Book Probe: Star Wars: Forces of Destiny Tales of Hope and Courage

Book Probe eliminates the petty concern that many humans have: what to buy. Book Probe tells you. Obey Book Probe. 

Star Wars Forces of Destiny: Tales of Hope and Courage

Of course, Star Wars fans should own this book, an anthology of stories about female heroes in all the Star Wars time frames, from Padme to Jyn Erso to Princess Leia.

The stories are thrilling and inspiring, with action, humor, and good triumphing over evil.

You know, Star Wars stuff.

As the dad of a daughter, these stories really poke me hard in the emotions. My daughter loves them. They’re the kind of stories that will be read and reread a jillion times.

For the younger young-uns, they’re suitable for bedtime stories. OK, I’ll admit it. They’re suitable for bedtime stories for any age.

 

Star Wars: The Last Jedi: Bomber Command

This is a novel starring Paige Tico, sister of Rose from The Last Jedi. Author Jason Fry digs into Paige’s character in this all-ages novel, as is the traditional style of the movie tie-in. Kids of any age are going to dig this story, a brand-new adventure with a terrific hero in the time frame of The Last Jedi movie.

The illustrations and the haphazard, fun journal-style design of the book will pull in younglings who are not quite ready for page after page of text.

All books should have design schematics for space bombers. There, I said it.

Bonus Review: The Dragon Inside by Alex Sapegin

This is a very fun fantasy novel, where a human from our own humdrum, dragon-free world discovers a fantasy realm that has all the elves orcs, quests, and mythos that one requires from such a thing.

The author beautifully reveals the world as the book’s hero discovers it, and by that I mean, I want to go there now.

The world has Eleraffs, a cross between an elephant and a giraffe. Eleraffs are my new favorite thing, and I want them to be in every book.

“The dungeon is not a spa” is the funniest quote I’ve seen in awhile.

This whole story is fun, with heroes, villains. You know, the good stuff. Highly recommended.

Star Wars: The Last Jedi reviewed

By Stanley Clarke

Star Wars: The Last Jedi shattered expectations with its epic drama, humor, acting, plot twists, and originality. The film starts where The Force Awakens ended with Rey seeking Luke’s guidance as a Jedi master and the Resistance in a war with the First Order.

The movie continues by creating relationships between the characters Rey (Daisy Ridley) and Luke Skywalker (Mark Hamill) as well as Finn (John Boyega) and Rose Tico (Kelly Marie Tran). Snoke (Andy Serkis) continues to sway his pupil Kylo Ren (Adam Driver) closer and closer to the dark side throughout the film.

Poe Dameron (Oscar Isaac) and Leia Organa (Carrie Fisher) quarrel over strategies to fight the First Order. While The Last Jedi does makes nods and references to other Star Wars films, it maintains a uniqueness seen through its plot twists and creative uses of the force, however it does not go without fault.
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The Last Jedi clocks in at an exhausting 2 hours and 32 minutes. Many of the subplots, especially those not featuring main characters, were underwhelming.  While the introduction of Tico and Admiral Amilyn Holdo (Laura Dern) added much welcome character depth and development, the stories themselves failed to spark much interest. Rey’s relationship with Skywalker, Ren’s continuing conflict between light and dark, and Snoke’s evil leadership offered far more intriguing plot points.

Rian Johnson expertly directed this eighth installment. His vision offers hope for the future of the franchise, since he is writing and directing the new Star Wars trilogy.

Easily the most humor packed Star Wars movie, the film hits the audience with genuine comedy throughout.  Unlike previous chapters, the comedy does not come just from the droids, but emerges from from the likes of Dameron, Skywalker, and other humanoids.

The acting in The Last Jedi is uniformly good. Even the much maligned Hamill was much better than his previous Skywalker portrayals. Driver’s standout performance as the menacing yet conflicted Ren creates some epic and emotional moments throughout the film.

The stunning visuals of the diverse planets, creative creatures, stunning space battles, and epic lightsaber fights create enjoyable moments.  Atoning for his lackluster The Force Awakens score, John Williams’ excellent music fuels much of the emotion, drama, and action in many scenes.

