Justice – AQR and bit of a Rant

[ Sleepy Mood: Sleepy ]
[ Currently: Taking a break from cleaning. ]
Just recently finished this book, and I made some observations I thought I would share.

The villains of the DC Universe have been having nightmares about the end of the world and how the heroes can’t stop it. So they band together for two purposes, 1) to save mankind by performing acts of good and 2) stop the apocalypse by stopping all the heroes.

In this first volume we see hero after hero fall to the onslaught of villains. It is a bit depressing watching the icons of my childhood fall so easily to the onslaught of the badguys. If it had been this easy, wouldn’t it have happened before? Still there is enough here to make me want to read the next instalment.

I also have a problem with Alex Ross’s artwork. I know that a collective gasp just broke out, like the voices of a thousand Geeks could not believe that I said that. But Ross is all about the strong chin and defiant stance, which is awesome when you have male heroes wearing masks. The results with the females of the DC Universe are not so pretty. Black Canary and Wonder Woman end up looking quite manish, almost transvestite like, especially in the covers. Gone are any suggestions of delicate beauty. I get that they will be muscled, but Canary was designed after femme fatales of Hollywood, she should not look like she has a chin you can cut cheese on.

And so that one thing puts me off much of Ross’s work. I don’t doubt he’s one of those artists who takes pictures of models posing to achieve his photorealistic art, but it’s just slightly creepy.

Startling Stories: Banner (2001)

 

Quote:
“Your brain for God’s sake! It’s what makes you who you are.”

“It’s what makes me something I don’t want to be.”

 

This book collects the four issue mini-series of the same name by writer Brian Azzarello and artist Richard Corben. I know Azzarello’s work from various Vertigo series such as the great 100 Bullets, the not quite so great western series Loveless and a run on Hellblazer that I did not like terribly much. Corben also illustrated an Hellblazer story line during Azzarello’s run but I am more used to seeing his work in Heavy Metal magazine though he does have a serialised story running in the latest incarnation of Dark Horse Presents.

Doctor Samson is trying to capture Bruce Banner as the Hulk goes on an uncontrolled rampage devastating several small towns. Meanwhile, Banner is struggling to come to terms with his actions as the Hulk, both in the past and the present, as he tries to help in the aftermath of his most recent episode. And all the while General Ross is waiting for Samson to complete his mission so that he can take drastic steps to control the menace.

This is one of a number of tales labelled as Startling Stories. I am not sure of where they lie in Marvel’s continuity with at least one source claiming that they are set on an alternative Earth. In any case, this is a dark little tale from Azzarello with Banner attempting suicide after one particularly devastating episode that completely destroyed part of a town. Azzarello explores Banner’s feelings of guilt and remorse to a level that I have not read before – though I am not the greatest Hulk fan so am ready to be corrected on that. The art from Corben is as good as usual and I like his portrayal of the Hulk. I normally see his work in a fantasy or horror context and I think that this story is enhanced due to his background in those genres, especially in the scenes that feature a reflective Bruce Banner.

The New Avengers: Break Out (2005)

 

Quote:
“Why wouldn’t you be wearing underwear?”
“I chafe.””I want off the team.”

Collecting the first six issues of the ongoing New Avengers series, this book was written by Marvel mainstay Brian Michael Bendis with pencils by Canadian artist David Finch. Bendis has had long runs on many of Marvel’s top books including Daredevil, The Avengers, Ultimate Spider-man and has written the lead story on a number of Marvel’s crossover events including House of M. I have come across Fincher’s art before on Volume 2 of Moon Knight.

Luke Cage and SHIELD agent Jessica Drew are accompanying Matt Murdock on a visit to Sentry on the super secure penal facility the Raft when a jail break, carried out by Electro, occurs. Captain America, Spider-man and Iron Man are attracted to the spectacle and are soon joining the others in trying to contain the prisoners as best they can. In the aftermath, Captain America suggests putting together a new Avengers team to investigate the purpose of the break out and help recapture the 40 plus prisoners who managed to escape. In the course of their investigations they are led to the Savage Land, meeting up with Wolverine along the way, and run into illegal, covert SHIELD operations there.

I liked this book a lot. It had a bit of something for everyone – epic battles between heroes and villains, comedic moments between the fledgling team, intrigue and possible institutionally approved illegal activity and conspiracy theories. The book brings the team together and ends at the conclusion of their man hunt for the villain whose escape was being concealed by the mass breakout but it left plenty of loose ends to examine in further issues. I have already placed my order for volume 2 and look forward to more of the same.

