Let’s take a quick look to see what’s arrived at the Geek Compound.

John Lord
Written by Denis-Pierre Filippi
Art by Patrick Laumond

Promo copy:

An old-fashioned yet truly original noir tale set in 1920s New York where an unlikely pair of detectives reactivates a special investigative agency known as the UPIs to probe the grisly death of one of theirs. A pulpy tale of crime, full of snappy dialogue, twists and turns, and the unraveling mysteries of the past…

Stan Lee’s How to Write Comics
by Stan Lee
Cover by Jonathan Lau

Promo copy:

Comics icon Stan Lee, creator of the Mighty Marvel Universe, has set about to teach everything he knows about writing and creating comic book characters. In these pages, aspiring comics writers will learn everything they need to know about how to write their own comic book stories, complete with easy to understand instruction, tips of the trade, and invaluable advice even for more advance writers. From the secrets to creating concepts, plots, to writing the script, the man with no peer — Stan Lee — is your guide to the world of writing and creating comics.

Darwin’s Diaries Vol. 1: Eye of the Celts
Script by Sylvain Runberg
Art by Eduardo Ocaña

Promo copy:

Victorian England. In Yorkshire, several men and horses working on a railway line have been killed—slaughtered, really. The police suspect some kind of wild beast. The government calls upon controversial naturalist Charles Darwin to help with the investigation. A reasonable move, but one that is dictated rather by the least known part of his work: research on what other people would qualify as legendary creatures. It won’t be long before the scientist discovers that he may be right about them after all…

Part I

Graphic novels received 10/2/11 Part II was originally published on The Geek Curmudgeon

Let’s take a quick look to see what’s arrived at the Geek Compound.

I received the complete Metabarons saga which are being collected soon in the single hardcover volume The Metabarons Ultimate Collection. For Nexus Graphica, I reviewed an earlier (2001) Metabarons compilation.

Expect to hear more later.

The Metabarons #1: Othon & Honorata
Written by Alexandro Jodorowsky
Art by Juan Gimenez

Promo copy:

Discover the lineage of a character first created by Jodorowsky and Moebius in the science fiction epic, THE INCAL, as the history of the warrior clan known as the Metabarons unfolds. Each generation of this ultimate bloodline of warriors must struggle to continue the traditions of their heritage and to overcome the forces amassed against them as they fight against a universe corrupted by greed, power and terror.

THE METABARONS #1: OTHON & HONORATA tells the story of Othon Von Salza, the first Metabaron, as he loses his family and his world in a series of tragedies that lead to the creation of the Metabaron clan. Told through a stunning mix of action, drama, and lavish artwork, this book is a perfect introduction to one of the most unique stories in comics today.

The Metabarons #2: Aghnar and Oda
Written by Alexandro Jodorowsky
Art by Juan Gimenez

Promo copy:

The history of the ultimate bloodline of warriors continues.

Follow Aghnar, the son of the first Metabaron, from his earliest battle against the psychic witches of the Shabda-Oud to his attempt to win the hand and heart of their target: Oda the Capricious. How can he hope to fulfill her demand for a perfect blue rose, when the last rose died 30,000 years ago?

The Metabarons #3: Steelhead & Dona Vicenta
Written by Alexandro Jodorowsky
Art by Juan Gimenez

Promo copy:

The history of the ultimate bloodline of warriors continues.

Follow Steelhead, who may be the most ruthless of all the Metabarons, shakes the galaxy with a reign of violence and murder. But when he falls in madly in love with Doña Vicenta, the daughter of one of his many victims, Steelhead decides to prove himself worthy of love.

The Metabarons #4: Aghora & The Last Metabaron
Written by Alexandro Jodorowsky
Art by Juan Gimenez

Promo copy:

The final volume by Jodorowsky and Gimenez in the epic sci-fi fantasy Metabarons saga. The ultimate bloodline of the Metabarons may come to an end with Aghora and her child. This volume concludes the Metabarons graphic novel series collection.

Graphic novels received 10/2/11: The Metabarons edition was originally published on The Geek Curmudgeon

I’ve combined my final two days of Fantastic Fest coverage into one post. Though the festival is officially over, don’t be too surprised if next week I supply some bonus coverage. I currently have streaming access to five more movies that I’d like to review. I’m also planning a best of piece covering the entire 2011 Fantastic Fest.

