Fables: Inherit the Wind (2012)

 

Quote:
“That’s the trouble with prophecy. It seldom helps and often harms.”

 

Volume 17 of Fables collects issues 108 – 113. The book was again written by creator Bill Willingham and the four issue main story, and the standalone story following it, was again pencilled by the ever fabulous Mark Buckingham with inking mainly by Steve Leialoha with Andrew Pepoy lending a hand. The final chapter in the book is a collection of short tales from the world of Fables with various guest artists such as P. Craig Russell and Adam Hughes.

Spoiler Alert
The next paragraph contains a possible spoiler if you are a long time reader of Fables and haven’t read up to volume 16. If this is you look away now or skip to the end.

The main story is a continuation of volume 16 that deals with the aftermath of the defeat of Mister Dark and the consequences of the death of the North Wind. His death leaves a void that must be filled and, as Bigby has relinquished any claim to the title, it falls to one of his children to succeed to the title. The story follows the trials and machinations as the children are tested looking for the ideal successor and the other cardinal winds turn up hoping to increase their own power while diminishing that of the North Wind. There is a continuing subplot that follows Bufkin and his attempts to lead a revolt against the new rulers of the Pan Ozian Empire. There is also a Christmas issue that details the gradual return of the Fables from Haven to the Farm before moving on to investigate the state of their New York residence. It heavily features Rose Red in a twisted version of A Christmas Carol where she meets other paladins of hope.

Another great volume in the series though the main story was a bit short for me at four chapters and left a lot open for the future. However not a suitable standalone story or entry point for new readers as it is heavily dependent on what has gone before. If you are new to the world of Fables then it really is worth your while to go way back to the beginning and experience the richness and breadth of the story from the start.

The League of Extraordinary Gentlemen: Century (2009/11/12)

 

Quote:
“All the love and loss. All the chaos. How do you manage it?”

“Well, it … it’s easier for me. You see, I’m really, really shallow …”

 

Century is a three part story told at different points in time over a hundred year time span. Once again it sees Alan Moore teaming up with the great Kevin O’Neill. The League is in part the one mentioned in The Black Dossier with Mina Murray, a rejuvenated Allan Quartermain and the immortal Orlando also involved are Raffles and Thomas Carnacki.

Part 1, 1910, sees the team trying to track down the source of a deadly attack in the East End of London as predicted in the dreams of Carnacki. His dreams include the machinations of the occultist Oliver Haddo but these turn out to be of a time in the future. Meanwhile, a familiar killer is stalking the East End and Nemo’s daughter is reappraising her life in the wake of her father’s death and brutal life since running away to London.

It’s good to be reading another League of Extraordinary Gentlemen story though the literary characters are more obscure than in the first two volumes but do allow Moore to focus more on the occult and some are cleverly used if you know the references. This is the first part of a trilogy of books and as such is not quite satisfying on its own. For though the various plot threads are woven together in the end, the larger picture is only beginning to be revealed.

The second part of Moore and O’Neill’s Century, 1969, reduces the team to the core immortals – Mina Murray; Allan Quartermain; and Orlando. Set against a larger than life, Austin Powers style swinging sixties London, the team come together to continue their investigations into the black magician Oliver Haddo and his cult who are making a fresh attempt to usher in a new age with the creation of a Moonchild. The plot revolves around a mix of dead rock stars, sixties counter-culture, London crime bosses and the various investigations into them.

In this episode, the tensions amongst the League come to the fore as Mina struggles to come to term with the prospect of immortality, the responsibilities of leadership and insensitivity of her lovers/colleagues. While the threat is adverted in the psychedelic haze of a drug trip, the book ends with Mina separated from the rest of the team and a flash-forward to the more drab seventies and and the nihilism of punk reflected in the increasingly sour relationship between Allan and Orlando without the still missing Mina.

As usual with these books, there is a lot going on in the background art with reference to many pop culture icons of the sixties and seventies. O’Neill also puts in some references to his other work with, for example, an image of Nemesis in the background of one panel. The book also contains some contemporary references showing a possible moment when Tom Riddle was set on the path to becoming the Dark Lord.

