bio-pic of Mr. Rogers (That would be “Won’t You Be My Neighbor”), this movie is more about the effect Mr. Rogers had on people, by way of his relationship with a reporter assigned to do a puff piece on the beloved figure. Inspired by a true story (“Can You Say…Hero” By Tom Junod), powered by a spectacular performance by Tom Hanks, this movie warmed even my black, cynical heart. Just as Mr. Rogers would have wanted. Don’t watch without tissues handy.

And if you don’t think this belongs in a list of genre movies, then you’ve obviously never visited the Land of Make-Believe.

Tex Avery Screwball Classics: Volume 1 The gist: “There were several masters of animation during Hollywood’s golden era. Of the top two geniuses, one created elaborate fairy tales and ornate feature-length fantasias — the other guy was Tex Avery. He just wanted to make you laugh. After helping develop Porky Pig, Daffy Duck and Bugs Bunny for Warner Bros., Avery moved to MGM in 1941 to create a set of comedy masterpieces that defined a new slapstick style for animation.” Tex Avery is a legit legend of animation and comedy. Droopy Dog alone would cement his legacy. He had a distinctive style, a sense of the absurd, and was a pioneer of how far you can push a story and the medium in animation. I will absolutely be picking this up, and so should you.

21 Bridges The gist: “A disgraced detective in the NYPD is given a shot at redemption.” Once more, I gotta wonder who’s writing these blurbs for the website, because this is not a correct gist. Chadwick Boseman is a respected cop who’s pulled in to investigate a police shooting where more is going on than it seems. It has quite a few connections to the MCU, in front of and behind the camera, and it’s a good action/thriller.

Star Blazers 2199: Space Battleship Yamato – The Complete Series (2012) The gist: “No synopsis for Star Blazers 2199: Space Battleship Yamato – The Complete Series.” I swear, I should see if they’re hiring for a blurb writer. It’s the remake series of Star Blazers, aka Space Battleship Yamato depending on which side of the Pacific you live on. I haven’t seen this version, but as a kid I lived for the adventures of Wildstar and the crew of the Argo in their quest to defeat Deslok’s plan to destroy the Earth, so I will probably be checking this out.

The Twilight Zone: Season 1 (2019) The gist: “An updated version of the classic TV series featuring various tales of science fiction, horror and mystery.” One of the non-Star Trek reasons to get CBS All Access, this new series was overseen by Jordan Peele and has mixed reviews. I watched the first episode, and thought it was decent, but also that it was a 30 minute story stretched to 60 minutes. I keep meaning to go back and check out the rest of the season, but life keeps throwing other things in my queue. One day…

Jojo Rabbit The gist: “A young boy in Hitler’s army finds out his mother is hiding a Jewish girl in their home.” Again, this gist does not capture the spirit of the movie. Jojo Rabbit is funny, smart, touching, heartbreaking, uplifting, and simply one of the best movies I’ve ever seen. It covers growing up, family, war, hate, love, hope and so much more. And, again, it’s funny without being silly, serious and poignant when called for, has masterful performances by an amazing cast, got Taika Waititi a well-earned Oscar, and as I said before, it’s my pick for the best movie of 2019. A must-buy. If you haven’t seen it, fix that ASAP.

Other titles of note: Rasputin: The Mad Monk, X The Unknown, The Unbreakable Kimmy Schmidt: The Complete Series, Avatar – The Last Airbender: The Complete Series, Mandy (Steelbook release on 2/19)

Again, not a whole lot, but what is there is really damn good! Let me know which of these are a must-buy for you, a pass, or which ones I missed!

Slipped Discs: 2/11/2020

I am not making this up…

Welcome back to the latest episode of Slipped Discs, where I give you a head’s up on what nerdy stuff is available to come home with you, because I still believe in physical media!

Once more, all this information comes from Blu-Ray.com, but they list everything that will be in the stores, whereas I shall provide you with what I feel is the interesting genre fare.

There’s not really a lot of new stuff out this week, except Ford vs. Ferrari, but as that’s not a genre flick, we shall move on to . . .

My Bloody Valentine (1981) The gist: “Twenty years ago in the sleepy mining town of Valentine Bluffs, a fatal mining disaster occurred on Valentine’s Day while key members of the crew were decorating for a party. The sole survivor of the accident killed the absentee crew members and warned the town never to have another Valentine’s Day celebration. When a group of teenagers decides that the the town has gone without a party long enough and begin planning one, a murderous maniac in mining gear begins dispatching townsfolk in bloody and creative ways.” An icon of the 80’s slasher era, this movie has some fun twists, inventive kills and a decent mystery. Old school horror fans should check out this Scream Factory Collector’s Edition Blu.

