It’s that time again for my annual sojourn to Fantastic Fest, the annual Alamo Drafthouse week long love letter to horror, fantasy, sci-fi, action and just plain fantastic movies from all around the world. This year’s festival runs from Sept 18-25, here in Austin in the South Lamar location.
As in year’s past, I begin my coverage with a multi-part/day preview.
Fantastic Fest Preview Day Six
Electric Boogaloo: The Wild, Untold Story of Cannon Films
As demonstrated by NOT QUITE HOLLYWOOD and MACHETE MAIDENS UNLEASHED, Mark Hartley has one of the most interesting and identifiable styles of any documentary filmmaker currently in the business. ELECTRIC BOOGALOO: THE WILD UNTOLD STORY OF CANNON FILMS further demonstrates this point. Harley expertly weaves together clips from Cannon’s back catalog with an impressive array of interviews with Cannon players such as Albert Pyun, Boaz Davidson, Cassandra Peterson (Elvira), Bo Derek and Michael Dudikoff. The result is a whiplash-inducing ride through decades of exploitation cinema and high-rolling business deals. ELECTRIC BOOGALOO is an exciting and irreverent homage to a pair of the greatest businessmen that the film world has ever known. (Rodney Perkins)
The Stranger
Amoedo shows a deft ability to turn a bloodthirsty monster movie on its head, into a slow-burn, character-driven film. THE STRANGER takes its time, building the tension through occasional flashbacks and having the audience sympathize with Peter, who grew up not knowing his father. Peter, like the audience, is kept largely in the dark about his father’s motives or even what he is… because he’s certainly not human. What is apparent is the chaos his dad’s return has on the small town, especially a member of the police force and his violence-prone son.
THE STRANGER is ultimately about family, the legacy we pass on to our children and the lengths we go to protect and ensure their survival, no matter how dark and deadly they might become. (James Shapiro)
Confetti of the Mind — The Short Films of Nacho Vigalondo
Vigalondo is a force of pure, joyous creativity, and a rare master in the art of having fun. His wild, spastic approach to life is evident in all of his work; even when his protagonists are committing desperate acts of self-destruction, there’s still a terminally infectious innocence and vibrance to everything he does. It’s the reason why we fell in love with him in the first place, and the reason why his presence has become such an important part of the festival.
Drafthouse Films is pleased to present CONFETTI OF THE MIND, the definitive compilation of Nacho’s most brilliant and unforgettable shorts, collected for the first time and personally curated by Nacho and his longtime partner-in-crime Nahikari Ipiña. Featuring such favorites as CHOQUE, SUNDAY, MARISA, and CARLOTA, as well as a fresh introduction and thoughts by the man himself, this is not to be missed. Confetti is not optional. (James Shapiro/Zack Carlson)
Steffen Haars and Flip van der Kuil are Fantastic Fest fixtures. The deadly directing duo are the sick minds behind festival favorites NEW KIDS TURBO and NEW KIDS NITRO. After taking the prize for best directors in the 2011 Gutbuster Comedy Features category, Haars and van der Kull return to Austin with their sickest comedy to date: BROs BEFORE HOs.
Here, the directors apply their politically incorrect style of humor to an unexpected format: the bromance. Although the format is different from NEW KIDS and the production values are arguably better, the humor has arguably gotten more aggro and offensive. No subject is taboo; race, sex, and disability are prime targets for the comedic onslaught. BROs BEFORE HOs is packed with enough explosively offensive humor to make the NEW KIDS films seem restrained. Haars and van der Kuil have made their biggest and slickest movie to date while also managing to raise the comedic bar. (Rodney Perkins)
The feel of this film is that of mystery. It establishes two laws for the robots which should make them safe for humanity. While researching a damaged robot that was apparently violating the 2nd command, the investigation becomes about discovering how this happened and if the robot was the only one. Director Gabe Ibanez creates a post-apocalyptic robotic noir that I know will win over the Fantastic Fest crowd! This is FANTASTIC!!! (Harry Knowles)