Slipped Discs: 1/28/2020

No Fate But What We Make…Again

Welcome back for week two of Slipped Discs, where I give you a head’s up on what nerdy stuff is available to come home with you, because I still believe in physical media!

Once more, all this information comes from Blu-Ray.com, but they list everything that will be in the stores, whereas I shall provide you with what I feel is the interesting genre fare.

First up, a bit of a very personal interest, that actually came out back on the 24th, Blue Öyster Cult: Hard Rock Live Cleveland 2014. B-R doesn’t have any sort of a description, but I think the title tells us everything we need to know. I love BÖC, and I really shouldn’t have to explain their nerd cred. But I will! They contributed two songs to the Heavy Metal soundtrack, have songs based on the works of, and written by, fantasy legend Michael Moorcock, and are true legends of 70’s metal. Here’s a short list of tracks: “Veteran of the Psychic Wars“, “Imaginos“, “Black Blade“, “Vengeance: The Pact“, “Joan Crawford Has Risen From the Grave“, “Godzilla“, and, of course, “(Don’t Fear) the Reaper“. Need I go on? Because I could! I love this band, and that they’re still going strong.

And now, for the Tuesday releases!

Terminator: Dark Fate: The gist: “Sarah Connor and a hybrid cyborg human must protect a young girl from a newly modified liquid Terminator from the future.” A lot of people seemed to enjoy bagging on this movie, but I enjoyed it quite a bit. Sure, it’s no T2, but what is? Arnold was fun, Davis was cool, I liked Reyes, and Hamilton is iconic as Connor. We need to see more women, especially more older women, in roles that are more than just Grandma. Like, Grandma with a rocket launcher. Anyway, it’s out on Blu, 4K and as another Best Buy Steelbook exclusive.

Parasite: The gist: “Greed and class discrimination threaten the newly formed symbiotic relationship between the wealthy Park family and the destitute Kim clan.” One of the top foreign films of last year, from iconic director Bon Joon-Ho. I personally haven’t seen it yet, but it’s definitely on my list.

Fail Safe (1964): The gist: “At the height of the Cold War, during the standard investigation of a possible incursion into US airspace by the Soviets, the nuclear bombers that are always in the air are sent towards their “Fail-Safe” points, about which they orbit while waiting to be sent to their targets if a preemptive attack by the USSR is confirmed. The alert turns out to be false and the various flights are recalled, but a technical error occurs, and one flight of 6 aircraft, armed with multiple 20 megaton nuclear weapons, passes beyond its “Fail-Safe” point, and heads towards its assigned target of Moscow. With the World racing towards WWIII, can the US President and Soviet Premier overcome their distrust, and avoid nuclear annihilation?!” One of the great Cold War movies, and one of the first to ask “Wait, we’re HOW close to nuclear Armageddon?!” Fantastic cast, incredibly tense, and yeah, the “serious” version of what happened in Dr. Strangelove. Anyone who lived through the era will get chills, and those too young, hey, look, the world’s always been in the brink of destruction!

Let’s Scare Jessica to Death (1971): The gist: “Finally released from an institution after suffering a nervous breakdown, Jessica (Zohra Lampert) seeks the tranquility of a secluded home in Connecticut to help make her recovery complete. But instead of a restful recuperation with her husband Duncan (Barton Heyman) and a close friend (Kevin O’Connor) in the New England countryside, Jessica soon finds herself falling into a swirling vortex of madness and the supernatural.” One of the great psychological horror films of the 70’s, with a great “Is it the supernatural, or are they crazy” angle. Horror fans owe it to themselves to check this out.

Black Panther (2018): Do you really need the gist? Ok, fine: “ T’Challa, after the death of his father, the King of Wakanda, returns home to the isolated, technologically advanced African nation to succeed to the throne and take his rightful place as king.” This is the 4K re-release in the exclusive Steelbooks that Best Buy has been doing for the Marvel movies. If you need it in 4K, this is a good option for you. I like ’em, so I’ll be picking this up.