Stuff received 12/18/11

Let’s take a quick look to see what’s arrived at the Geek Compound.

Chew Volume 4: Flambe
Written by John Layman
Art by Rob Guillory

Promo copy:

These are strange times for Tony Chu, the cibopathic federal agent with the ability to get psychic impressions from the things he eats. Strange writing in extraterrestrial script has appeared in the skies of Planet Earth – and stayed there! People don”t know if the end days are upon them or not, but they don”t seem terribly concerned about the laws of the FDA, and what was once the most powerful law enforcement agency is rapidly descending into irrelevancy. So where does that leave the FDA best agent, Tony Chu?

I’ve been a fan of this extraordinary series almost from the beginning. The Chew Omnivore Edition, Volume 1 even ranked among my top ten graphic novels of 2010.

Quote:
Layman and Guillory create an alternate present where, due to avian flu fears, the American government has criminalized the possession, sale, and consumption of all poultry! Tony Chu, investigator for the Special Crimes Division of the powerful FDA, employs his abilities as a cibopathic — he gets psychic impressions from whatever he eats — to solve crimes. Guillory’s over-the-top humorous illustrations and Layman’s clever script expertly mix to spawn an enjoyable concoction of cannibalism, conspiracy, and murder. This luscious hardcover collects issues 1-10 (Volumes 1 and 2 of the trade paperback collections), complete with character design and sketches.

On the Ground: An Illustrated Anecdotal History of the Sixties Underground Press in the U.S.
Edited by Sean Stewart
Cover by Simon Benjamin

Promo copy:

Forthright anecdotes and interviews fill this eye-opening account of the birth of the underground newspaper movement. Stemming from frustration with the lack of any mainstream media criticism of the Vietnam War, the creation of the papers was emboldened by the victories of the Civil Rights–era, anticolonial movements in the Third World and the use of LSD. In the four short years from 1965–1969, the subversive press grew from five small newspapers in five cities in the United States to more than 500 newspapers—with millions of readers—all over the world. Stories by the people involved with the production and distribution of the papers, such as Bill Ayers, Paul Buhle, Paul Krassner, and Trina Robbins, bring the history of the movement to life. Full-color scans taken from a broad range of publications, from the Berkeley Barb and the Los Angeles Free Press to Chicago Seed and Screw: The Sex Review, are also included, showing the incredible energy that fueled the counterculture of the 1960s.

Tanner Hall

Promo copy:

As Fernanda (Rooney Mara) enters her senior year at Tanner Hall–a sheltered boarding school in New England–she’s faced with unexpected changes in her group of friends when a childhood acquaintance, the charismatic yet manipulative trouble-maker Victoria (Georgia King), appears. Shy and studious, Fernanda is usually the voice of reason among her friends–adventurous and sexy Kate (Brie Larson) and tomboy Lucasta (Amy Ferguson)–but when she begins a complicated friendship with Gio (Tom Everett Scott), an older family friend, she decides it’s finally time to take some risks. Jealous of Fernanda’s exciting relationship, Victoria begins to sabotage Fernanda’s plans and plots to publicly humiliate her. Meanwhile, Lucasta struggles with her newfound feelings towards another classmate, and mischievous Kate is too preoccupied with making her teachers nervous to pay much attention to her actual classes. However, as each of the girls flirt with adulthood, they realize they still need each other to help get through their first grown-up decisions–and the consequences they bring.

Directed by Tatiana von Furstenberg and Francesca Gregorini, Tanner Hall also stars Amy Sedaris and Chris Kattan. Featuring designs by Diane von Furstenberg Studios. Produced by Julia R. Snyder, Tatiana von Furstenberg and Francesca Gregorini. Executive producer by Richard L. Bready.

Robin Hood: People’s Outlaw and Forest Hero
by Paul Buhle

Promo copy:

Using a unique blend of text, collage, and comic art, this social commentary written in graphic novel format analyzes the continuity between the myth of Robin Hood and the occurrence of social uprisings among peasants. In addition, the book explores the mysteries, factual evidence, and trajectory that led to centuries of village festivals, songs, films, and cult television shows about the mythical hero who robbed from the rich and gave to the poor. Featuring a collage of various artistic renderings of Robin Hood over the past seven centuries, the comic portion presents a distinct perspective of the folk hero. Furthermore, the book reveals a largely unknown and unconsidered environmental side of Robin Hood, and touches on ecological wholeness that, for the most part, is absent in the mythos.

