{"id":608,"date":"2009-03-01T23:54:43","date_gmt":"2009-03-01T23:54:43","guid":{"rendered":"http:\/\/www.revolutionsf.com\/revblogs\/geekcurmudgeon\/2009\/03\/01\/to-hell-with-alan-moore\/"},"modified":"2012-08-17T05:19:29","modified_gmt":"2012-08-17T05:19:29","slug":"to-hell-with-alan-moore","status":"publish","type":"post","link":"https:\/\/www.revolutionsf.com\/revblogs\/geekcurmudgeon\/2009\/03\/01\/to-hell-with-alan-moore\/","title":{"rendered":"To Hell With Alan Moore"},"content":{"rendered":"<p>For <a href=\"http:\/\/www.sfsite.com\/columns\/graphica291.htm\" target=\"_blank\" class=\"postlink\">my latest Nexus Graphica column<\/a>, I revised and updated the &quot;To Hell With Alan Moore&quot; article, my 2006 history of the films based on the works of Alan Moore that <a href=\"http:\/\/www.movingpicturesmagazine.com\/Default.aspx?DN=ef3c586a-a6b2-40e3-beef-b058def07b50\" target=\"_blank\" class=\"postlink\">originally appeared<\/a> in <span style=\"font-style: italic\">Moving Pictures<\/span>.<\/p>\n<p><\/span><\/p>\n<table width=\"90%\" cellspacing=\"1\" cellpadding=\"3\" border=\"0\" align=\"center\">\n<tr>\n<td><span class=\"genmed\"><b>Quote:<\/b><\/span><\/td>\n<\/tr>\n<tr>\n<td class=\"quote\">Alan Moore (along with <span style=\"font-style: italic\">Sin City<\/span> creator Frank Miller) injected relevancy into mainstream comics in the 80s. Previously, comic books lagged some five to six years behind current trends. Moore&#8217;s skills moved mainstream superhero comics ahead of popular culture and established new trends, the punk to the old guard&#8217;s rock &#8216;n&#8217; roll. His success paved the way for artists such as Moore prot\u00e9g\u00e9 Neil Gaiman and Mike Mignola (<span style=\"font-style: italic\">Hellboy<\/span> creator), as well as the re-tooling of superheroes that lead to this century&#8217;s spate of successful films such as the Spider-Man franchise, the X-Men series, <span style=\"font-style: italic\">Iron Man<\/span>, and even <span style=\"font-style: italic\">The Incredibles<\/span>.<\/td>\n<\/tr>\n<\/table>\n<p><span class=\"postbody\"><\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.sfsite.com\/images\/graphica\/returnswamp.jpg\" border=\"0\" \/><\/p>\n<p>\nNot only did I revise large chunks of the original text and correct a factual error, but I expanded the piece to include my thoughts on the <span style=\"font-style: italic\">V For Vendetta<\/span> movie and included some observations about the forthcoming <span style=\"font-style: italic\">Watchmen<\/span> film.<\/p>\n<p><\/span><\/p>\n<table width=\"90%\" cellspacing=\"1\" cellpadding=\"3\" border=\"0\" align=\"center\">\n<tr>\n<td><span class=\"genmed\"><b>Quote:<\/b><\/span><\/td>\n<\/tr>\n<tr>\n<td class=\"quote\">A movie based on Moore&#8217;s arguably most nihilistic work, <span style=\"font-style: italic\">V for Vendetta<\/span> (1990), premiered in March 2006 starring Natalie Portman. Originally published serially during the height of the Thatcher\/Reagan era, <span style=\"font-style: italic\">V<\/span> relates the anonymous struggles of an anarchist terrorist in a post-apocalyptic fascist Britain. The movie, from first-time director James McTeigue and a screenplay by the Wachowski Brothers (<span style=\"font-style: italic\">The Matrix<\/span>), retained much of the original story&#8217;s anarchy and political references. The finest big screen Moore adaptation to date managed a respectable $132 million in total worldwide box office. Yet again, Moore asked for his name to be removed from the credits.<\/td>\n<\/tr>\n<\/table>\n<p><span class=\"postbody\"><\/p>\n<p>\n<img decoding=\"async\" src=\"http:\/\/www.revolutionsf.com\/bb\/weblogs\/upload\/16\/124312469549ab1c1011875.jpg\" border=\"0\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>For my latest Nexus Graphica column, I revised and updated the &quot;To Hell With Alan Moore&quot; article, my 2006 history of the films based on the works of Alan Moore that originally appeared in Moving Pictures. Quote: Alan Moore (along &hellip; <a href=\"https:\/\/www.revolutionsf.com\/revblogs\/geekcurmudgeon\/2009\/03\/01\/to-hell-with-alan-moore\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-608","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>To Hell With Alan Moore - The Geek Curmudgeon<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revolutionsf.com\/revblogs\/geekcurmudgeon\/2009\/03\/01\/to-hell-with-alan-moore\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"To Hell With Alan Moore - The Geek Curmudgeon\" \/>\n<meta property=\"og:description\" content=\"For my latest Nexus Graphica column, I revised and updated the &quot;To Hell With Alan Moore&quot; article, my 2006 history of the films based on the works of Alan Moore that originally appeared in Moving Pictures. 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