Swamp Thing: The Complete Series The gist: “Abby Arcane returns home to Marais, Louisiana, to investigate a deadly swamp-borne virus, where she develops a bond with disgraced scientist Alec Holland. After Holland tragically dies, Abby discovers the mysteries of the swamp and that Holland may not be dead after all.” The DC Universe series comes to Blu-Ray, and will hopefully pick up the following it deserved. I’ve been a fan of Swamp Thing since the Wes Craven movie, then in the legendary comics run by Alan Moore, which heavily influenced this series. It’s a shame we probably won’t get a second season, but at least we have these episodes to enjoy.

Ultraman Orb: The Origin Saga (2017) The gist: “A spin-off to the TV series Ultraman Orb, the prequel introduces the characters Gai Kurenai and Jugglus Juggler, who, legend has it, once fought for the same power.” As an 80’s kid, I loved the original ’66 Ultraman series. Watching the Science Patrol fight various giant monsters, until Hayata finally decided it was time for Ultraman to kick butt just hit all my buttons. This set is apparently a prequel series to a follow-up series, but as long as a guy in silver spandex beats up guys in monster suits, I’m in!

Rambo 5-Film Collection (1982 – 2019) Oh, come on, you don’t need me to give you the gist on this one. Five movies, one great, two good, and two less than good, you already know if you need these Blu-Rays or not.

Transylvania 6-5000 (1985) The gist “Two reporters travel to a strange castle in Transylvania to investigate the apparent reappearance of Frankenstein, and encounter such kooky creatures as the sensitive Wolfman, the horny Vampiress Odette, as well as a whole cast of other weirdos.” The first of two vintage era Goldblum movies being released, this one is a horror spoof in the same vein as “Saturday the 14th“. It’s cheesy, it’s a very 80’s spoof comedy, some of it holds up, some of it doesn’t, and now you can have it on Blu-Ray.

Sexy cover, not quite as sexy movie

Vibes (1988) The gist: “Psychics Sylvia Pickel and Nick Deezy are hired by a mysterious man to find an ancient treasure in South America. As they trek through Ecuador, their supernatural skills lead them straight into danger, disaster and romance. When the ancient ruins unleash an evil paranormal power, Sylvia and Nick must join psychic forces to save the world.” Our second early-installment weirdness Goldblum, this time teamed with the lovely Cyndi Lauper, and Steve Buscemi as a bonus! This is Goldblum at his young and still kinda twitchy best, and he has great chemistry with Cyndi as two very different kinds of psychics. It’s a very fun romp that was sadly not appreciated at the time. Blu-Ray only, sadly, but it is in one of those faux-VHS slipcases, which is fun.

Robocop (1987) Again, do you really need the gist? Ok: “In the not-too-distant future, a newly transfered Detroit police officer is remade into an indestructible cybernetic cop after being dismembered by a gang of thugs in an abandoned warehouse. Reborn as RoboCop he is programmed to serve and protect the citizens of Detroit and eliminate the rampant crime in the city streets so that a massive city-wide reconstruction project can get under way.” You know it, you love it, and you probably already own it. But this is another special edition from the fine folks at Arrow Video. This is the regular release non-Steelbook edition. That release has been tempting me at Best Buy for a few weeks now, as it has three different cuts of the movie, and all kinds of extras. In fact, I’d only get the version coming out on the 11th if you can’t find the other release, or just only want/need the theatrical cut of the film.

Hudson Hawk (1991) The gist: “Eddie “The Hawk” Hawkins, the world’s most famous cat burglar, who, after 10 years in prison, is ready to go straight. But it’s not going to be easy. The mob and the CIA have conspired to blackmail Eddie and his partner into stealing three da Vinci masterpieces from the most heavily-guarded museums in the world.” Or would you rather swing upon a star? Yes, the movie that almost killed Bruce Willis’ career, now on Blu. It’s stock with the public has gone up as the years have passed, but it’s still . . . a movie that I have seen.

JoJo’s Bizarre Adventure: Diamond is Unbreakable – Chapter 1 (2017) The gist: “A teen gifted with supernatural power discovers the truth behind his cursed and bizarre bloodline, and the evil that lurks within his town.” A live action version of the (I wanna say cult, but is it really cult?) anime, from what I have heard, this movie captures the truly outlandish and, um, bizarre, feel of the original. I haven’t seen it, but I had to include it, just for that title alone.