Based on Gen Araki’s popular manga, A Boy and His Samurai charms with the adventures of a time displaced, Edo-period samurai turned housekeeper and pastry chef. Director Yoshihiro Nakamura masterfully weaves the potentially silly concept into an entertaining, thought-provoking exploration of modern Japanese society. Single mother Yusa struggles to take care of her young son Tomoya.while working a boring job. Their life changes when they meet the confused and lost samurai Kajima, who eventually becomes Tomoya’s friend, role model, and nanny. The bored warrior also discovers the art of dessert making, even entering a Top Chef-style contest. The pro-feminist, Buddhist masterpiece tackles issues such as absentee fathers, working women, nobility, honor, and single mothers, all in a light but insightful manner. A Boy and His Samurai delivered one of the most unusual family films ever and is destined to be cherished as classic for generations.

The first ever Israeli produced horror film, Rabies offers an original, fun, and gruesome take of teens- lost-in-the-woods motif. After siblings Ofer and Tali run away from into a nearby forest, Tali falls into a trap set by a homicidal maniac. While looking for help, Ofer encounter a group of young people—two men and two women—whom he begs to help him. The men go with Ofer, leaving the girls to wait for the cops. The police sexually harass the girls, who run off into the forest. Meanwhile, a park ranger on his normal rounds discovers a man carrying a body. Things go from bad to worse as the deaths mount up from a variety of misunderstandings and mishaps. Even with its flawed ending, Rabies shared an interesting vision of the standard, well-trodden horror trope.

An extrapolation of the hit Danish TV series of the same name, the riotous comedy Clown follows two longtime friends (Frank Hvam and Casper Christensen reprising their roles as exaggerated versions of themselves from the show) on a canoe trip to an exclusive one-night-a-year brothel for a “Tour De Pussy.” Before the debauchery begins, Frank accidentally learns his longtime girlfriend is pregnant. Fearing he is not father material, she contemplates getting an abortion. In a misguided attempt to prove her wrong, Frank kidnaps her 11 year old nephew, forcing him along on the journey. Chaos ensues. A raunchy film along the lines of The Hangover, Clown offered many laugh-out-loud scenes expertly combined with bittersweet, incisive moments.

The slick horror film A Lonely Place to Die overcomes a fairly pedestrian plot with some beautiful scenery and thrilling chase scenes. While vacationing in the Scottish mountains, five friends make an unexpected discovery: a little girl locked in a subterranean prison cell a hundred miles. The semi-feral child speaks no English and attacks any man who touches her. Soon the group find themselves stalked by the girl’s heavily armed captors. The tense movie, populated with some interesting villains, masterfully employees the magnificent Scottish terrains. Though flawed, A Lonely Place to Die provided an entertaining diversion.

Fantastic Fest Day Six: Murder and Mayhem

Fantastic Fest Days Seven and Eight: A Finale of Sorts was originally published on The Geek Curmudgeon

Among the meager geek selections, Netflix offers a few gems: the latest complete seasons of the perpetually popular 30 Rock and The Office and the climatic chapter of the excellent Friday Noght Lights. Movie highlights include the John Hughes classic Planes, Trains and Automobiles, The Others, and F/X. Without a doubt, the oddest selection of the month is William Shatner’s Gonzo Ballet.

* denotes streaming for the first time via Netflix.

Premiering October 1:
*30 Rock: Season 5
*The Cape
Case 39
*Children of the Corn 7: Revelation
*Close Your Eyes (Doctor Sleep)
Curse of the Pink Panther
*Frasier Seasons 1-11
*Friday Night Lights: Season 5
The Great Train Robbery (1978)
*The Office: Season 7
*Parks and Recreation: Season 3
Pirates of Tortuga: Under the Black Flag
*Planes, Trains and Automobiles
The Russia House
The Russians Are Coming The Russians Are Coming
Super Troopers
To Live and Die in L.A.
Vampire’s Kiss From long ago when Nicholas Cage still gave a damn…

Premiering October 2:
*Dark Fields

Premiering October 8:
*The Last Exorcism My review.