Back Issue No. 53
Edited by Michael Eury
Cover by Walter Simonson

Promo copy:

BACK ISSUE #53 (84 pages with FULL-COLOR, $8.95) takes an in-depth look at WALTER SIMONSON’s Thor in this “Gods” issue! And there’s more Thor: the Thunder God in the Bronze Age and a TOM DeFALCO/RON FRENZ “Pro2Pro” interview. Plus: Hercules: Prince of Power, Moondragon, Three Ways to End the New Gods Saga, and an exclusive interview with fantasy writer MICHAEL MOORCOCK. Featuring art and/or commentary by GERRY CONWAY, JACK KIRBY, BOB LAYTON, and more, with a hammer-swinging Thor cover by Simonson. Now in FULL COLOR!

The excellent Moorcock interview by RevSF’s own Alan J. Porter focuses on the SF master’s comic book career.

Stuff received 12/18/11 was originally published on The Geek Curmudgeon

DC: New Frontier – AQR

[ Angelic Mood: Angelic ]
[ Listening to CBC Radio Currently: Listening to CBC Radio ]
I have been doing a lot of reading recently and feel the need to share some observations with you.

Imagine a world where superheroes have been outlawed, with the exception of those who are willing to reveal their identities and work for the government? Those that haven’t are considered outlaws and need to be captured.

This is the world of New Frontier. We have the classic DC Silver Age heroes, before most of them were heroes, learning to control their powers and to act to help the ones they loved.

Heavily influenced by the Watchmen (but what isn’t in modern superhero comics), the beauty of this work is the art, which looks like the art of the 50s and 60s. Also of note is the reimagining of Wonder Woman into a strong female character who is still constrained by the social norms of the time. Her giving the liberated sex slaves the guns and turning them loose on their captors is one of my favourite scenes in comics period.

Can’t wait for the second volume.

Superman/Shazam: First Thunder (2006)

 

Quote:
“My name’s Billy Batson. But maybe it’s too dangerous to be Billy Batson anymore …”

“Who did this to you?”

 

This book features the first meeting of Superman and Captain Marvel and collects isues 1 – 4 of the First Thunder mini-series. I wouldn’t normally buy a Superman book but I bought this one because it was written by Judd Winick whose work on Blood + Water and Under the Hood I really liked. The art was by an unknown to me – Joshua Middleton.

A gang who has been stealing European artifacts from museums across the country make a successful hit on a museum in Metropolis. When they turn up in Fawcett City, Superman is there to lend a hand to Captain Marvel but they fail to stop the raid or apprehend the gang. Fawcett City’s equivalent of Lex Luther, Dr.Thaddeus Sivana, has hired the gang to raise a demonic version of Captain Marvel to destroy a promising solar energy project. Meanwhile he has swallowed his pride and turned to Lex Luthor for help in hunting down Captain Marvel and his weaknesses so that he can eliminate him.

This book is set mere months after Billy Batson has been given the power of Shazam and marks the first meeting between Captain Marvel and Superman. It starts off as a piece of typical superhero nonsense with Captain Marvel pleased and overawed to be meeting and beating up bad guys with the legend that is Superman. However, the book takes a darker twist towards the end when Silvana’s attempt to assassinate Billy leaves his best friend fighting for his life. Winick takes us from the light to the dark with a great story about the loss of innocence and a boy alone forced to grow up too fast. I’m not a big Superman fan but Winick does a good job of making me want to read more. The only weak point in the story is after the raiders escape from the Fawcett City museum by conjuring up a couple of demons that the heroes have to deal with. After defeating the demons they go off for a chat on Mount Everest rather than trying to hunt down the criminals which didn’t seem right. The art by Middleton is great and in that modern clean style reminiscent of Frank Quitely’s work. I will definitely look out for more from him as well as Winick.

Wolverine: Logan (2009)

 

Quote:
That broad of yours. She … she once told me you were the only man on this island with … with an ounce of mercy. Whatever happened to that guy?

 

This book collects issues 1-3 of Wolverine: Logan by writer Brian K. Vaughan and artist Eduardo Risso. I know Vaughan primarily from his excellent work on Y: The Last Man and I have also read a couple of volumes of Ex Machina. Risso is rapidly becoming one of my favourite artists for work on 100 Bullets, Vampire Boy and currently Spaceman.