Slumber Party Massacre (1982): The gist: “An eighteen-year-old high school girl is left at home by her parents and she decides to have a slumber party. Meanwhile, a murderer of five people with a propensity for power tools has escaped and is at large, and eventually makes his way to the party, where the guests begin experiencing an attrition problem.” A classic of the slasher genre, and one of the only ones directed by a woman, Amy Holden Jones, who has a really great filmography. This movie is pretty iconic for the power drill kills, as well as having a smart script. Another one that horror fans should take a look at, especially as Scream Factory is giving this their patented deluxe Steelbook treatment.

Very Bad Things (1998): The gist: “Kyle and four friends are white suburbanites who set off for a debauched night in Las Vegas before Kyle gets married. But things go badly wrong when a prostitute is skewered on a coat hook as she entertains one of the pals, Michael. Yuppie Robert keeps his head, and goes so far as to murder a security guard who threatens to discover their little accident. The next step is to dismember and bury the bodies and then to return to LA and pretend nothing happened. Of course, guilt and nerves set in and outrageous steps are needed to keep a lid on things. But nothing — absolutely nothing — is going to stand between bride-to-be Laura and her trip down the aisle.” One of the darkest comedies ever made, getting the Blu Ray treatment from Shout Factory. You’re either gonna love it, or hate it, probably depending on how you feel about Christian Slater.

So only two new movies this week, but a lot of older stuff getting a release/re-release. Other possible titles of interest: “Tommy and the T-Rex“, “Body Parts“, “Angel Eyes“, “Along Came a Spider“, & “Footloose

Let me know which of these are a must-buy for you, a pass, or which ones I missed!

Slipped Discs: 1/20/2020

Still Looking for that Twinkie

Welcome to the first of what (hopefully) will be a new, weekly bit from me, a round-up of the new geeky movies hitting the store shelves, be it on DVD, Blu or 4K. Because I still believe in physical media, dammit!

All this information comes from Blu-Ray.com. Obviously, you could go look up this information yourself, but they list everything, whereas I shall provide you with what I feel is the stuff the nerd crew find interesting.

The House by the Cemetery (1981): A Lucio Fulci flick! The gist: “The plot revolves around a series of murders taking place in a New England home – a home which happens to be hiding a particularly gruesome secret within its basement walls.” It’s Fulci, so it’s going to be weird, lurid, disturbing, and a must for horror fans.

Zombieland 2: Double Tap: The sequel to the breakout zombie hit of 2009! The gist: “Columbus, Tallahassee, Wichita, and Little Rock move to the American heartland as they face off against evolved zombies, fellow survivors, and the growing pains of the snarky makeshift family.” Yeah, it took a while, but I enjoyed seeing this crew (and the surprise cameos) again. Best Buy will have a collectible Steelbook of it, and the first one, available for your undead library.

Jay and Silent Bob Reboot: The gist: “Jay and Silent Bob return to Hollywood to stop a reboot of ‘Bluntman and Chronic’ movie from getting made.” There was a time I loved everything by Kevin Smith. But that time is not now. I’ve heard a lot of not good things about this particular movie, but I will probably end up giving it a shot.

The Addams Family (2019): Ok, someone wasn’t paying attention when they wrote the gist: “A stop-motion animated version of Charles Addams’ series of cartoons about a peculiar, ghoulish family.” This movie is CG, not stop motion. I have no idea what they’re talking about. The movie itself, though, surprised me by being a lot of fun. It managed to capture and blend the tone of the original Addams comics, and the 90’s live-action movies.

Dragonfly (2002): A supernatural Kevin Costner flick that was trying to ride the Mothman vibe. The gist: “After his wife is killed while performing relief work in Central America, a doctor’s patients begin delivering messages from her from the afterlife. On a quest to determine what his lost soul mate wants, the doctor is forced to accept the impossible.” I remember it being very meh, but now it’s out on Blu for the die hard Criptid fands, or Costnerites.

Countdown: Everything you need to know about this meh movie is that they gave it the tag-line “Death. There’s an app for that.” Dull, uninspired, and just a waste.