Premiering October 15:

*Dachimawa Lee
*Dream (2008)
*Meatball Machine
*The Others (2001)
Paranormal Activity 2
*The Ward

Premiering October 19:

*William Shatner’s Gonzo Ballet

Premiering October 21:

*F/X
F/X 2

Info courtesy of

Impending Geekgasm on Netflix Instant Watch – Oct edition was originally published on The Geek Curmudgeon

Making its world premiere at Fantastic Fest, the entertaining 3D bloodbath Julia X featured the beloved geek icon Kevin Sorbo playing against type as a serial killer. Sorbo’s aw shucks charm lends a surprising strength and credence to the role. The never named killer finds through Internet dating serves. His latest potential victim Julia (the beautiful Valerie Azlynn) reacts unlike his previous hunts, leading to a ballet of violence, bizarre twists, and (intentionally) humorous bits. First time director P.J. Pettiette competently plays with the expectations of the genre, at times delivering some unique aspects and tense moments. The extremely well done 3D, as it is in most movies, appears as an affectation rather than an essential aspect to the picture. I suspect the film would screen just as well in 2D. Weakening the cataclysmic ending, Pettiette, who also wrote the screenplay, tacked on an unnecessary epilogue to set up the inevitable sequel Julia Y.

Sorbo, Pettiette, and Producer Claudie Viguerie revealed some interesting tidbits during the post-screening q&a. The movie was originally shot in September/October 2004 pre-Avatar, using many of the same techniques. According to Pettiette, Julia X offers the first 3D scene shot in a swamp. Sorbo performed many of his own stunts and his extensive experience with fight scenes helped the neophyte action actors. Though it didn’t stop him from being smashed in the noggin by a vase in one scene.

Similar to the festival’s other super hero-inspired flick Calibre 9, Haunters introduces a first time director with an interesting, yet flawed film. A huge hit in its native South Korea, the film centers around the battle between two beings with super powers. A silver-haired, one-legged mystery man controls the minds of all he meets. Until during a foiled robbery, the unassuming Kyu-Nam manages to resist. With heighten reflexes and superhuman healing, Kyu-Nam challenges the power hungry telepath in a game of cat-and-mouse throughout the streets of Seoul. Director/writer Kim Min-Suk display a creative use of the powers and engaging fights. The likable characters in the oft told tale of good versus evil lack any real depth. With a similar vibe to Unbreakable, Haunters offers a fun entertainment.

Based on Shohei Manabe’s popular manga, the ultra-violent, cruel-at-times Smuggler marks the return of legendary director Katsuhito Ishii to the over-the-top, goofy action movie. Failed actor Kinuta must take odd jobs to pay off his debt to a loan shark. He joins a team of smugglers. They become embroiled with the colorful assassins Vertebrae and Visceral. High octane, comedic, improbable action fuels the story. Despite the gratuitous, graphically intense torture scenes, Smuggler proves to be an above average, bug-nutty, Japanese action thriller.

Fantastic Fest Day Five: Zombies over Havana

Fantastic Fest Days Seven and Eight: A Finale of Sorts

Fantastic Fest Day Six: Murder and Mayhem was originally published on The Geek Curmudgeon

[  Mood: Cool ]
[  Currently: Listening to CBC Radio ]
!!!!!SPECIAL ANNOUNCEMENT!!!!!!

We here at the Roundtable are pleased to announce that Roundtable will be introducing a bookclub! Yes, we read books and want to share them with you.

Our first bookclub will be taping the week of December 26. Our host and discussion leader is our man in Japan, Dave Farnell. Dave will lead a merry band of readers through a discussion of the book he has hand chosen for this event.

And what book is that, you may ask?

<drumroll>

His Majesty’s Dragon by Naomi Novik.

Yes, it’s Napoleonic war fiction, with dragons!! The first book of this epic fantasy series that has been optioned by Peter Jackson for a movie. If you haven’t read it, now is the time. If you have read it, why not read it again? Send your questions and observations to revcast@revolutionsf.com.

We are also looking for one special listener and or special guest to join us. So if you think you can talk about dragons, sailing ships and black powder, send a quick email to revcast@revolutionsf.com as to why we should pick you. Who knows? You may end up talking on the Roundtable.

Promoted as the first Cuban-made horror film, Juan of the Dead delivered a creative, zombie/comedy on the level of Shaun of The Dead (which despite the title bears little resemblance) and Zombietown. After Havana descends into chaos following the zombie outbreak, Juan, the procrastinating title hero, must overcome his lackadaisical nature to defend his friends and estranged daughter. First time writer/director Alejandro Brugués, who currently lives in his native Cuba, bravely crafted this pro-Cuba, anti-Castro film. News reports punctuate the movie relating the official government position that these incidents are the results of “American-backed dissidents” so the characters throughout refer to the undead as dissidents. According to Brugués, who participated in a q&a following the feature, many of the weird occurrences actually happened. And there was plenty of strange. Juan of the Dead, easily the best and most original zombie film of the year, offered loving nods to classic Romero zombiefests, Dead Alive, and even Ghostbusters (“Juan of the Dead, we kills your loved ones.”).

