Happy Birthday Maurice Sendak!

When people ask me about my influences, one of the names I always forget is Maurice Sendak. Sendak, who turns 80 today, and his seminal work Where the Wild Things Are, if not created my love for monsters, certainly fostered it. The tale of childhood rebellion and unconditional love fed directly into my childhood psyche and reality. My mother always encouraged me to debate, to wonder, to question. All the while, I knew she would always love me. When I began writing, the fact that my family would always love and respect me lent me the confidence to write what I felt and believed, regardless of what others thought. And of course monsters have always been a huge part of my creative reality.

Over time I read the vast majority of Sendak’s works but nothing stuck like Wild Things and for Halloween 1997, I was Max. You really have to love a children’s book to dress as the main character when you are thirty.

Thank, Mr. Sendak, for everything and a happy 80th birthday!

Philip K Dick Topples the American Canon

This bit comes from Media Bistro:

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When the Library of America‘s publicist informed me that last year’s collection of four classic Philip K. Dick novels was their fastest-selling title ever, I was pleasantly surprised, but I wanted some proof. LOA marketing manager Brian McCarthy was happy to oblige, informing me that the Library had shipped 23,750 copies of Four Novels of the 1960s—the better part of two complete print runs—and that returns were a "staggeringly low" 5 percent. By way of comparison, the Library’s last major foray into science fiction and fantasy, the H.P. Lovecraft Tales published in 2005, sold 11,860 copies (with a similar return rate) in its first year (with gross sales-to-date now standing at 26,000-plus.)

This is better than other more traditional LoA "heavy-hitters" such as the first collection of Jack Kerouac novels (shipped just under 15,000 copies in its first year, with a return rate of 10 percent), two-volume collection of Edmund Wilson’s critical writings (9250 and 12%) and the American Poetry: The Seventeenth and Eighteenth Centuries anthology (4200 and 8%).

And the trend should continue with the second PKD volume (Five Novels of the 1960s and 70s which includes Martian Time-Slip, Dr. Bloodmoney, or How We Got Along After the Bomb, Now Wait for Last Year, Flow My Tears, the Policeman Said, and A Scanner Darkly). The book is not due out until July 31 and pre-orders already exceed 10,000.

It’s a good time to be a Dickhead!

The Fourth World reviewed in NYT

It’s too bad Kirby didn’t live long enough to see his epic Fourth World reviewed in The New York Times.

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It’s hard to know what a teenager would make of this. But Kirby was writing just as much for himself. He was 53 when he undertook the Fourth World, and a veteran of World War II. But as Evanier points out, and as is evident throughout this book, Kirby was deeply inspired by the young generation that was renouncing war around him. His understanding of the youth movement was perhaps idiosyncratic (in Kirby’s world, the “Hairies” built their perfect society in a giant missile carrier they called “The Mountain of Judgment”). But they too were forging a new world; and the pleasure he clearly took in their efforts seems to have balanced the bouts of Orion-like rage. In one moment, Highfather of New Genesis turns to one of the young boys in his care. “Esak,” he asks, “what is it that makes the very young — so very wise?”

“Tee hee!!” Esak replies. “It’s our defense, Highfather — against the very old!!”

This is probably the only passage in the English language containing the words “tee hee” that has actually moved me.

Continued…

DC Comics Go Ape

DC recently announced this fascinating gem.

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DC COMICS GOES APE

Written by Otto Binder, John Broome, Gardner Fox and others; Art by Carmine Infantino, Wayne Boring, George Papp, Ross Andru, C.C. Beck, Jim Starlin and others; Cover by Arthur Adams

You’ll go bananas for this new title collecting simian stories from SUPERBOY #76, SUPERMAN #138, THE FLASH (VOL. 1) #127, DETECTIVE COMICS #339 and 482, HAWKMAN #16, WONDER WOMAN #170, STRANGE ADVENTURES #201, SHAZAM #9, SUPER FRIENDS #30 and THE FLASH (VOL. 2) #151!

DC Universe | 168pg. | Color | Softcover | $19.99 US

On Sale October 1, 2008

As a well known ape aficionado, this collection interested me as I began wondering how many of these stories I’ve actually read.

    Superboy #76 "The Super-Monkey from Krypton!" I’ve read this cute tale. It’s an odd choice to start with.

    Superman #138 "Titano the Super-Ape" Perhaps the most famous Superman-Titano story of them all. The second appearance of Titano with the classic King Kong-homage cover of Titano climbing the Daily Planet building. This is often reprinted, most notably in the classic DC Super Special #16: Super-heroes Battle Super-Gorillas.

    The Flash (VOL. 1) #127 "The Reign of the Super-Gorilla!" Perhaps the finest Gorilla Grodd story ever. Another one reprinted in DC Super Special #16.

    Detective Comics #339 "Batman Battles the Living Beast-Bomb!" The oft-reprinted tale that introduced Carmine Infantino’s new look to the Batman franchise. This one was in DC Super Special #16 as well.

    Detective Comics #482 "Night of the Body Snatcher" I’ve never seen this one, but with story/pencils by Jim Starlin and inks by P. Craig Russell, I’m looking forward to it. I only wish they were reprinting the entire double-sized Batman Family issue. Luckily the Michael Golden-drawn Bat-Mite adventure was reprinted in The Greatest Batman Stories Ever Told (another great collection).