In Search of the Last Action Hero: No, it’s not a sequel to the Arnold movie, but a new documentary that looks pretty interesting. The gist: “In Search of the Last Action Heroes details the action genre over the past 50 years from the early westerns to the contemporary movies of today. We explore the story behind the ’80s action genre many consider to be the golden Era and how it changed come the 90s and saw its decline and rise as we saw the old stars of the 1980s make a comeback. We examine how studios were able to turn outrageous concepts into genre-defining tropes, and how the one-man-army sub-genre produced the superstars of the era.” I love a good documentary, and this topic could be a lot of fun.

Other possible titles of interest: American Pie: Band Camp, Black and Blue, Kitten With a Whip (1964), Dragonheart: A New Beginning (2000), Summer Days with Coo (2007), The Courier

Let me know which of these are a must-buy for you, a pass, or which ones I missed!

The Grudge (2020)

I want to show you something . . .” – Fiona
Format:Movie
By: Nicolas Pesce (Director/Screenwriter)
Genre: Horror
Released: January 3, 2020
Review Date: January 12, 2020
Audience Rating: Rated R
RevSF Rating: 8/10 (What Is This?)

I believe that this is the first time where I’m getting to review a remake of a movie, where I reviewed the original when it came out. I’m not sure how I feel about this, except possibly old.

The original The Grudge was released way back in 2004, and I really enjoyed it. So even with Sam Rami / Ghost House behind this remake (after having made the original American adaptation of the J-Horror original), the usual remake unease, combined with by-the-numbers trailers, had me a little apprehensive about this remake.

I am very glad to report that my fears were unfounded. This remake is fantastic.

Like the original, the new The Grudge is about vengeful spirits who died in a rage, so now they unleash that fury on anyone who dares enter their house. This must be the reason for the push for drone-based delivery services, so you stop running out of employees.

Anyway, the tale starts in Japan, where live-in nurse Fiona (Tara Westwood) Landers is our ghost “patient zero”. She makes the mistake of dropping in on where long-haired ghost Kayako (Junko Bailey) and her child Toshio were murdered. After a scare by the undead duo, Fiona flees home to America, where she and her family, husband Sam (Dave Brown) and daughter Melinda (Zoe Fish) discover that you can run but you can’t hide from pissed-off ghosts, and now they become murderous spirits as well.

After this, the movie follows four interlinked stories about the poor unfortunates who made the mistake of stepping into the wrong residence. As in the original, these stories are told in an interweaving pattern, slipping back and forth between setups and reveals, building the tension until you’re ready to snap.

Our four tales (five, if you count Fiona’s gruesome opener) are about:

  1. Single mom Detective Muldoon (Andrea Riseborough) who has moved with her son Burke (John Hanson) to town after her husband’s passing from cancer. Along with her new partner Detective Goodman (Demián Bichir), she investigates the discovery of the body of . . .
  2. Lorna Moody (Jacki Weaver), a suicide assistance advocate, who has come at the request of William Matheson (Frankie Faison) about his ailing wife Faith (Lin Shaye). Meanwhile, they have visits from . . .
  3. Detective Wilson (William Sadler), partner of Detective Goodman, who had entered the house while investigating the deaths of the Landers. His visits upset the Mathesons, whom had bought the house from . . .
  4. Peter Spencer (Frank Cho), who is not only dealing with the stress of trying to sell the house for Fiona (whom he doesn’t know has perished at the ghostly hands of Kayako), but he and his wife Nina (Betty Gilpin) have just received some very unsettling medical news about their unborn child.

As you can see, this movie has a rock-solid cast. Riseborough, Lin and Cho are the standouts, and it’s always a pleasure to see Sadler. Riseborough is very sympathetic, smart and believable, Lin is great, and between this movie, The Exorcist TV show and Sleepy Hollow, Cho is putting together a solid horror resume.

The screenplay, by director Nicolas Pesce, manages to juggle the back and forth of the stories without becoming confusing or bogged down with “wait, what?” questions. All the characters are smart (or at least, don’t make stupid decisions just for the sake of moving the plot forward), and are sympathetic. I cared about each of these people, even as I yelled at them to not go into that house.

Also, setting the stories in 2004 & 2006 (when the original and sequel came out), was a cute touch.