Wolverine journeys to Japan with his memories newly restored to him. While there he has to confront the ghosts of his past from 1945 as well those that linger in the present. In the 1945 story line, Logan wakes up in a cell with an American named Warren in a Japanese PoW camp. Together they escape but soon part ways over a disagreement over whether or not to kill a civilian woman they come across. Warren returns to kill Logan and the woman and is found to have similar abilities to Logan in that he seemingly cannot be killed. But before Logan can exact vengeance for the death of his lover, the Americans arrive to bomb the nearby city.

This is a great book but with one slight qualm. I am a bit uneasy that the background of this book is the dropping of an atomic bomb on Hiroshima. While there is nothing particularly distasteful in the story it only seems to added to, firstly, show that Wolverine can survive a nuclear explosion and, secondly, to create a powered opponent for him to smack down in the present at the end of the book. It is this second aspect that is particularly shabby to me as the character, Warren, while not portrayed in the best light in the 1945 sequence is just as much a product of his circumstances and nature as Wolverine himself. Maybe if they had more space to examine Warren and Logan as two sides of the same coin then maybe I would have had accepted it more.

Risso’s art is great again. The book contains some unused pages in black and white that are even better. He is an artist whose style is well suited to balck and white only – you can see (and buy) most of the pages from this book in black and white on his web site – including some that don’t seem to be in the collected volume. Having said that some of the coloured pages are superb – especially in the third chapter. Well worth the admission price.

Wormwood: Gentleman Corpse Volume 1 (2009)

[ Listening to Off the Ball Currently: Listening to Off the Ball ]

Quote:
Hmmm … Why is it always in the bloody sewers?

 

This book collects issues 0 – 4 of Wormwood: Gentlemen Corpse by writer/artist Ben Templesmith. I am a fan of Templesmith’s art from his 30 Days of Night books but I think this is my first exposure to him as a writer as well.

Wormwood is a trans-dimensional worm who inhabits, and animates, a corpse – usually visible in the corpse’s right eye socket. He is a paranormal investigator along with his non-drinking buddy, and robot, Pendulum and hired gun, and ex-lap dancer, Phoebe. When he gets a visit from ghost cop, Trotsky, Wormwood finds himself invovled in a case invovling erectile dysfunction pills causing the rapid and violent births of tentacle-faced demons.

I thought that this was a great book full of humour and bizarre situations. How these characters come to exist and function in the world is not really explained but if you are willing to accept the set up then this is a fun read. The art from Templesmith is great as ever. I love his style with minimalist backgrounds and beautiful colouring – horror books never looked so pretty before. I look forward to reading more adventures of Wormwood and some of Templesmith’s other solo works.

Young Death: Boyhood of a Superfiend (1992)

 

Quote:
Yessss, I too wasss a boy oncce – though of courssse I wasss far from normal, even then …

 

This book collects the twelve part story from the first volume of the Judge Dredd Megazine, the anthology comic from 2000AD set in the Judge Dredd universe. The story was written by Judge Dredd creator John Wagner. The art was the first introduction of Peter Doherty to a wide audience. Doherty has continued to illustrate stories in 2000AD and the Judge Dredd Megazine but does not seem to have done much beyond this.

Set after the Necropolis story line in 2000AD, this story explores the early life of Judge Death as recounted to an unfortunate Mega-City journalist. Young Sidney is a sociopath in the making whose world view is reinforced by his father – a sadistic, psychopathic dentist. On turning his father over to the judges for a series of murders, Sidney joins the judges and refines his world view in which crime is committed by the living and so the living should be punished. Upon graduating he discovers two death cultists who help him complete his vision by removing the paradox of his continued living while sentencing others to death for the same “crime”.

I love Judge Death stories for two reasons. First of all they tend to feature an appearance of psi-Judge Anderson who I adore. Secondly he is, in many ways, the ultimate villain for Judge Dredd in the same way that the Joker is for Batman. I think that there are many similarities between the Joker and Judge Death: the fixed rictus grin; the disregard for human life; the dark humour associated with the characters. The humour in this story ranges from the lightly comical, in the shape of Death’s extremely short-sighted landlady, Mrs Gunderson, to the extremely black exploration of Sidney’s childhood environment. Although this a very good story, I have never been convinced that it was really necessary. I am happy to accept the Dark Judges for what they are and the detailing of an origin does little for my perception of the character – it is hard to imagine ever feeling sympathy for any of the Dark Judges and the choices they made. However, it is still a classic story that is worth reading if you like your humour on the black side and for the art of Peter Doherty.