The third and last part of Century, 2009, opens with Orlando losing him(her)self in combat in the Middle East. On returning to London he is tasked with finding Mina and Allan by Prospero and then tracking down the Moonchild that they were supposed to have prevented being born. She finds Allan living on the streets a hopeless junkie who refuses to have anything to do with her or tracking down Mina. Turning to MI6 for help, Orlando inds that Mina has been in a mental institution since the aftermath of the events in Hyde Park at the end of book 2. Together they track down the anti-Christ and confront him in a last battle to prevent the apocalypse heralded by Oliver Haddo.

This volume contains some savage commentary apparently directed at J.K. Rowling and the Harry Potter novels. In this version of reality Harry Potter would appear to be Haddo’s Moonchild and anti-Christ. All in all this series has a much darker tone than the previous ones with themes of nihilism, helplesness and the decay of moral and aesthetic standards. So there is less of a feeling of entertainment and boy’s own adventure but there is plenty or scholars of Moore and his work to get their teeth into. Given the highly irregular release schedule, I am glad that I waited to read all three at once as they would have been unsatisfactory to read as standalone episodes.

For those wanting to delve deeper into the many references littered throughout the series, there are some excellent web pages by Jess Nevins gathering these and is probably essential reading for Brits as well as non-Brits. There is a page for each book – 1910, 1969 and 2009.

Black Orchid – The Deluxe Edition (2012)

 

Quote:
You super-people live in a world of cliches, lady. You shoulda wised up – these are the eighties! Fighting crime is like fighting city hall; it’s counter-productive!

 

Black Orchid is a collection of the three issue mini-series from the late 1980’s. It features the re-imagining of an old DC character by writer Neil Gaiman and long-time collaborator, Dave McKean. This is one of their early collaborations and their first big commission for a major American publisher.

The plot surrounds the death and rebirth of Susan Linden, otherwise known as the crime fighting heroine, Black Orchid, who is investigating a criminal enterprise that would eventually lead to Lex Luthor. When Susan’s ex-husband is released from prison, his dismissal by ex-boss Luthor, sets in motion a chain of events that sees him and Luthor hunting down the Black Orchid and her immature companion.

Although the book is now published by Vertigo, it was originally released by DC and pre-dates the Vertigo imprint by four years. Gaiman delivers an unconventional superhero story that does not feature much in the way of superheroics and creates an origin story for the Black Orchid that links her into DC’s other plant-based heroes and villains – Jason Woodrue, Pamela Isley and Alec Holland. The story is about loss, unrequited love and the search for identity in an unfamiliar world. And while not having the majesty and breadth of his landmark Sandman series, it is still a beautifully told tale that is worth a read nearly 25 years after it was written. The art by McKean is fabulous featuring a photo-realistic style mixed in with some impressionistic renderings of the Green and the Amazonion jungle.

The book features some extra content for this deluxe printing that consists of sketches and handwritten notes from Gaiman as well as early comments from editor Karen Berger which while interesting are probably only of interest to hardcore fans of the character or Gaiman or those interested in the publishing process.

Books received 6/18/12

Let’s take a quick look to see what’s arrived at the Geek Compound.

Glimmering
by Elizabeth Hand
Introduction by Kim Stanley Robinson
Cover by Heidi Whitcomb

Promo copy:

It’s 1999 and the world is falling apart at the seams. The sky is afire, the oceans are rising—and mankind is to blame. While the spoils of the 20th Century dwindle, Jack Finnegan lives on the fringes in his decaying mansion, struggling to keep his life afloat and his loved ones safe while battling that most modern of diseases—AIDS.

As the New Millennium approaches, Jack’s former lover, a famous photographer reveling in the world’s decay, gifts him with a mysterious elixir called Fusax, a medicine rumored to cure the incurable AIDS. But soon, the “side effects” of Fusax become more apparent, and Jack gets mixed up with a bizarre entourage of rock stars, Japanese scientists, corporate executives, AIDS victims, and religious terrorists. While these larger players compete to control mankind’s fate in the 21st Century, Jack is forced to choose his own role in the World’s End, and how to live with it.