Pesce’s direction has a very grounded feel. It reminded me of those matter-of-fact horror films of the 70’s, very easy to follow, well shot, and I love the way he handled the ending.

I also want to give a shout out to the music by the Newton Brothers, it’s great stuff. The end credits song “We Get What We Deserve” by them and Dead Sara has been on repeat in my playlist since I left the theater.

I know that a lot of people are kind of bagging on this movie, but I think it’s because it’s a remake, and as I said before, the trailers are not doing it any favors.

Personally, the movie works for me. But I really enjoy slow-burn horror (which this is). I liked the cast, it has a little gore, good scares, isn’t afraid to be mean, and I liked how it would slip the ghosts into various locations.

The only real complaint I have about the movie is that the ghosts have shifted from Kayako and Toshio to Fiona and Melinda. But as this is the story of their haunting, and Zoe’s performance is incredibly creepy, I can live with it.

Also, supposedly, this is more of a side-story than a reboot, telling the tale of the Landers ghosts, while Kayako and company are terrorizing Sarah Michelle Gellar. As you do.

So, yeah, The Grudge. If you like ghost stories, go check it out.

2019 in Film (Part II)

I’m ready for my closeup

So in Part One, I listed everything I caught in the theater last year. And now I’m sure that you’re all eager to know which movies I enjoyed the most…and the least. Once more, I feel that I should remind everyone that I didn’t catch everything I wanted to see (go back to part one for that list), so some may not be on here that would have otherwise.

For my top pics, I will provide a quick comment on each movie, but for the bottom four (no, not five, I actually only have four movies I really disliked this year. I’m shocked as well), I’m just going to list them, again, in release order.

My Top 10 Movies of 2019

Bumblebee: I did not expect to enjoy this flick, I quit watching all the Transformer movies after Bay’s first one. But this flick had heart, a great cast, and I could go for an entire movie of the Cybertron section.

Captain Marvel: Loved this movie. Brie kicked ass, loved seeing a young Nick Fury. Seeing a woman realize her power, then her taking out the Kree ship, followed by the fist-into-palm threat, was just amazing. “I don’t have to prove anything to you.” YES.

Shazam!: Not only was this a moving story, with great laughs and surprising poignancy, it’s nice to see the DC movies getting their crap together. Even if I’m not a fan of what they did to Sivana, this movie still makes the list.

Avengers: Endgame: The capstone to 10 years of a wild movie experiment, creating true serialized storytelling/building a universe in a way that had never really been done before. And they stuck the landing.

Godzilla: King of the Monsters: Best Godzilla movie since Destroy All Monsters. Great Kaiju action, passable human drama, and LOTS OF GODZILLA. If you didn’t see this on the big screen, you missed out.

Spider-Man: Far From Home: Tom Holland continues to be a great Peter Parker and Spider-Man. They nailed Mysterio. We gained Night Monkey. A great capstone to Phase Three of the MCU. Plus: JK is back!

Ready or Not: Biggest surprise of the year, and most fun movie of the year. A delightful black comedy, a cross between Clue and You’re Next, two of my favorite films. More people should have gone out to see this. If you haven’t, fix that!

Doctor Sleep: Atmospheric. Scary. Thoughtful. Solid performances. Fantastic villain. And they managed to thread the needle of honoring both versions of The Shining, the Kubrick movie, and King’s novel. I’m still shocked that this movie didn’t do better.

Knives Out: Just a pure joy. A great cast that is obviously having a ball making the movie, and the plot is a nice, twisty ride. It’s as good as you’ve heard, check it out.

Jojo Rabbit: To be honest, I was apprehensive about this one. The trailers made me think it was going to be too silly/goofy, which is how I felt about Thor: Ragnarok (don’t @ me). Instead, it’s smart, thoughtful, funny, and powerfully moving in places. It’s a near perfect film.

JoJo Rabbit is, hands down, my top movie of 2019.

Yes, really.