    Hawkman #16 "Lord of the Flying Gorillas!" One of the inspirations for my story "I Was the Bride of Rothro, King of the Giant Flying Vampire Gorillas From the Earth’s Core" (Negative Burn #47, drawn by John Lucas).

    Wonder Woman #170 "Wonder Woman… Gorilla!" THE Wonder Woman-gorilla tale. Reprinted in the classic DC Super Special #16.

    Strange Adventures #201 "The Mod Gorilla Boss!" This odd cross of DC’s poor understanding of sixties pop culture, apes, and mobs lead to one of the most unusual Animal Man stories of all. I actually own this. I’d be a tad ashamed for me.

    Shazam #9 "The Day Captain Marvel Went Ape!" Surprisingly, this is not even the best Captain Marvel ape story. That’s reserved for the delightful Marvel Family #85 "The Marvel Family Battles the Primate Plot", reprinted in both Limited Collector’s Edition #C-21 and The Greatest Shazam Stories Ever Told.

    Super Friends #30 "Gorilla Warfare Against the Humans" I’ve never read this one but it features a tale using Grodd and Giganta (in apparently her first Earth-1 appearance).

    The Flash (VOL. 2) #151 "Territorealis" Another story I haven’t read. Apparently, a Teen Titans flashback story.

Of the eleven stories, I’ve read all but three. I’m both proud and ashamed.

Dwight Schrute on Tentacle Porn

[ Amused Mood: Amused ]
According to Dwight Schrute in his blog, manga featuring shokushu goukan (tentacle rape) is not only repulsive but actually pointless.

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These comics feature Japanese women getting taken advantage of by octopi. I truly do not understand their appeal. Octopi are, by their very nature, non-sexual creatures. After they reproduce, both the mother and father octopus die within a matter of months. What’s sexy about that? To chronicle the sexual nature of an octopus is as pointless as trying to find a beet weevil in December – it’s just a waste of time.

He goes on to defend the poor octopus.

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What do the Japanese have against octopi? What did octopi ever do to the Japanese besides providing a tremendous amount of nourishment in the form of tako sushi? It baffles me. It angers me. It saddens me.

The mighty octopus should be respected, not depicted as some horrible marine rapist.

Turns out Dwight is a big fan of Ranma 1/2, because "there are no horny vindictive creatures with tentacles."

Observations such as this are why The Office is one of the funniest shows on TV.

Tales of the Black Freighter Coming To DVD

According to the New York Times, the "Tales of the Black Freighter" segments from Watchmen will be released as a direct-to-DVD release.

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The second film, tentatively called “Tales of the Black Freighter,” follows a side “Watchmen” storyline about a shipwreck and will arrive in stores five days after the main movie rolls out in theaters. The DVD will also include a documentary-style film called “Under the Hood” that will delve into the characters’ backstories.

The Times sees this as an attempt to boost lagging DVD sales. Of course to us geeks, it’s just cool that the pirate story will be shot at all.

Double your Indy…

Not only did I write the RevSF review of Indiana Jones and the Kingdom of the Crystal Skull, but over at The Austin Chronicle I contributed the review for Indiana Jones: The Adventure Collection.

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By way of 1930s movie serials, exotic locales, and witty scripts, the Indiana Jones films introduced one of the most popular and exciting action heroes of the 20th century. The whip-wielding archaeologist Indiana Jones, portrayed by the rakish Harrison Ford, challenged world-dominating Nazis and power-hungry Kali worshippers through three highly successful, rousing adventures: Raiders of the Lost Ark (1981), Indiana Jones and the Temple of Doom (1984), and Indiana Jones and the Last Crusade (1989). In anticipation of the fourth installment, Paramount has reissued the three movies as Indiana Jones: The Adventure Collection, available separately or as a set.

Continued…

Shameless plugs

In addition to my Iron Man review, there are two additional Klaw pieces to mention.

The latest edition of "Graphica Nexus" appears at SF Site.

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A medium and not a genre, comic books differ little at the creative writing level from movies and plays. If "one professionally produced dramatic script" allows for membership then there should be no debate about comic book writers. The technical variances between these types of scripts is negligible. Is a playwright or a screenwriter less of a "real" writer because someone else enacts their words? This is no different then an artist envisioning a comic book script? It’s not.

Continued…

Steampunk with my original essay "The Steam-Driven Time Machine" should either be on the stands or out any day now.

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Some twenty years later, pop culture has embraced steampunk. Publishing, film, and even the Internet embolden the term as a branding tool. Nary a week goes by without Boing Boing (www.boingboing.net), the venerable group blog, posting about some sort of steampunk inspired gadget, cartoon, or essay. A search of their archives generates almost 1500 articles. Subjects vary greatly: laptops, keyboards, watches, Transformers, planes, Car Wars, submarines, and so on. Many articles showcase functioning modern technology using steampunk methods and materials. Others present actual working machines from the 19th century. Images presenting artistic depictions of steampunk, paintings, sculptures, architecture and the like. Reinterpretations of popular shows such as Star Trek and Star Wars litter the listings. Original short films featuring steampunk tropes offer many amusing and sometimes exciting diversions.

Continued in Steampunk.