My favorite parts of The Last Jedi are the creative uses of the Force.  The film explains and uses the iconic mysticism in original and unique ways that leads to the unexpected. Unexpected also applies to The Last Jedi’s enjoyable and welcome plot twists.

Rian Johnson, John Williams, and the cast create an amazing movie that must be seen. The Last Jedi’s stunning acting, deep plot points, and genuine humor make it one of the best in the saga.

 

Born not that long ago and in this very galaxy, lifelong Star Wars fan, Stanley Brandt eagerly awaits the next chapter. Until then, he’ll have to brood while rehashing the past and dreaming about celluloid futures.

Star Wars: The Last Jedi Trailer: 4-Word Reviews

We watched the Star Wars: The Last Jedi trailer. These are all the thoughts we could muster as we sat agape before it. 

(Watch it for yourself. DO IT.) 

Porg!

I couldn’t think of four words, so I gave you a thousand instead. — Michael Falkner, @womprat99

 

Chewbacca finally uses conditioner. — Deanna Toxopeus, @ubalstecha

Where are the Ewoks? — Jayme Blaschke, @JaymeBlaschke

 

Blergh? Nrrgh! HRNNNN! HRRRRRRNNNNHHH!!!! –KC Ryan-Pierce

Is Finn a Porg? — Nathan Laws, @42Cast

March of the Porguins. –Geena Phillips, @GeenaCanBlowMe

Definitely needs more Porgs. –Tegan Hendrickson, @Artful_Username

I’m Locuteness of Porg. — Michael French, @RetroBlasting

Lost Review: Attack the Block

Beginning in December 2005 with my history of apes in film essay “Gorilla of Your Dreams” (the substantially update and revised version appears in The Apes of Wrath), I regularly contributed to Moving Pictures Magazine. First in the print incarnation and then for primarily the website. I contributed reviews and essays for the last three years of the publications existence. Following the June 2011 demise of both the print and website editions, all of the digital work for MPM disappeared into the ether. In the coming months (years?), I plan on reposting many of my reviews and articles.

With John Boyega getting his “big break” in Star Wars: The Force Awakens, I thought it’d be a good time to take a look back at his first starring role.

Attack_The_Block_2

Attack the Block
Reviewed by Rick Klaw
(July 2011)
Directed and written by Joe Cornish

Starring John Boyega, Jodie Whittaker, and Nick Frost

Following in the successful footsteps of recent low budget science fiction films District 9, Moon, and Monsters, writer/director Joe Cornish’s freshman outing Attack the Block, produced for an estimated £9 million (roughly $14 million), delivers a superior diversion, grounded in a quality script and innovate direction.

After mugging young nurse Sam (Jodie Whittaker), a group of South London teens witness a small meteor crash into a nearby car. While searching the vehicle for valuables, an alien, a three foot high being that looks like a hideous skinless baby, bites gang leader Moses (John Boyega) and runs away. The boys give chase, eventually catching and killing it. Wielding their trophy, the thugs return to their block, an urban apartment building for the poor similar to the America projects. Soon terrifying creatures—a cross between a large dog and a small bear with pitch black fur, no eyes, and glowing white teeth—hunt the scared young men. In desperation, they eventually turn to the savvy Sam to help keep their wits and sanity.

Masterfully manipulating his meager budget, Cornish effectively employs actors in suits, rather than the now-standard and more costly digital portrayal, for his scary monsters and uses his native South London as the gritty backdrop. Employing age-appropriate actors, fronted by the mesmerizing newcomer Boyega, the motivations and emotions of the clever and impetus group lend an air of realism to an otherwise absurd concept. The wholesome Whittaker supplies a much needed counter to the testosterone-infused scenes as the mother/sister/object of desire. The popular Nick Frost (Paul) adequately supplies his nearly stereotypical comic relief role as the bumbling stoner.

The intelligent story offers no explanation for the origin of the aliens nor does it ever waiver from the ground level urban perspective. The fun and creative action sequences provide more excitement than the vast majority of big budget productions.

An exciting, often humorous and unique 88 minutes, Attack the Block, much like the movies mentioned above, heralds a major new imaginative filmmaker. See it now before Hollywood spits out the inevitable crappy remake.