Originally published in 1997, Glimmering is a visionary mix of fantasy and science fiction about a world in which humanity struggles to cope with the ever-approaching “End of the End.”

Year Zero
by Rob Reid

Promo copy:

In the hilarious tradition of The Hitchhiker’s Guide to the Galaxy, Rob Reid takes you on a headlong journey through the outer reaches of the universe—and the inner workings of our absurdly dysfunctional music industry.

Low-level entertainment lawyer Nick Carter thinks it’s a prank, not an alien encounter, when a redheaded mullah and a curvaceous nun show up at his office. But Frampton and Carly are highly advanced (if bumbling) extraterrestrials. And boy, do they have news.

The entire cosmos, they tell him, has been hopelessly hooked on humanity’s music ever since “Year Zero” (1977 to us), when American pop songs first reached alien ears. This addiction has driven a vast intergalactic society to commit the biggest copyright violation since the Big Bang. The resulting fines and penalties have bankrupted the whole universe. We humans suddenly own everything—and the aliens are not amused.

Nick Carter has just been tapped to clean up this mess before things get ugly, and he’s an unlikely galaxy-hopping hero: He’s scared of heights. He’s also about to be fired. And he happens to have the same name as a Backstreet Boy. But he does know a thing or two about copyright law. And he’s packing a couple of other pencil-pushing superpowers that could come in handy.

Soon he’s on the run from a sinister parrot and a highly combustible vacuum cleaner. With Carly and Frampton as his guides, Nick now has forty-eight hours to save humanity, while hopefully wowing the hot girl who lives down the hall from him.

The McSweeney’s Book of Politics and Musicals
Edited by Christopher Monks
Cover by Brian McMullen and Jason Fulford

Promo copy:

Ever since John Hancock broke into song after signing the Declaration of Independence, American politics and musicals have been inextricably linked. From Alexander Hamilton’s jazz hands, to Chester A. Arthur’s oboe operas, to Newt Gingrich’s off-Broadway sexscapade, You, Me, and My Moon Colony Mistress Makes Three, government and musical theater have joined forces to document our nation’s long history of freedom, partisanship, and dancers on roller skates pretending to be choo choo trains.

To celebrate this grand union of entrenched bureaucracy and song, the patriots at McSweeney’s Internet Tendency (“The Iowa Caucus of humor websites”) offer this riotous collection (peacefully assembled!) of monologues, charts, scripts, lists, diatribes, AND musicals written by the noted fake-musical lyricist, Ben Greenman. On the agenda are …

Fragments from PALIN! THE MUSICAL

Barack Obama’s Undersold 2012 Campaign Slogans

Atlas Shrugged Updated for the Financial Crisis

Your Attempts to Legislate Hunting Man for Sport Reek of Class Warfare

A 1980s Teen Sex Comedy Becomes Politically Uncomfortable

Donald Rumsfeld Memoir Chapter Title Or German Heavy Metal Song?

Noises Political Pundits Would Make If They Were Wild Animals and Not Political Pundits

Ron Paul Gives a Guided Tour of His Navajo Art Collection

Classic Nursery Rhymes, Updated and Revamped for the Recession, As Told to Me By My Father

And much more!

Supergods
by Grant Morrison

Promo copy:

What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human

Superman, Batman, Wonder Woman, Iron Man, and the X-Men—the list of names as familiar as our own. They are on our movie and television screens, in our videogames and in our dreams. But what are they trying to tell us? For Grant Morrison, one of the most acclaimed writers in the world of comics, these heroes are powerful archetypes who reflect and predict the course of human existence: Through them we tell the story of ourselves. In this exhilarating work of a lifetime, Morrison draws on art, archetypes, and his own astonishing journeys through this shadow universe to provide the first true history of our great modern myth: the superhero.

Now with a new Afterword

Books received 6/18/12 was originally published on The Geek Curmudgeon

Books received 6/18/12 Pyr edition Part I

Let’s take a quick look to see what’s arrived at the Geek Compound.