Heartbeeps (1981) The gist: “Two household robots run away and try to start a family.” Oh, it’s so much weirder than that. One of Andy Kaufman’s few movie roles, he and Bernadette Peters wear innovative makeup (which nearly won Stan Winston the first ever Oscar given out for Best Makeup, but he lost to An American Werewolf in London) that turned them into robots (think the video for Winnona’s Big Brown Beaver by Primus), and I tell you, it’s strange. Even for an 80’s movie, man is it strange. I always expected it to become a cult hit, especially as it’s Kaufman’s final role, but it was too oddball, or maybe not quite oddball enough, for that fate. Anyway, it’s out on Blu, if you’re curious.

Hanukkah (2020) Oh man, strap in for this gist: “Obediah Lazarus is the son of Judah Lazarus, the original Hanukiller. In 1983, Judah terrorized NY for seven nights and was preparing to sacrifice his eight-year-old son, Obediah, on the eighth night. Judah was convinced it was God’s will, like Abraham and Isaac, to sacrifice his only son to God. Luckily for Obediah, police tracked Judah down and stopped the sacrifice, but Judah was gunned down in the process. Warped by hatred with no guidance, Obediah Lazarus becomes a religious extremist, intolerant of non-Jews, “bad Jews”, and those he perceives to be enemies of the Jewish faith. He is about to unleash eight nights of horror. A group of Jewish teens are getting ready to party for the holidays, but are in for a Festival of Frights. With the help of a wise Rabbi, they deduce that the murder victims have violated Judaic law and that their only chance at survival is to embrace their faith.” It’s about time that Hanukkah got the Silent Night, Deadly Night & Black Christmas treatment. From the tagline “From Dreidel to the Grave“, to a cast including Sid Mutha-lovin Haig and Tim Miller, the secondary tag line “Prepare for a Festival of Frights“, and the sheer chutzpah of the film makers for even doing this, I have got to give it props and check it out. It is being released in a regular Blu as well as a special edition (no word on the differences between the two), I think it will sit quite nicely next to my copy of “The Hebrew Hammer.”

Other titles of note: Shutter Island, Terror Firmer, Game of Thrones: The Complete Eighth Season, John Wick Chapters 1 – 3 Combo Pack, When a Stranger Calls, Grave of the Fireflies

That’s a lot of stuff out this week! Let me know which of these are a must-buy for you, a pass, or which ones I missed!

Birds of Prey and the Fantabulous Emancipation of One Harley Quinn

“We’re gonna have to work together” – Harley
Format:Movie
By: Director: Cathy Yan
Writer: Christina Hodson
Genre: Comic Book Action
Released: February 7, 2020
Review Date: February 6, 2020
Audience Rating: Rated R
RevSF Rating: 7/10 (What Is This?)

It’s really nice to see the DC movies finally getting their act together.

Yes, there were a lot of early stumbles, but their last few movies (Wonder Woman, Shazam!, and Aquaman) have been good, if not great. Yeah, I know, I’m not really saying anything new or original there, but for me, it’s true.

And I say this as one of the people who actually enjoyed Suicide Squad. Yeah, mainly for Margot’s Harley, but for other reasons as well. But that is a whole other review, for another time. For now, we’re here to take a look at Dr. Quinn’s latest outing, Birds of Prey and the Fantabulous Emancipation of One Harley Quinn. But make no mistake from the title, this is mostly Harley’s movie. Which is one of my only issues with it, but I’ll get to that.

For now, here’s the setup. This movie is a sequel to Suicide Squad. No soft reboot, no reimagining or reset, we’re picking up a bit of time after the Squad’s adventure in Midway City. The events are even directly referenced by Harley at one point in the flick. And that’s not really a bad decision, as for most people Margot’s Quinn was the best thing in Suicide Squad, so don’t change what worked.

We get an opening narration by Harley (Margot Robbie) bringing us up to speed on how she’s been living the high life in Gotham since we saw her last. She’s been free to do whatever she likes, running roughshod over everyone and wreaking havoc wherever she goes, as no one wants to get on the bad side of Mr. J.

Until, that is, they break up.

We get a nice montage showing us how she’s trying to cope with being on her own (and not doing so well), but no one seems to believe that she and the Clown Prince are really no longer an item . . . until she blows up Ace Chemicals. Then everyone realizes they’ve well and truly split.

Once word gets out that Harley really is on her own, everyone who’s ever been shod roughly by Harley comes crawling out of the woodwork for revenge.

