From the trenches: Other Worlds 2019

Art by Lauren Kitching

As always, Austin’s own Other Worlds delivered a fantastic collection of top notch films. Of the 20 or so selections for this years festival, I managed to see 10 of them plus the live recording of the podcast Science Vs Fiction.

Here’s my quick recap.

Thursday

Dreamscape (35TH ANNIVERSARY SCREENING)
LAUNCH FILM

The flawed, pioneering film, a staple of late 80s/early 90s cable, has aged well despite some terrible acting by pretty much everyone not named Sydow or Plummer.

Friday

Afterlife

The powerful, intelligent Dutch film Afterlife ponders the choices we make and the very perceptions of what we know to be true, while confirming that parents often make the most unreliable narrators of all. Sanaa Giwa delivers a virtuoso performance as the tortured Sam.

Afterlife also presages a common thread throughout the festival: the usage of time travel tropes.

Time After Time (40TH ANNIVER. SCREENING)

Another staple of 80s cable, Time After Time details the first ever fictional meeting of H. G. Wells and Jack the Ripper. The tense, intelligent film, deservedly so, is often lauded as on the true classics of time travel cinema. Malcom McDowell in one of his few heroic roles, David Warner at his creepiest best, and Mary Steenburgen in only her second screen appearance, ground the film with their excellent performances. Perhaps the only flaw lies in neophyte Nicholas Meyer’s direction, which at times feels like TV movie-of-the-week. Thankfully, his near perfect script overcomes any of the firs time director’s shortcomings.

The film was screened to honor Meyer, who was in attendance, with the Defender of the Universe Award. In the q&a following the film, Meyer revealed that Jenz-Luc Goddard’s legendary Alphaville served as an inspiration and scenes that were cut from the original screenplay showed up in Star Trek IV: The Voyage Home.

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Lost Review: Attack the Block

Beginning in December 2005 with my history of apes in film essay “Gorilla of Your Dreams” (the substantially update and revised version appears in The Apes of Wrath), I regularly contributed to Moving Pictures Magazine. First in the print incarnation and then for primarily the website. I contributed reviews and essays for the last three years of the publications existence. Following the June 2011 demise of both the print and website editions, all of the digital work for MPM disappeared into the ether. In the coming months (years?), I plan on reposting many of my reviews and articles.

With John Boyega getting his “big break” in Star Wars: The Force Awakens, I thought it’d be a good time to take a look back at his first starring role.

Attack_The_Block_2

Attack the Block
Reviewed by Rick Klaw
(July 2011)
Directed and written by Joe Cornish

Starring John Boyega, Jodie Whittaker, and Nick Frost

Following in the successful footsteps of recent low budget science fiction films District 9, Moon, and Monsters, writer/director Joe Cornish’s freshman outing Attack the Block, produced for an estimated £9 million (roughly $14 million), delivers a superior diversion, grounded in a quality script and innovate direction.

After mugging young nurse Sam (Jodie Whittaker), a group of South London teens witness a small meteor crash into a nearby car. While searching the vehicle for valuables, an alien, a three foot high being that looks like a hideous skinless baby, bites gang leader Moses (John Boyega) and runs away. The boys give chase, eventually catching and killing it. Wielding their trophy, the thugs return to their block, an urban apartment building for the poor similar to the America projects. Soon terrifying creatures—a cross between a large dog and a small bear with pitch black fur, no eyes, and glowing white teeth—hunt the scared young men. In desperation, they eventually turn to the savvy Sam to help keep their wits and sanity.

Masterfully manipulating his meager budget, Cornish effectively employs actors in suits, rather than the now-standard and more costly digital portrayal, for his scary monsters and uses his native South London as the gritty backdrop. Employing age-appropriate actors, fronted by the mesmerizing newcomer Boyega, the motivations and emotions of the clever and impetus group lend an air of realism to an otherwise absurd concept. The wholesome Whittaker supplies a much needed counter to the testosterone-infused scenes as the mother/sister/object of desire. The popular Nick Frost (Paul) adequately supplies his nearly stereotypical comic relief role as the bumbling stoner.

The intelligent story offers no explanation for the origin of the aliens nor does it ever waiver from the ground level urban perspective. The fun and creative action sequences provide more excitement than the vast majority of big budget productions.

An exciting, often humorous and unique 88 minutes, Attack the Block, much like the movies mentioned above, heralds a major new imaginative filmmaker. See it now before Hollywood spits out the inevitable crappy remake.