{"id":4392,"date":"2019-12-15T19:24:31","date_gmt":"2019-12-16T01:24:31","guid":{"rendered":"http:\/\/www.revolutionsf.com\/revblogs\/geekcurmudgeon\/?p=4392"},"modified":"2019-12-16T11:35:23","modified_gmt":"2019-12-16T17:35:23","slug":"from-the-trenches-other-worlds-2019","status":"publish","type":"post","link":"https:\/\/www.revolutionsf.com\/revblogs\/geekcurmudgeon\/2019\/12\/15\/from-the-trenches-other-worlds-2019\/","title":{"rendered":"From the trenches: Other Worlds 2019"},"content":{"rendered":"\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"796\" height=\"1024\" src=\"http:\/\/www.revolutionsf.com\/revblogs\/geekcurmudgeon\/files\/2019\/12\/OWA-Poster-2019-796x1024.jpg\" alt=\"\" class=\"wp-image-4357\" srcset=\"https:\/\/www.revolutionsf.com\/revblogs\/geekcurmudgeon\/files\/2019\/12\/OWA-Poster-2019-796x1024.jpg 796w, https:\/\/www.revolutionsf.com\/revblogs\/geekcurmudgeon\/files\/2019\/12\/OWA-Poster-2019-233x300.jpg 233w, https:\/\/www.revolutionsf.com\/revblogs\/geekcurmudgeon\/files\/2019\/12\/OWA-Poster-2019-768x988.jpg 768w, https:\/\/www.revolutionsf.com\/revblogs\/geekcurmudgeon\/files\/2019\/12\/OWA-Poster-2019.jpg 1000w\" sizes=\"auto, (max-width: 796px) 100vw, 796px\" \/><figcaption>Art by <a rel=\"noreferrer noopener\" href=\"https:\/\/laurenkitching.com\/\" target=\"_blank\">Lauren Kitching<\/a><\/figcaption><\/figure>\n\n\n\n<p><strong>As always, Austin\u2019s own <\/strong><a rel=\"noreferrer noopener\" href=\"http:\/\/www.otherworldsaustin.com\/\" target=\"_blank\"><strong>Other Worlds<\/strong><\/a><strong> delivered a fantastic collection of top notch films. Of the 20 or so selections for this years festival, I managed to see 10 of them plus the live recording of the podcast <\/strong><em><strong>Science Vs Fiction<\/strong><\/em><strong>.<\/strong><\/p>\n\n\n\n<p><strong>Here\u2019s my quick recap.<\/strong><\/p>\n\n\n\n<h1 class=\"wp-block-heading\" style=\"text-align:center\"><strong>Thursday<\/strong><\/h1>\n\n\n\n<h2 class=\"wp-block-heading\"><em>Dreamscape<\/em><strong> (35TH ANNIVERSARY\nSCREENING)<\/strong><em><br>\nLAUNCH FILM<\/em><\/h2>\n\n\n\n<p>The flawed, pioneering film, a staple of late 80s\/early 90s cable, has aged well despite some terrible acting by pretty much everyone not named Sydow or Plummer.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img decoding=\"async\" src=\"https:\/\/spartandog76.files.wordpress.com\/2010\/04\/dreamscape-poster-1.jpg\" alt=\"\" \/><\/figure><\/div>\n\n\n\n<h1 class=\"wp-block-heading\" style=\"text-align:center\"><em><strong>Friday<\/strong><\/em><\/h1>\n\n\n\n<h2 class=\"wp-block-heading\"><em>Afterlife<\/em><strong>\n<\/strong>\n<\/h2>\n\n\n\n<p>The powerful, intelligent Dutch film <em>Afterlife<\/em> ponders the choices we make and the very perceptions of what we know to be true, while confirming that parents often make the most unreliable narrators of all. Sanaa Giwa delivers a virtuoso performance as the tortured Sam.  <\/p>\n\n\n\n<p><em><strong>Afterlife<\/strong><\/em><strong> also presages a common thread throughout the festival: the usage of time travel tropes.<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter\"><img decoding=\"async\" src=\"https:\/\/www.ugc.be\/dynamique\/films\/12\/7212\/fr\/poster\/large\/19705.20190527124433_white_2.jpg\" alt=\"\" \/><\/figure><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><em>Time After Time<\/em><strong> (40TH ANNIVER.\nSCREENING)<\/strong><\/h2>\n\n\n\n<p>Another staple of 80s cable, <em>Time After Time<\/em> details the first ever fictional meeting of H. G. Wells and Jack the Ripper. The tense, intelligent film, deservedly so, is often lauded as on the true classics of time travel cinema. Malcom McDowell in one of his few heroic roles, David Warner at his creepiest best, and Mary Steenburgen in only her second screen appearance, ground the film with their excellent performances. Perhaps the only flaw lies in neophyte Nicholas Meyer\u2019s direction, which at times feels like TV movie-of-the-week. Thankfully, his near perfect script overcomes any of the firs time director\u2019s shortcomings.<\/p>\n\n\n\n<p><strong>The film was screened to honor Meyer, who was in attendance, with the Defender of the Universe Award. In the q&amp;a following the film, Meyer revealed that Jenz-Luc Goddard\u2019s legendary <\/strong><em><strong>Alphaville<\/strong><\/em><strong> served as an inspiration and scenes that were cut from the original screenplay showed up in <\/strong><em><strong>Star Trek IV: The Voyage Home<\/strong><\/em><strong>.