Brief side note: During the Juan of the Dead introduction, Brugués challenged Timecrimes/Extraterrestrial creator Nacho Vigalondo, who was in attendance, to a Fantastic Fest Debate for an explanation about what the hell is going on it Timecrimes and to prove the superiority of Cuban filmmakers over Spaniards. Something to look forward to in ’12.

Prepared especially for the festival, Drawn and Quartered collects 12 animated shorts from around the world. Bedtime for Timmy, The Last Norwegian Troll, and The Holy Chicken Of Life And Music offered the most memorable contributions. Most of the other selections ranged from just forgettable to outright terrible.

Fantastic Fest Day Four: The Absurdity of Headhunters

Fantastic Fest Day Six: Murder and Mayhem

Fantastic Fest Day Five: Zombies over Havana was originally published on The Geek Curmudgeon

Despite an interesting premise, The Corridor delivered a mediocre horror experience with a scant few shocks. After spending several years in a mental institution following the death of his unbalanced mother, Tyler invites four childhood friends to the family cabin in the Canadian wilderness for a wake. After scattering his mother’s ashes, Tyler begins to have visions of a room in the forest surrounded by shimmering walls. In an attempt to prove he’s not insane, Tyler shares his experience with his friends. This time the it appears as a long corridor. Soon after the men start acting strangely then eventually psychotic even homicidal. The performances ranged from average to of the film, nothing memorable. While not a terrible script, it exhibits nothing particularly original or exemplary. The boring film feels very much like a first movie, full of potential that ultimately fails in its boredom.

Based on Jo Nesbo’s bestselling book, the taut, intelligent Headhunters reveals the secret art thief identity of successful corporate headhunter Roger Brown (Aksel Hennie). Initially just a well crafted caper film, unexpected plot twists morph the story into something completely different yet equally fascinating, culminating in a creative, surprising, and satisfying conclusion. Hennie delivers a pitch perfect performance, perhaps the best of the festival, as the unlikable lead, replete with inferiority complexes and disgusting displays of arrogance. Director Morten Tyldum superior handling of scene and action produces a top flight, edge-of-your-seat thriller. Ripe for a remake, see Headhunters before the inferior American remake hits theaters.

For his first feature Carre Blanc, director/screenwriter Jean-Baptiste Léonetti chose an Orwellian near future with absurdist views on totalitarianism. The mercifully brief (77 minute), bleak, and beautiful film opens with a series of seemingly unrelated non-sequiturs before delving into a more conventionally structured story. After watching his mother jump to her death, Phillipe attends a school with other orphans where he soon attempts suicide. Flash to the adult Phillipe as a ruthless businessman, putting applicants through strange, sometimes painful tests. His marriage to Marie, who saved him as child, is now estranged. The government supplies the soundtrack to everyone’s live through a series of continuous audio loops promoting childbirth (“Under 12? You can be inseminated. Even without your parent permission.”), an unexplained sequence of numbers, and coverage of croquet tournaments. In the nearly brainwashed society, the upper classes literally eat the poor. The tragic, richly emotional tale is particularly telling in light of the current EU economic crises. No matter what else, Carre Blanc promises you’ll never look at croquet the same way again.

Fantastic Fest Day Three: Of Superheroes and Gangsters

Fantastic Fest Day Five: Zombies over Havana

Fantastic Fest Day Four: The Absurdity of Headhunters was originally published on The Geek Curmudgeon

Light day largely due to me getting a very high number (527) in the ticketing queue. Most movies were full, but I did manage to catch two that I was looking forward to seeing.

A well done, by-the-numbers gangster epic set in modern day Mexico, El Narco (released in Mexico as the far more evocative El Infierno) failed to live up to its promise. After 20 years in the United States, Benny returns home to find his brother dead. Assuming the role of lover/caretaker to his brother’s widow and teen son, Benny does whatever necessary to protect his new family while avenging his brother’s death. Beginning as an innocent, Benny eventually becomes the kind of man he loathes. Light, often not fully realized, comedic touches create a weird undertone throughout. Even with the excellent portrayals and a potentially interesting perspective of the drug trade, Luis Estrada’s standard direction and predictable script created a good, yet ultimately forgettable movie.