Honorable Mentions: Alita: Battle Angel, Happy Death Day 2U, Us, John Wick 3, Crawl

Bottom Four: Hellboy, Dark Phoenix, The Dead Don’t Die, Rambo: Last Blood

Special Call Out: Cats. Oh my god, Cats. This movie is not the worst. It’s not the best. It’s an experience. And I recommend that everyone check it out for themselves. It’s indescribably wild. I still have bits of “Magical Mr. Mistoffelees” rattling around in my head weeks later. I may go see it a second time.

It’s bonkers. It’s gloriously weird. It’s … Cats.

And it got me writing again, so it’s got that going for it.

You’re not prepared. Go anyway.

2019 in Film (Part 1)

The best thing about popcorn is the way it screams when you eat it…

So, all in all, 2019 was a pretty good year for movies.

A few surprises (though fewer than expected).

A few disappointments (though fewer than expected).

A few long-term friends coming to conclusions, (some more permanent than others).

(I think I’ll stop with the parenthesizes now…)

This was also my first full year with the AMC A-List program, which lets you watch up to three movies a week, be it in Dolby, 3-D, IMAX, or what have you, all for about twenty bucks a month. So as long as I saw at least two movies each month, it paid for itself.

My best months were June and December, which tied with six movies, meaning I paid about $3.50 a movie, which ain’t bad.

(I could go on about the program, and it’s perks, but they’re not paying me to do so, and that’s kind of another post. I may do one with all the movies I’ve seen so far with A-List, but I may not. The first one I did was Venom. And I said I was gonna stop with these things…)

Because of the A-List, I did see more movies than I probably would have without it.

Maybe.

To be honest, I most likely didn’t see that many more than if I didn’t have A-List, as I love going to the movies.

I did, however, do more repeat viewings than I usually do, because hey, a pretty much free movie is a pretty much free movie.

So, without further adieu, here’s everything that I caught in the theater last year, with the date, because why not? I also note the three movies that I saw outside of A-List, just for clarification.

Jan.
Bumblebee (11th)
Glass (17th)

Feb.
Alita: Battle Angel (13th)
Happy Death Day 2U (26th)

Mar.
The Lego Movie 2: The Second Part (2nd)
Captain Marvel (7th)
Captain Marvel (11th)
Us (23rd)

Apr.
Shazam! (4th)
Pet Sematary (10th)
Hellboy (14th)
Avengers: Endgame (25th)

May
Avengers: Endgame (2nd)
Pokemon: Detective Pikachu (12th)
John Wick 3 (17th)
Brightburn (27th)
Godzilla: King of the Monsters (30th)

Jun.
Ma (non A-List) (1st)
Dark Phoenix (12th)
Avengers: Endgame (15th)
Shaft (22nd)
The Dead Don’t Die (23rd)
Toy Story 4 (25th)
Anna (30th)

Jul.
Avengers: Endgame (1st)
Spider-Man: Far From Home (2nd)
Crawl (22nd)

Aug.
Scary Stories to Tell in the Dark (12th)
The Kitchen (17th)
Ready or Not (22nd)
Hobbs & Shaw (25th)

Sep.
It: Chapter 2 (10th)
Rambo: Last Blood (23rd)

Oct.
Joker (3rd)
The Addams Family (10th)
Zombieland 2: Double-Tap (18th)

Nov.
Maleficent: Mistress of Evil (1st)
Doctor Sleep (7th)
Terminator: Dark Fate (non A-List) (11th)
The Good Liar (17th)
Charlie’s Angels (23rd)

Dec.
Knives Out (3rd)
Frozen II (9th)
21 Bridges (11th)
Jojo Rabbit (12th)
Star Wars: The Rise of Skywalker (Non A-List) (19th)
Cats (23rd)
Star Wars: The Rise of Skywalker (24th)

Yeah, there are a few gaps, for various reasons, though a few are still playing in the theater at the time of this writing, and I’ll try and catch them there. In no particular order, the ones I missed that I still want to see are:

Once Upon a Time in Hollywood. A Beautiful Day in the Neighborhood. Rocketman. Uncut Gems. Jumanji II. Midsommar. Fighting With My Family. The Lighthouse.

Now, which movies make my top 10 list? Which are my bottom five? For that, you’ll have to come back next time.