<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/meansheets.files.wordpress.com\/2010\/04\/time-after-time.jpg\" alt=\"\" width=\"338\" height=\"522\" \/><\/figure><\/div>\n\n\n\n<!--more-->\n\n\n\n<h2 class=\"wp-block-heading\"><em>Lake Michigan Monster<\/em>\n<\/h2>\n\n\n\n<p>A big disappointment, the ludicrous <em>Lake Michigan Monster<\/em> has some genuinely funny moments but as is often the problem with movies of this ilk, it goes on too long and the jokes get tiresome. <\/p>\n\n\n\n<p><strong>I actually walked out on this one, which I very rarely do.<\/strong><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/m.media-amazon.com\/images\/M\/MV5BYmZkZDBlOWEtOTRhYS00YjBmLWFhOWMtNDhhMDg2MmNhYjc3XkEyXkFqcGdeQXVyNzQ1NDE3ODA@._V1_.jpg\" alt=\"\" width=\"702\" height=\"1042\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h1 class=\"wp-block-heading\" style=\"text-align:center\"><strong>Saturday<\/strong><\/h1>\n\n\n\n<h2 class=\"wp-block-heading\"><em><strong>I Am Human<\/strong><\/em><\/h2>\n\n\n\n<p><em>I Am Human<\/em> has everything an excellent documentary should: a fascinating subject shown in an intelligent and respectable manner. Directors Taryn Southern and Elena Gaby share the origins of the world\u2019s first \u201ccyborgs.\u201d  We become immersed within three people whose lives have been irrevocably altered by brain implants. The hopeful movie serves as a nice contrast to our increasingly bleak dyspotic reality.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/m.media-amazon.com\/images\/M\/MV5BYzg3NTlhODUtYzYxYi00Nzk3LTgwZjEtZjFjZTgxMjFkMmM4XkEyXkFqcGdeQXVyNTgzMDEwMjc@._V1_SY1000_CR0,0,1650,1000_AL_.jpg\" alt=\"\" width=\"413\" height=\"250\" \/><\/figure><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"> <strong>LIVE FROM OTHER WORLDS FILM FEST \u2013 IT\u2019S \u201cSCIENCE VS FICTION\u201d<\/strong><\/h2>\n\n\n\n<p>The live taping of the <em>Science Vs Fiction<\/em> podcast featured <em>Time After Time<\/em> and a discussion on time travel tropes. Film critic Scott Weinberg and Steven DeGennaro, a doctor of astrophysics, entertained and informed with film and physics tidbits. Both men enjoyed the movie but had some serious questions about the time travel elements. The interaction with the audience primarily dealt with naming time travel movies and various opinions.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><em><strong>Dead Dicks<\/strong><\/em><strong>  <\/strong><\/h2>\n\n\n\n<p>One of the best\nfilms of the festival, <em>Dead Dicks<\/em> is a creative, top notch\nsci-horror hybrid filled with existential dread, humor, and a\nfascinating brother-sister dynamic. This superior Cronebergesque film\noffers an excellent meditation on depression. Highly recommended!<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/m.media-amazon.com\/images\/M\/MV5BMGU3NjBhYzgtZTI1NS00OTVlLTlhMTgtOTk0ZGVhMjU4YTYxXkEyXkFqcGdeQXVyMzQ3NjE3ODU@._V1_SY1000_CR0,0,687,1000_AL_.jpg\" alt=\"\" width=\"344\" height=\"500\" \/><\/figure><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong><em>The Ascent <\/em><\/strong><\/h2>\n\n\n\n<p>Any positive thoughts of the Saturday festival garnered by the first two films were quickly squashed by the terrible <em>The Ascent<\/em>. This soulless film breaks one of the central tenants of action filmmaking, it is dull. Littered with stereotypes and predictability, the action scenes all have the feel of a poorly executed video game, with excessive use of first person viewpoints and lack of clarity as to what exactly is going on. The ascent of the title itself delivers little originality either. Those you expect to die, do and those who you don\u2019t, survive. The core \u201cwar is hell\u201d message is clumsily and amateurishly delivered. Many, many films have delivered similar storylines with far superior results. Easily the worst film of the festival.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/external-content.duckduckgo.com\/iu\/?u=https%3A%2F%2Fwww.britflicks.com%2Fimages%2Fblog%2Fbdab0fd2b3b6e7804af8dab60affaff7__8863%2Fzoom540x800z80838cw668.jpg%3Fetag%3D5180f1243380afeadd962ff55fba8bbc&amp;f=1&amp;nofb=1\" alt=\"\" width=\"405\" height=\"600\" \/><\/figure><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><strong><em>Volition<\/em><\/strong><\/h2>\n\n\n\n<p>Thankfully, the next flick was vastly superior. Initially a noir about a man afflicted with clairvoyance, <em>Volition<\/em> morphs into a bug nutty time travel thriller. While things get away from director and co-screenwriter Tony Dean Smith, the viewer won\u2019t care as the picture delivers the goods with some excellent and creative scenes. The flaws will largely go unnoticed until the final credits roll. A great way to end my Saturday.