The French Calibre 9, uber-violent, highly stylized comic book movie, warns of the stereotypical evils of government corruption. City planner Yann, a pretty typical mid-level government drone, acquires, through contrived means, a magical gun. The weapon, possessed by the soul of dead hooker Sarah, grants Yann nearly superhuman abilities to kill people while avoiding bullets. Sarah talks to Yann and can even exert limited control over him. The very derivative tale sees Yann meting out justice against evil government officials. In this almost a parody of action and super hero movies, director/screenwriter Jean-Christian Tassy offers scant explanations, but things blow up pretty and the action is intense. With a look and edits inspired by Crank, the interesting Calibre 9 primarily teases of the future potential for first time director Tassy.

Fantastic Fest Day Two: Extraterrestrial Cometh or Free Beer

Fantastic Fest Day Four: The Absurdity of Headhunters

Fantastic Fest Day Three: Of Superheroes and Gangsters was originally published on The Geek Curmudgeon

The balls-to-walls Korean crime drama The Yellow Sea electrifies with creative bloody combat using a machete, kitchen knives, and even a dog leg, intense chase sequences, and a riveting story. Cab driver Gu-nam, living in Yanji City, a Chinese region between North Korea and Russia dominated mostly by Joseonjok (Chinese citizens of Korean ancestry), goes deeply into debt to send his wife to Korea for work. After not hearing from her in six month, he fears she has left him. When largely due to his gambling problem, Gu-nam begins missing repayments to local thugs, he accepts an opportunity from powerful crime boss Myung-ga to wipe the slate clean. He must journey to South Korea and kill a man! While there, Gu-nam searches for his wife. Things goes horribly wrong and Gu-nam must escape the police and gangsters. The Yellow Sea is sure to thrill even the most jaded crime film fan.

Invasion of Alien Bikini opens when Young Gun, dressed in blue shorts, a yellow slicker, and perhaps the worst fake mustache to ever appear on screen, saves Ha Monica, a beautiful young woman, from the attacks of several men. Back at his place, Monica attempts to seduce the chaste hero. Turns out she is an alien that needs human sperm to propagate her species. Fun lunacy ensues with her trying a variety of methods to extract the fluid. A fake ad and “experts” explaining some of the more obscure aspects, cleverly interrupt the narrative. About 2/3 in, a sudden, massive tonal shift occurs that completely derails what up to then was an intelligent and light-hearted story. Then even more jarring, the movie attempts to return to the original light hearted feel. It fails.

Nacho Vigalondo, director of the lauded Timecrimes, returns for his second feature film Extraterrestrial. The hungover Julio wakes up in a strange bed. After re-acquainting with his hook up from the previous evening Julia, the pair realizes that the TV, phone, and Internet do not work. The streets are oddly deserted. Then they discover the giant spaceship hovering high above the city. Julia’s creepy next door neighbor brings news of an alien invasion. Her live-in boyfriend Carlos comes home, further complicating matters. The quartet begin to adjust to the strangeness of their lives while attempting to uncover exactly what happened.

One of the most anticipated premieres of the festival, founder Tim League revealed Extraterrestrial was the single most requested screening. An extra row of folding chairs were brought into the theater to accommodate some of the demand. Even with that I heard of many people who couldn’t get tickets. To further excite the crowd, free Shiner Bock was available (one pint per customer).

Vigalondo did not disappoint the crowd either with the movie or his post-feature interview.

During the interview, Producer Nahikari Ipiña said the movie only took 3 weeks to shoot! Vigalondo confided that he was drunk after drinking a bottle of wine while watching the world premiere of his newest film. Extraterrestrial is so different from Timecrimes in story and tone largely because he feared being typecast as a director ala M. Night Shyamalan. On the metaphors that occur throughout the movie, Vigalondo laughingly reveled that most of them were accidents but prefers people to “pretend I had my metaphors in mind… that I’m so clever.”

The complex romantic comedy offers plenty of laughs and mystery. Vigalondo expertly combined superior direction with his intelligent, witty script replete with shocking ending. The odd yet familiar tale features unusual props such as a tennis ball cannon, a large jar of peaches, and a giant coffee cup. Alongside Let the Bullets Fly and The Yellow Sea, Extraterrestrial delivers one of the early highlights of Fantastic Fest ’11.

Day One highlights

Fantastic Fest Day Three: Of Superheroes and Gangsters

Fantastic Fest Day Two: Extraterrestrial Cometh or Free Beer was originally published on The Geek Curmudgeon