Tag Archives: Vertigo

Fables: Covers (2008)

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Quote:
“If you’ll look again at any given Fables cover … in addition to being a compelling illustration that makes you want to read the story inside, it’s a story in itself.”

 

Something a little different this time. This is a beautiful oversized, hardback book collecting James Jean’s work as a cover artist on Fables. The book collects covers from the main series (#1-10 and 12-75), standalone books (The Last Castle and 1001 Nights of Snowfall) and the wraparound covers for the first 10 trade paperback collections.

The format of the book is pretty rigid. There is a double page spread for each single issue. The left hand page consists of preliminary sketches and paintings along with a relevant quote from the script for that issue and a thumbnail of the final cover as published. The right hand page is a full page reprint of the cover normally without logos, issue numbers, barcodes and other text or graphic elements unless these form an integral part of the design of the image.

The wraparound covers are treated slightly differently. These get 4 pages devoted to them. The first two have have the preliminary sketches, drawings and paintings with a thumbnail of the final cover and a short commentary from Jean himself on the cover. The next two pages is a reproduction of the cover alone without logos etc.

It goes without saying that if you love Jean’s work then you will love this book. It shows which covers went through a number of iterations before settling on a final image and which seem to have been fully formed from the start. Amazing as the final covers are, some of my favourite illustrations are clean line drawings – the details are amazing and sometimes get lost in the colouring process. Visit his web site which has lots of examples of his other work.

Fables: Inherit the Wind (2012)

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Quote:
“That’s the trouble with prophecy. It seldom helps and often harms.”

 

Volume 17 of Fables collects issues 108 – 113. The book was again written by creator Bill Willingham and the four issue main story, and the standalone story following it, was again pencilled by the ever fabulous Mark Buckingham with inking mainly by Steve Leialoha with Andrew Pepoy lending a hand. The final chapter in the book is a collection of short tales from the world of Fables with various guest artists such as P. Craig Russell and Adam Hughes.

Spoiler Alert
The next paragraph contains a possible spoiler if you are a long time reader of Fables and haven’t read up to volume 16. If this is you look away now or skip to the end.

The main story is a continuation of volume 16 that deals with the aftermath of the defeat of Mister Dark and the consequences of the death of the North Wind. His death leaves a void that must be filled and, as Bigby has relinquished any claim to the title, it falls to one of his children to succeed to the title. The story follows the trials and machinations as the children are tested looking for the ideal successor and the other cardinal winds turn up hoping to increase their own power while diminishing that of the North Wind. There is a continuing subplot that follows Bufkin and his attempts to lead a revolt against the new rulers of the Pan Ozian Empire. There is also a Christmas issue that details the gradual return of the Fables from Haven to the Farm before moving on to investigate the state of their New York residence. It heavily features Rose Red in a twisted version of A Christmas Carol where she meets other paladins of hope.

Another great volume in the series though the main story was a bit short for me at four chapters and left a lot open for the future. However not a suitable standalone story or entry point for new readers as it is heavily dependent on what has gone before. If you are new to the world of Fables then it really is worth your while to go way back to the beginning and experience the richness and breadth of the story from the start.

Black Orchid – The Deluxe Edition (2012)

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Quote:
You super-people live in a world of cliches, lady. You shoulda wised up – these are the eighties! Fighting crime is like fighting city hall; it’s counter-productive!

 

Black Orchid is a collection of the three issue mini-series from the late 1980’s. It features the re-imagining of an old DC character by writer Neil Gaiman and long-time collaborator, Dave McKean. This is one of their early collaborations and their first big commission for a major American publisher.

The plot surrounds the death and rebirth of Susan Linden, otherwise known as the crime fighting heroine, Black Orchid, who is investigating a criminal enterprise that would eventually lead to Lex Luthor. When Susan’s ex-husband is released from prison, his dismissal by ex-boss Luthor, sets in motion a chain of events that sees him and Luthor hunting down the Black Orchid and her immature companion.