One of the people annoyed by Harley is Roman Sionis (Ewan McGregor), aka Black Mask, a club owner and crime lord with designs on taking over Gotham’s underworld, with the assistance of his head henchman Victor Zsasz (Chris Messina). After Harley had crippled Sionis’ driver, and caused all kinds of trouble in his club, he’s ready for some payback.

Our next major player is Dinah Lance (Jurnee Smollett-Bell) aka Black Canary, who starts out as a singer at Sionis’ club, until he spots her beating up some guys, and promotes her to his new driver, see above about what Harley did to his last one.

Into this mix we add Renee Montoya (Rosie Perez), a GCPD cop who’s seen too many 80’s cop movies, been repeatedly screwed over by her boss, and is valiantly trying to find a way to bring Sionis down. Mainly, that she’s uncovered his big plan to take over the city, involving a stolen diamond that’s been etched with the data key to a lost fortune from another (now wiped out) crime family, the Bertinellis.

As all this is going on, someone is riding a motorcycle around Gotham, murdering mob guys with a crossbow. Montoya is convinced they’re working for Sionis, while he wants to know who’s killing his men.

The answer: it’s The Huntress (Mary Elizabeth Winstead), aka Helena Bertinelli, out for revenge for her murdered family.

It sounds more convoluted than it is, just stick with me here.

Our final player to enter the scene and the one to kick off the main plot, is Cassandra Cain (Ella Jay Basco), a street kid/pickpocket, who happens to pick the wrong pocket. Specifically, Zsasz’s pocket, with the Bertinelli MacGuffin, er diamond, within it.

From here we get action, betrayals, car chases, explosions and lots of fire-forged friendships. And a pretty good time, truth be told.

BoP: FEOHQ holds on to a lot of what worked (and toning down what didn’t) in Suicide Squad. It has an irreverent tone, funny narration by Harley, lots of freeze frames with funny text commentary about the character in the freeze frame, manic energy, some fantastic fight scenes with brutal yet cartoonish violence, cool effects, and some surprisingly great character work. I can’t think of a weak performance in the entire movie.

Robbie’s Quinn is the joyful anarchist we saw last time, but tempered with her struggle in trying to figure out her new role in life, free from her Puddin’ Cup.

McGregor & Messina have great chemistry, and may have a deeper relationship than just Boss/Henchmen (though it would have been nice if that had been more text than subtext, but that’s another article).

McGregor is also clearly having a ball with Sionis, chewing on the scenery without going completely over the top. He plays him as a crazed, mercurial force who’s laughing one minute, then ordering people’s faces peeled off the next. In fact, he’s very much in the mold of how the Joker should feel as a villain to me. Scarily unpredictable, and it’s that shifting nature, friendly and smiling one moment, then a ranting menace on the edge of bloody violence the next, that makes him someone to be feared, as you don’t know what, if anything, could set him off. He’s just a touch more restrained than Quinn’s ex.

Perez and Smollett-Bell are fun as Montoya and Canary, while giving both characters some depth and weight as their histories are unfolded. The fact that they both hold their own with the energy put out by Robbie & McGregor is saying something.

Basco is good as Cain, though her main role is to be the smart-aleck street kid for Harley to bounce off, while providing her the motivation to become a (slightly) better person.

The weakest bit is Winstead’s Huntress, though by no means is it her fault. She really doesn’t get too much to work with, but what she does have, she nails. To be fair, she also gets one of the movie’s funnies scenes involving her and a mirror. I just wish that she’d been a bigger presence, and had more to do.

Which, as I said at the beginning, is really my only problem with the movie. It’s called Birds of Prey, but the BoP themselves feel more like guest/supporting players in what is totally Harley’s movie. We do get to know these ladies, and they’re important, but I just wish it had felt like they were on more of an equal footing with our leading lady.

The movie is very much the story of Harley Quinn, and her growth from Joker’s hench-girlfriend to anti-hero in her own right. Which, again, is only a minor problem for me, and not enough of one to really bring down the flick for me.

In the end, BOP: FEOHQ is a fun, exciting, action-packed thrill ride of a (deservedly earned) R-rated comic book movie. It’s well written, well directed, has a solid cast, fun characters, cute Easter Eggs, great fights (the climax, set in a funhouse inside an abandoned amusement park that is right out of Batman: The Animated Series, is stellar), cool moments, and continues the DCCU’s current upward trend.

