Now it can be revealed: Joe R. Lansdale’s HAP AND LEONARD: BLOOD AND LEMONADE

Cover by Elizabeth Story

Cover by Elizabeth Story

As many of you may know, I was the editor for Tachyon Publication’s Hap and Leonard, a collection of Hap and Leonard short pieces. It contained all the extant stories (several have been published since) and timed to premiere with the SundanceTV series of the same name. Turns out the book, much like the TV series, was a success, enjoying a reprint shortly after publication. I was tasked by Tachyon publisher Jacob Weisman with approaching Joe about a second Hap and Leonard collection to come out when the second season premiered.

Joe: No. I won’t give Tachyon a second collection.

 

Me (flabbergasted): Huh? But.. the book.. it sold well.. it has a cover you love… we can guarantee Elizabeth [Story, who did the first] again… but.. why?

 

Joe (with a cocky smile): I want to do an original Hap and Leonard novel.

 

Me: I think Jacob will be okay with that.

The book Hap and Leonard: Blood and Lemonade is a mosaic novel of sorts. That’s when you take a bunch of related stories and connect them with adjoining pieces ala The Martian Chronicles and the like.

Here’s some copy I threw together to help explain the book. I hope the fine folks at Tachyon can gussy it up a bit.

Since their first appearance in Savage Season through the recent hit SundanceTV series, the unconventional ass kicking duo of Hap Collins and Leonard Pine captured the hearts of fans everywhere. Now in this unconventional novel, creator Joe R. Lansdale explores the beginnings of the decades long friendship between the white, liberal, good ‘ol boy Hap and the black, Republican, gay, Vietnam veteran Leonard. The complicated tale of violence and humor, set in the racist, homophobic late 60s East Texas, introduces the two boys who grew up into the men, who become far more than friends. They call each other brother.

Watch for Blood and Lemonade this March.

What’s Old Is New or Kickstarting Joe Lansdale’s RED RANGE

First edition cover by N. C, Wyeth with Martin Thomas

First edition cover by N. C, Wyeth with Martin Thomas

In the 90s, I co-founded MOJO Press, first as a way to publish Weird Business (which I recounted in “The Secret History of Weird Business”) and ultimately as way to introduce the burgeoning graphic novel industry into mainstream bookstores.

Of MOJO’s 18 titles, I edited 15 of them including Joe R. Lansdale’s and Sam Glanzman’s Red Range. Shortly before the graphic novel’s publication, I left my post as managing editor with the press itself going away soon after.

Though the book received largely positive reviews, due largely to the press’s demise, Red Range became one of Lansdale’s rarer books.

Joe R. Lansdale’s certainly a modern legend himself, having been around for some time now. But comics artist Sam Glanzman’s got an even more legendary historical grounding, having been professionally drawing for six decades or so. These two worthies have collaborated on Lansdale’s graphic novel, RED RANGE. The first page of RED RANGE itself begins full tilt with graphic ultraviolence as Lansdale and Glanzman plunge us into a 19th century Klan lynching of a black Texas family. Abruptly in the midst of the atrocity, the Kluxers are interrupted by a mysterious rider who’s a deadly shot with both his pistols and long-range Sharps buffalo rifle. It’s the feared and hated (by the KKK, at least) Red Mask, a tough, lethal, black man who wisely keeps his identity concealed. Writer Lansdale’s unerring ear for exotic period and regional dialog remains constant. His penchant for grim humor appears throughout. His hardcore, hard-nosed sense of social conscience remains intact.

–Edward Bryant, Locus (1999)

Sam Glansman cover to the new edition

Sam Glanzman cover to the new edition

Thankfully, Drew Ford’s It’s Alive is attempting to bring Red Range back into print through the auspices of Kickstarter. This new edition will be in full color (previous was in b&w), have an afterword by the legendary Stephen R. Bissette, and introduction by me. Yes, some 15 years after I finished working and promoting the book, I’m revisiting the striking work.

If you’d like to see Red Range back in print, and really what Lansdale fan wouldn’t, go support the Kickstarter. For a few shekles, you can score a beautiful, new edition of this “lost” Lansdale.

Polish edition of STEAMPUNK inspires national pride

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While doing my weekly search for online mentions of Tachyon books, I ran across a review of the Polish edition of Ann & Jeff VanderMeer’s Steampunk. While reviewer Anna Siemomysła at Ziarno Myśli, czyli wynurzenia Siemomysły didn’t care much for the book (“an anthology of ‘Steampunk’ is a good compendium of the mainstream, but in my opinion, unfortunately this is not a collection of good literature”), she made special mention of my contribution.

After twelve texts we receive are two articles (by Rick Klaw and Bill Baker), from which we can learn about the fact that steampunk is not just literature. Such pop compendium of knowledge about what and how and where to look. Rick Klaw recalls, for example, about our native Retrostacji what I personally introduced a state of national pride;)

(All translations courtesy of Google.)

For those that don’t have their copy of Steampunk handy (or *gasp* don’t own a copy), here’s the mention that got Siemomysła excited.

The English language version of the Polish site Retrostacji, Steampunkopedia (steampunk.republika.pl) offers the most comprehensive steampunk works chronological bibliography available on the web along with numerous links to steampunk-inspired videos. Sadly, the site stopped updating in February, 2007.

 

While the Polish edition sports a great cover, obviously inspired by Joe R. Lansdale’s contribution “The Steam Man of the Prairie and the Dark Rider Get Down,” Joe is not mentioned on the cover. Weird.

At last, RAYGUNS OVER TEXAS goes digital

Cover by Rocky Kelley

Cover by Rocky Kelley

At long last, Rayguns Over Texas comes out in an ebook format.

“In spite of the title, which implies freewheeling space opera, there’s only one raygun to be found in Rayguns Over Texas, an original anthology edited by Richard Klaw; most stories here don’t take us off Earth, and most don’t have anything to do with aliens (attacking or otherwise) or armadas of battling spaceships. That doesn’t mean that the anthology isn’t fun, though.” – Gardner Dozois, Locus Mag

“I hope you enjoy reading this as much as I did.” – Bruce Sterling, from his introduction

“I love the cover by Rocky Kelley (no relation)! Bruce Sterling provides a wonderful Introduction. Scott Cupp’s essay on his SF reading is masterful. Neal Barrett, Jr., Joe R. Lansdale, and Michael Moorcock wrote my favorite stories in this collection, but there are plenty of other enjoyable stories here. Pick up a copy soon before they’re all gone!” – George Kelly,GeorgeKelly.org

 

Since the end of the Civil War, Texans have played an essential role in the history of science fiction. Acclaimed and influential writers such as Bruce Sterling, Michael Moorcock, Howard Waldrop, Walter M. Miller, Jr., Marion Zimmer Bradley, Gene Wolfe, Neal Barrett, Jr., L. Sprague DeCamp, Chad Oliver, John Steakley, and Elizabeth Moon all called The Lone Star State home.

Continuing this proud tradition, Rayguns Over Texas features 17 original and two classic tales that reflect the current creative state of Texas sci-fi, alongside historical essays and an introduction by Hugo award-winning, Texas ex-pat Bruce Sterling.

Whatcha waiting for? Hustle you way over and pick up your copy today at Amazon.