Although the book is now published by Vertigo, it was originally released by DC and pre-dates the Vertigo imprint by four years. Gaiman delivers an unconventional superhero story that does not feature much in the way of superheroics and creates an origin story for the Black Orchid that links her into DC’s other plant-based heroes and villains – Jason Woodrue, Pamela Isley and Alec Holland. The story is about loss, unrequited love and the search for identity in an unfamiliar world. And while not having the majesty and breadth of his landmark Sandman series, it is still a beautifully told tale that is worth a read nearly 25 years after it was written. The art by McKean is fabulous featuring a photo-realistic style mixed in with some impressionistic renderings of the Green and the Amazonion jungle.

The book features some extra content for this deluxe printing that consists of sketches and handwritten notes from Gaiman as well as early comments from editor Karen Berger which while interesting are probably only of interest to hardcore fans of the character or Gaiman or those interested in the publishing process.

Cinderella: Fables are Forever (2012)

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Quote:
What did you expect me to call myself, Dorothy Gale, killer-for-hire? Or maybe the wicked bitch of the East?

 

This book collects the second six issue Fables mini-series featuring super-spy Cinderella. It was again written by Chris Roberson with art by Shawn McManus. There is also a tale set in the preparation for the war with the Adversary, from Fables 51, that was drawn by McManus but written by Fables creator Bill Willingham.

Cinderellla returns in a story set during the evacuation of the Farm because of the onslaught by Mister Dark. One of the leading witches from floor 13 has been murdered and the only clue is a silver slipper charm. Cinderella finds herself tracking down an old foe who she thought was dead and being involved with Fables from the shadow Fabletown that she has spied on in the past. But who can she trust and who is laying traps for who?

Another good standalone tale from the world of Fables. The only problem with it is that it attempts to place itself within the continuity of the main book and uses the murder of a character to achieve this. The story itself, from the time that Cinderella gets down to investigating the case till the resolution, has little impact or relevance to the main book and so the set up seems contrived and unnecessary. But other than that small niggle the story is great with lots of twists and turns and unexpected revelations both from Cinderella’s past and present.

Cinderella: From Fabletown with Love (2010)

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Quote:
Your taste in men hasn’t improved, that’s certain. And you never did know when it was time to leave a party.

 

This book collects the six issue mini-series, from Vertigo, that is a spin-off from Fables. It was written by Chris Roberson who is currently also writing iZombie for the same company. The art was by the great Shawn McManus whose work I don’t seem to see nearly enough these days.

Cinderella, the apparent fashion show hopping socialite, is actually an experienced spy for Fabletown. In this story she is sent off to try and discover and eliminate the source of the flow of magical artefacts into the Mundy world from the Homelands. On the way she hooks up with Aladdin who is on the same mission. Together they uncover a plot to sell artefacts for Mundy weapons so that various individuals can make concerted assaults on Homeland territories now that the Emperor has been defeated. Cindy finds the mission turns personal when confronted with a figure from her past.

This is a fun tale from the world of Fables. The dialogue between Cindy and Aladdin is good and there is enough twists on the expectations of the character of Cinderella to keep the book entertaining throughout. It reminded me a lot of the early days of the Fables series itself when it was much more dependant on its fairy tale origins than it is currently. I love the art by McManus but then I have loved his work from the time of the Dr Fate series from the mid to late 80s.

Vertigo Resurrected (December 2010)

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Quote:
You’re all looking for something to blame when you should be looking out the window.

 

This comic is an collection of short stories from various Vertigo titles including Strange Adventures, Weird War Tales and Flinch. However, the reason I picked it up is that it features a previously unpublished Hellblazer story from the Warren Ellis run on the character.

The story, Shoot was written round about the time of the Columbine High School tragedy and was felt, probably rightly that it was too sensitive a story to print at that time. However, it is an excellent story featuring Constantine at the fringes of a series of pupil-pupil shootings across America. The story has John railing against the congressional advisor as the demons the children face are ones created by society rather than the Hellish forces that he is comfortable with.

This is story is the kind of horror that really scares me. Never mind scientists shooting corpses for some perverse pleasure or people sodomising the decayed carcasses of dogs (both of which were featured in the last comic I read), what scares me is the horror that could be all too real. So while I love the supernatural horror genre the ones that truly get to me are films like slasher movies where there is no supernatural element only the cruelty of fellow humans. [EDIT: I found a blog entry from Warren Ellis on the release of this story today (23/4/12). He certainly succeeded in his intention with me.]