Hopefully we’ll get a sequel which will focus more on Canary, Huntress, and Montoya, while Harley & Cain get their own buddy-crime movie. Or at least one with all of them on a more even footing as a true team.

Then again, this is their origin story, so with all of that “getting them together” business out of the way, maybe it will be easier to do that next time.

If you’re a fan of comics, Harley, the Birds of Prey, or just a good time, you should check this out.

Gary Mitchel is Revolution SF’s own Black Canary, but with more screaming.

Slipped Discs: 2/4/2020

The Doctor is in

Welcome back to the latest episode of Slipped Discs, where I give you a head’s up on what nerdy stuff is available to come home with you, because I still believe in physical media!

Once more, all this information comes from Blu-Ray.com, but they list everything that will be in the stores, whereas I shall provide you with what I feel is the interesting genre fare.

Doctor Sleep The gist: “Years following the events of “The Shining”, a now-adult Dan Torrence meets a young girl with similar powers as his and tries to protect her from a cult known as The True Knot who prey on children with powers to remain immortal.” I am severely disappointed at all of you out there who didn’t go see this movie. Incredibly well directed by Mike Flanagan, with fantastic performances from Ewan McGregor as Danny, Rebecca Ferguson’s top-tier villain Rose the Hat, and by newcomer Kyliegh Curran as Abra, this movie managed to thread an almost impossible needle of being faithful to both versions of The Shining, King’s original text as well as Kubrick’s masterful adaptation. If you don’t know the full story there, go look it up. Anyway, we get the Blu, 4K and the obligatory Best Buy steelbook. I’ll definitely be picking this up.

The House That Jack Built (2018) The gist: “USA in the 1970s. We follow the highly intelligent Jack over a span of 12 years and are introduced to the murders that define Jack’s development as a serial killer. We experience the story from Jack’s point of view, while he postulates each murder is an artwork in itself.” It’s a Lars Von Tier flick, with Matt Dillon as Jack. That should tell you enough to know if you want to check this out or not.

Rabid (2019) The gist: “After a young woman, Rose, suffers a disfiguring traffic accident, she undergoes an experimental stem-cell treatment that leads to unintended consequences.” This is a remake of Cronenberg’s  body-horror classic, and is very notable for being directed by rising horror stars Jen and Sylvia Soska. I have not caught this yet, but I like the original and it’s on my list.

The Good Liar The gist: “Career con artist Roy Courtnay can hardly believe his luck when he meets well-to-do widow Betty McLeish online. As Betty opens her home and life to him, Roy is surprised to find himself caring about her, turning what should be a cut-and-dry swindle into the most treacherous tightrope walk of his life.” Yeah, it’s not a genre film, but Helen Mirren and Ian McKellen put on a master class of acting that you should absolutely check out.

Grand Isle The gist: “A young father is charged for murder and must prove his innocence through recalling a very twisted and dark night of events.” I have no idea about this movie, but it has Academy Award© Winner Nicholas Cage and Kelsey Grammer, so I’m in. And, as we all know:

Brain Damage (1988) The gist: “One morning a young man wakes to find a small, disgusting creature has attached itself to the base of his brain stem. The creature gives him a euphoric state of happiness but in return demands human victims.” A classic of good-bad 80’s horror from Frank Henenlotter, the mad genius behind the Basket Case series and Frankenhooker. This Blu-Ray release is from Arrow video, whom I put up there with Shout/Scream Factory when it comes to putting out great genre work that deserves a new life. If you love cheesy, gory horror, you should check this out.

The Nightengale The gist: “Set in 1825 in the British penal colony of Van Diemen’s Land (now the Australian state of Tasmania), the film follows a young convict woman seeking revenge on a soldier who murdered her family.” The new film by Jennifer Kent, who brought us The Babadook. Again, I haven’t seen this one, but it looks good.

The Breakfast Club (1985) Do you really need the gist here? Ok, fine: “Five high school students meet in Saturday detention and discover they have a lot more in common than they thought.” I know most of us 80’s kids already own this, but this is another cool Best Buy exclusive steelbook which is very tempting for me. I mean, look at it:

Don’t you forget to buy me…

Other titles of note: Halloween ’78/18 combo pack, Dragonheart: Vengeance, The Hunt for Vlad the Impaler, Evil Ed, The Unbreakable Kimmy Schmidt (Complete Series)

I just realized how many of these I haven’t seen, in spite of how many movies I did catch last year. I guess that means there’s always something new to look forward to!

Let me know which of these are a must-buy for you, a pass, or which ones I missed!