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Shameless plugs

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In addition to my Iron Man review, there are two additional Klaw pieces to mention.

The latest edition of "Graphica Nexus" appears at SF Site.

Quote:
A medium and not a genre, comic books differ little at the creative writing level from movies and plays. If "one professionally produced dramatic script" allows for membership then there should be no debate about comic book writers. The technical variances between these types of scripts is negligible. Is a playwright or a screenwriter less of a "real" writer because someone else enacts their words? This is no different then an artist envisioning a comic book script? It’s not.

Continued…

Steampunk with my original essay "The Steam-Driven Time Machine" should either be on the stands or out any day now.

Quote:
Some twenty years later, pop culture has embraced steampunk. Publishing, film, and even the Internet embolden the term as a branding tool. Nary a week goes by without Boing Boing (www.boingboing.net), the venerable group blog, posting about some sort of steampunk inspired gadget, cartoon, or essay. A search of their archives generates almost 1500 articles. Subjects vary greatly: laptops, keyboards, watches, Transformers, planes, Car Wars, submarines, and so on. Many articles showcase functioning modern technology using steampunk methods and materials. Others present actual working machines from the 19th century. Images presenting artistic depictions of steampunk, paintings, sculptures, architecture and the like. Reinterpretations of popular shows such as Star Trek and Star Wars litter the listings. Original short films featuring steampunk tropes offer many amusing and sometimes exciting diversions.

Continued in Steampunk.

Shameless plugs

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In addition to my Iron Man review, there are two additional Klaw pieces to mention.

The latest edition of “Graphica Nexus” appears at SF Site.

Quote:
A medium and not a genre, comic books differ little at the creative writing level from movies and plays. If “one professionally produced dramatic script” allows for membership then there should be no debate about comic book writers. The technical variances between these types of scripts is negligible. Is a playwright or a screenwriter less of a “real” writer because someone else enacts their words? This is no different then an artist envisioning a comic book script? It’s not.

Continued…

Steampunk with my original essay “The Steam-Driven Time Machine” should either be on the stands or out any day now.

Quote:
Some twenty years later, pop culture has embraced steampunk. Publishing, film, and even the Internet embolden the term as a branding tool. Nary a week goes by without Boing Boing (www.boingboing.net), the venerable group blog, posting about some sort of steampunk inspired gadget, cartoon, or essay. A search of their archives generates almost 1500 articles. Subjects vary greatly: laptops, keyboards, watches, Transformers, planes, Car Wars, submarines, and so on. Many articles showcase functioning modern technology using steampunk methods and materials. Others present actual working machines from the 19th century. Images presenting artistic depictions of steampunk, paintings, sculptures, architecture and the like. Reinterpretations of popular shows such as Star Trek and Star Wars litter the listings. Original short films featuring steampunk tropes offer many amusing and sometimes exciting diversions.

Continued in Steampunk.

Shameless plugs was originally published on The Geek Curmudgeon

Michael Moorcock and the Comics of the Mutliverse

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The fine folks over at Moorcock’s Miscellany have reprinted my 1998 article “Michael Moorcock and the Comics of the Mutliverse” from Michael Moorcock’s Multiverse #6.

Quote:
Moorcock then began working on a succession of comic magazines for Fleetway including Sexton Blake Library, Kit Carson, Robin Hood, and Billy The Kid, first on the annuals and then on the actual weeklies. The annuals were hardbound Christmas versions of the weeklies and monthlies.

During this period, Moorcock also edited issues of Thriller Picture Library, Cowboy Picture Library, and others. By 1965 he had written or co-written issues of Karl the Viking, Kit Carson, Buck Jones, Dogfight Dixon RFC (which he helped to create), The Life Of Alexander, Skid Solo, Zip Nolan, Highway Patrol, and Bible Story Weekly. Contrary to popular belief, Moorcock never wrote issues of Wrath of Gods, Deathworld, or The Trigon Empire. By the end of 1965 he had all but stopped writing comics.

Continued…

(I really didn’t plan on two Moorcock entries in a row. It’s just the way it worked out.)

Michael Moorcock and the Comics of the Mutliverse was originally published on The Geek Curmudgeon

Michael Moorcock and the Comics of the Mutliverse

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The fine folks over at Moorcock’s Miscellany have reprinted my 1998 article "Michael Moorcock and the Comics of the Mutliverse" from Michael Moorcock’s Multiverse #6.

Quote:
Moorcock then began working on a succession of comic magazines for Fleetway including Sexton Blake Library, Kit Carson, Robin Hood, and Billy The Kid, first on the annuals and then on the actual weeklies. The annuals were hardbound Christmas versions of the weeklies and monthlies.