The other stories feature a heavyweight roster of writers and artists from Vertigo past and present. They include Brian Bolland, Brian Azzarello, Grant Morrison, Frank Quitely, Garth Ennis, Peter Milligan, Eduardo Risso and Bill Willingham. These stories are of variable interest as they are playing second fiddle to the Constantine one but are mostly entertaining. One of the best features art by Bernie Wrightson in a classic horror tale. It has been a while since I have read any stories featuring Wrightson art and has made me move Roots of the Swamp Thing up in my to-read pile. Bill Willingham’s story, which he wrote and drew, is a good one featuring a nice flip on the trope of the enraged villagers of classic horror movies.

Vertigo Resurrected: Hellblazer (February 2011)

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Quote:
“… if I go home without you, your lovely wife’s gonna cut my bollocks off …”

“Thank Christ. How do we get out then?”

“Out? How the bloody hell do I know?”

 

This comic is one of a series from Vertigo collecting material that has never otherwise been reprinted. This one features 2 two-part stories from John Constantine, Hellblazer.

The first comes from the middle of the Garth Ennis/Steve Dillon run of the early nineties and consists of issues 57 and 58. When Chas and John stumble across some modern day grave robbers at Chas’ uncle’s funeral, John agrees to help Chas get to the bottom of the matter. They soon find themselves in a fortified industrial unit in the middle of nowhere where the stolen bodies are being used as test subjects for needless ballistic tests.

This is Ennis at his prime and the humour is dark matter black even for him. The art is typical Steve Dillon and I love it. Reading this just makes me want to do that Hellblazer re-read that I have been promising myself for some time – along with the Sandman, Zenith, The Shadow and a host of others I don’t have time for just now. Excellent stuff.

The second story is by writer Jason Aaron (currently writing Scalped) and artist Sean Murphy (who also drew the Hellblazer: City of Demons mini-series) and collects issues 245 and 246 from near the end of the Andy Diggle run. The story sees a bunch of documentary makers come to Newcastle to make a film about Constantine’s old punk band, Mucous Membrane. However, the site they visit is the scene of demonic ritual that put Constantine in the Ravenscar Asylum. Unfortunately for the film makers, the shade of the demon is still lingering on the site and once disturbed messes with their heads.

I bought this comic for this story as it the only one I don’t have between my comics and book collections. It is quite a good story encapsulating as it does a piece of iconic Constantine back story for readers that may not be familiar the character’s full history. I like Murphy’s art and would be happy to see him have an extended spell with the book and character.

John Constantine: Hellblazer – Phantom Pains (2012)

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Quote:
I … I want you to summon a creature … a terrible creature … who can hurt him. Hurt him like he hurt me.

 

This book collects issues 276 to 282 of the ongoing Hellblazer series. It was again written by Peter Milligan with art on the main story from Giuseppe Camuncoli and Stefano Landini (one chapter has art from Gael Bertrand) and art on the two single issue stories the bookend the volume was by Simon Bisley.

Married life is not running smoothly for John Constantine. First his new bride finds his wound from his amputated thumb disgusting and runs off to console herself with a demonic spirit. Second his home-grafted thumb, taken from a dying car crash victim, has a life of its own and gets him involved with its previous owner’s affairs. And finally his niece, Gemma, is seeking revenge on John for the abuse she suffered at his wedding that she thinks was carried out by him. All of this while trying to avoid becoming indebted to his gangster father-in-law.

Another enjoyable volume from Peter Milligan, though the two single issue stories are filler and pretty lightweight – which is a shame as the second concerning the demon Julian and his abuses of the prisoners could have been really interesting if it had been given more space to develop the tale properly. The main story has threads that don’t really go anywhere but overall it is very good with yet another person close to Constantine paying the price for his deviousness. The hints in this tale are that John might be about to head out on another of the dreaded road trips, possibly to America if he can’t put off his father-in-law, so that is something I am not looking forward to as I didn’t really like the last one when Brian Azzarello was the writer. But hopefully Milligan can pull it off as he has taken the character back to his roots and created some of the most entertaining stories for a long time in this long-lived series.

John Constantine: Hellblazer – Bloody Carnations (2011)

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Quote:
“I … I think you two know each other.”

“Nah,I’ve never seen this old geezer before.”