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/m.media-amazon.com\/images\/M\/MV5BMGZmNThmMmMtYjg3NC00MzIwLTg3ZTUtODc2NTAxYTI3YjVmXkEyXkFqcGdeQXVyMjgyNDk1MzE@._V1_.jpg\" alt=\"\" width=\"365\" height=\"554\" \/><\/figure><\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h1 class=\"wp-block-heading\" style=\"text-align:center\"><strong>Sunday<\/strong><\/h1>\n\n\n\n<h2 class=\"wp-block-heading\"><strong><em>Star Trek VI: The Undiscovered Country<\/em><\/strong><\/h2>\n\n\n\n<p>One of the most\nunderrated of all Trek films delivered again. Preceded and followed\nby a lengthy discussion with Nicholas Meyer. \n<\/p>\n\n\n\n<p>After the film,\nMeyer\u2019s signed copies of his new Sherlock Holmes book <em>The\nAdventure of The Peculiar Protocols.<\/em><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/external-content.duckduckgo.com\/iu\/?u=http%3A%2F%2Fwww.my-sf.com%2Fwp-content%2Fuploads%2F2015%2F11%2FStar-Trek-VI-The-Undiscovered-Country-theatrical-poster.jpg&amp;f=1&amp;nofb=1\" alt=\"\" width=\"505\" height=\"750\" \/><\/figure><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><em><strong>After We Leave<\/strong><\/em><\/h2>\n\n\n\n<p>Another disappointment, the meandering and seemingly pointless <em>After We Leave<\/em> joined <em>The Ascent<\/em> as one of the worst films of the weekend. The predictable movie was unmemorable.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/m.media-amazon.com\/images\/M\/MV5BYTgzYjVhMWUtNzNhOC00NjRkLWI2ZjEtNmZmNDE3MWFmNmI2XkEyXkFqcGdeQXVyMTkwOTUwOTU@._V1_SY1000_CR0,0,674,1000_AL_.jpg\" alt=\"\" width=\"337\" height=\"500\" \/><\/figure><\/div>\n\n\n\n<p><strong>As I was very tired, I almost decided to call it quits following <\/strong><em><strong>After We Leave<\/strong><\/em><strong>, but very glad I decided to return for a last film.<\/strong><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong><em>The Final Land<\/em><\/strong><\/h2>\n\n\n\n<p>The German filmmaker Marcel Barion, in his first film, crafts an outstanding story, full of wonder and paranoia. Taking place primarily within the confines of a tiny old spaceship, conflicts erupt as two disparate men struggle to find a new home. <em>The Final Land<\/em> is a brilliant atmospheric film that incorporates the best of elements of science fiction, both hard and soft. Barion achieves magnificent, mindblowing vistas from outside the ship using only traditional effects. With nary a dull moment and an ideal science fiction ending, <em>The Final Land <\/em>comes highly recommended!<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/m.media-amazon.com\/images\/M\/MV5BNTdkYjQxODktNmZiOS00MzhjLTkwMDItNTNjMTFhM2Q1OTRkXkEyXkFqcGdeQXVyOTA1NTU0Mzg@._V1_.jpg\" alt=\"\" width=\"512\" height=\"724\" \/><\/figure><\/div>\n\n\n\n<p><strong>That\u2019s wrap on another excellent Other Worlds festival.<\/strong><\/p>\n\n\n\n<p><strong>Only about 350 days until the next one. Can\u2019t wait!<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>As always, Austin\u2019s own Other Worlds delivered a fantastic collection of top notch films. Of the 20 or so selections for this years festival, I managed to see 10 of them plus the live recording of the podcast Science Vs &hellip; <a href=\"https:\/\/www.revolutionsf.com\/revblogs\/geekcurmudgeon\/2019\/12\/15\/from-the-trenches-other-worlds-2019\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28,38],"tags":[326,325,190],"class_list":["post-4392","post","type-post","status-publish","format-standard","hentry","category-events","category-other-worlds-austin","tag-dreamscape","tag-other-worlds","tag-review"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v15.2.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.revolutionsf.com\/revblogs\/geekcurmudgeon\/2019\/12\/15\/from-the-trenches-other-worlds-2019\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"From the trenches: Other Worlds 2019 - The Geek Curmudgeon\" \/>\n<meta property=\"og:description\" content=\"As always, Austin\u2019s own Other Worlds delivered a fantastic collection of top notch films. 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