During this period, Moorcock also edited issues of Thriller Picture Library, Cowboy Picture Library, and others. By 1965 he had written or co-written issues of Karl the Viking, Kit Carson, Buck Jones, Dogfight Dixon RFC (which he helped to create), The Life Of Alexander, Skid Solo, Zip Nolan, Highway Patrol, and Bible Story Weekly. Contrary to popular belief, Moorcock never wrote issues of Wrath of Gods, Deathworld, or The Trigon Empire. By the end of 1965 he had all but stopped writing comics.

Continued…

(I really didn’t plan on two Moorcock entries in a row. It’s just the way it worked out.)

Early Elric Covers

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This is not one of the better James Cawthorn‘s covers. Elric looks like a Catholic priest. If it wasn’t for the black sword, I’d never have know it was Moorcock’s famed anti-hero. (Science Fantasy, vol. 19, no. 55, October 1962 Image courtesy of the Pulp of the Day)

Compare it to this far superior Cawthorn cover to the first edition of Stormbringer (Herbert Jenkins, 1965)

Even the inferior 1962 Cawthorn was a massive step up after Brian Lewis horrible cover to Elric’s first appearance (Science Fantasy, vol. 16, no. 47, June 1961)

Elric looks like some dandy from an Errol Flynn movie not the fierce stealer of souls, agent of chaos and destroy of worlds, that we all know and love.

Early Elric Covers was originally published on The Geek Curmudgeon

Early Elric Covers

Posted on by
Reply

This is not one of the better James Cawthorn‘s covers. Elric looks like a Catholic priest. If it wasn’t for the black sword, I’d never have know it was Moorcock’s famed anti-hero. (Science Fantasy, vol. 19, no. 55, October 1962 Image courtesy of the Pulp of the Day)

Compare it to this far superior Cawthorn cover to the first edition of Stormbringer (Herbert Jenkins, 1965)

Even the inferior 1962 Cawthorn was a massive step up after Brian Lewis horrible cover to Elric’s first appearance (Science Fantasy, vol. 16, no. 47, June 1961)

Elric looks like some dandy from an Errol Flynn movie not the fierce stealer of souls, agent of chaos and destroy of worlds, that we all know and love.

Frequent RevSF contributor Scott A. Cupp now has a webpage

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When Jeff VanderMeer asked me to guest blog for him back in October, one of his requests was to continue his recently started series “Conversations with the Bookless,” discussions with short story writers who had yet to have their own books. My first interview was with Scott A. Cupp. Not only did Scott fulfill the criteria but he was one of the more unique and creative talents that most people had never heard of. I wrote this about Scott:

Quote:
A quintessential Texas short story writer, Scott A. Cupp produces unusual slipstream tales steeped in Texas culture and history. Perhaps best known for his heretical “Thirteen Days of Glory,” a re-imagining of the Battle of the Alamo as a struggle for transvestite rights, Cupp, a former Campbell award nominee, continues to experiment and press the outer boundaries of the absurd with tales such as “King of the Cows”, “The Singing Cowboy’s Apprentice” and “One Fang.”

Nothing has really changed except now Scott has a webpage with a complete bibliography and links to online stories. If you’ve never experienced the artistic joy that is Scott A. Cupp, now is your chance.

Frequent RevSF contributor Scott A. Cupp now has a webpage was originally published on The Geek Curmudgeon

Frequent RevSF contributor Scott A. Cupp now has a webpage

Posted on by
Reply

When Jeff VanderMeer asked me to guest blog for him back in October, one of his requests was to continue his recently started series "Conversations with the Bookless," discussions with short story writers who had yet to have their own books. My first interview was with Scott A. Cupp. Not only did Scott fulfill the criteria but he was one of the more unique and creative talents that most people had never heard of. I wrote this about Scott:

Quote:
A quintessential Texas short story writer, Scott A. Cupp produces unusual slipstream tales steeped in Texas culture and history. Perhaps best known for his heretical “Thirteen Days of Glory,” a re-imagining of the Battle of the Alamo as a struggle for transvestite rights, Cupp, a former Campbell award nominee, continues to experiment and press the outer boundaries of the absurd with tales such as “King of the Cows”, “The Singing Cowboy’s Apprentice” and “One Fang.”

Nothing has really changed except now Scott has a webpage with a complete bibliography and links to online stories. If you’ve never experienced the artistic joy that is Scott A. Cupp, now is your chance.