“Nice company you’re keeping, Epiphany.”

 

This book collects issues 267 to 275 of the ongoing Hellblazer series. It was written by Peter Milligan, who has been the series writer since issue 250, with art from Giuseppe Camuncoli, Stefano Landini and Simon Bisley.

The book has two stories. The first called Sectioned sees Constantine violently losing it with Epiphany and then starting to lose his grip on reality and ending up in a psychriatric hospital. He summons Shade to help him escape and figure out what is going on but Shade’s madness contaminates a potion Epiphany has made to heal her facial wounds which disfigures her even more. But Shade has a price for his help that John is unwilling to pay. The second story, Bloody Carnations, has Shade take Epiphany to Meta to heal her face but while there he tries to convince her that she is the dead Kathy George. Angry when she refuses him, Shade sends her back to Earth but in 1979 as a punishment both to her and to Constantine of whom he was jealous. Having decided that he wants to marry Epiphany, John must disrupt the plans of Nergal, who is determined that he not find happiness, and rescue his bride-to-be from his younger self.

Milligan takes Constantine back to familiar territory with this volume. Echoing episodes from his past with the incarceration in a mental institution and the return of Nergal and Gary Lester amongst others who gather for the wedding. I much prefer this kind of Hellblazer story where John is on his old stomping ground rather than when he is off on road trips such as in the last volume India. One reference to the old days that was a bit off for me was the reappearance of Kit, his true love from Garth Ennis’ run on the series. Apparently, he loves Epiphany more than he loved Kit which I find hard to swallow given his seeming indifference to her in the last couple of collections. Also someone should have given the artists a sample of what Kit looks like as I only knew who she was as she was referred to by name. But these are minor quibbles from a big fan of the Ennis run. On the whole this is a great book with Constantine at his tricksy best.

Fables: Super Team (2011)

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Quote:
So basically, you’ve been wasting my time with nine different costume fittings. Was all this a dodge to watch me undress so often?

 

This is volume 16 of the popular Vertigo series and collects issues 101 – 107. As usual it was written by Bill Willingham and the main story was pencilled by Mark Buckingham. The inking on the main story was done mainly by Steve Leialoha with Andrew Pepoy lending a hand on a few pages. The main story is preceded by a fill-in tale with art by Eric Shanower and Richard Friend and followed by another filler story with art by the great Terry Moore.

The main five part story concerns the Fables latest attempt to rid themselves of Mister Dark. With Bellflower’s scheme to contain Mister Dark failing, the Fables are forced to leave the farm and retreat to Flycatcher’s kingdom of Haven. But Mister Dark is on their tails and there is nowhere else to run. While Flycatcher maintains the wards that are holding Mister Dark at bay, Pinocchio convinces the current leader of the witches, Ozma, to create a super powered group to battle the all-powerful enemy in a scenario inspired by his love of comic books. Ozma agrees and with Pinocchio sets about pulling together the members for an archetypal super group that can hope to gain power from the modern myths of the superhero. But as the group is drawn together another champion steps forth from an unlikely quarter.

The first filler story concerns Bufkin and the aftermath of his battle with Baba Yaga in the business office.Now that the business office is safe he is convinced to go on more heroic quests so that he can become king of the business office. This story sees him escape the office and enlist in a new cause. The second story concerns sleeping beauty and a general who is trying to wake her so that he can access the Emperor’s former administration and sorcerers to forge a new empire. But little does he know that there are rival forces around who will go to any lengths to stop his scheme.

This story sees the resolution of the Mister Dark story line and the death of major character. Despite the cover of the book bringing to mind Superman, the main story is a homage to Marvel comics and Jack Kirby with the design of the characters recalling some classic Marvel characters and the art very reminiscent of Kirby’s work – it seems that it is not just DC characters who wish they were Marvel superheroes. The future is going to be interesting for Bigby and Snow in the aftermath of this story line. Also the return to Fabletown may not go quite as smoothly as everyone thinks with the poisonous nurse Sprat still looking for revenge. The Terry Moore story looks like a set up for Fairest with some of the images resembling some of that new spin-off series. It will be interesting to see if nurse Sprat ends up remaining in the main book or the new one given her new-found status courtesy of Mister Dark.