A Guile of Dragons
by James Enge
Cover by Steve Stone

Promo copy:

It’s dwarves versus dragons in this origin story for Enge’s signature character, Morlock Ambrosius!

Before history began, the dwarves of Thrymhaiam fought against the dragons as the Longest War raged in the deep roads beneath the Northhold. Now the dragons have returned, allied with the dead kings of Cor and backed by the masked gods of Fate and Chaos.

The dwarves are cut off from the Graith of Guardians in the south. Their defenders are taken prisoner or corrupted by dragonspells. The weight of guarding the Northhold now rests on the crooked shoulders of a traitor’s son, Morlock syr Theorn (also called Ambrosius).

But his wounded mind has learned a dark secret in the hidden ways under the mountains. Regin and Fafnir were brothers, and the Longest War can never be over…

The Skybound Sea (The Aeons’ Gate Book Three)
by Sam Sykes
Cover by Paul Young

Promo copy:

After the misadventures of the first two books Lenk and his companions must finally turn away from fighting each other and for their own survival and look to saving the entire human race. A terrible demon has risen from beneath the sea and where it came from thousands could follow. And all the while an alien race is planning the extinction of humanity. The third volume in the Aeon’s Gate trilogy widens the action out dramatically. TOME OF THE UNDERGATES was based mainly on a ship, BLACK HALO moved the action to an island of bones, THE SKYBOUND SEA takes us out into a world threatened with a uniquely imagined and terrifying apocalypse.

Reaper
by K. D. McEntire
Cover by Sam Weber

Promo copy:

Reaper is set in a world a breath away from our own. After the death of her mother, Wendy is attempting to fill her mother’s shoes and discovering that the prospect is far more difficult than she ever imagined. Learning that she is part of a powerful and ancient family of Reapers that her mother had forsaken is just the first surprise—Wendy soon discovers that the San Francisco Bay Never is filled with political powers and factions both previously unknown and completely mysterious to Wendy. Since both her mother and Piotr are gone, Wendy must struggle to maneuver between the machinations of the dead and the dark intentions of her living Reaper family.

Eventually betrayed and made sick unto death, the clock is ticking before Wendy will fall—she has only a matter of days to unravel the mysteries her mother left behind and to convince her wary family to accept her as one of their own.

Part II

Books received 6/18/12 Pyr edition Part I was originally published on The Geek Curmudgeon

Books received 6/18/12 Pyr edition Part II

Let’s take a quick look to see what’s arrived at the Geek Compound.

False Covenant
by Ari Marmell
Cover by Jason Chan

Promo copy:

A creature of the other world, an unnatural entity bent on chaos and carnage, has come to stalk the nighttime streets of the Galicien city of Davillon. There’s never a good time for murder and panic, but for a community already in the midst of its own inner turmoil, this couldn’t possibly have come at a worse one.

Not for Davillon, and not for a young thief who calls herself Widdershins.

It’s been over half a year since the brutal murder of Archbishop William de Laurent during his pilgrimage to Davillon. And in all that time, Widdershins has truly tried her best. She’s tried to take care of Genevieve’s tavern and tried to make a semihonest living in a city slowly stagnating under the weight of an angry and disapproving Church. She’s tried to keep out of trouble, away from the attentions of the Davillon Guard and above the secrets and schemes of the city’s new bishop.

But she’s in way over her head, with no idea which way to turn. The Guard doesn’t trust her. The Church doesn’t trust her. Her own Thieves’ Guild doesn’t trust her.

Too bad for everyone, then, that she and her personal god, Olgun, may be their only real weapon against a new evil like nothing the city has ever seen.

Hunter and Fox
by Philippa Ballantine
Cover by Cynthia Sheppard

Promo copy:

In a world that is in constant shifting, where mountains can change to plainsand then to lakes, Talyn is the Hunter for the Caisah, and a wreck of a once-proud person. She has lost her people, the Vaerli, and her soul working for the man who destroyed her people. All unknowing, she carries within her a Kindred, a chaos creature from the center of the earth that wants to help bring the Vaerli back to power. However, she has lost the ability to communicate with it.

She must also deal with the machinations of Kelanim, the mistress of Caisah, who out of fear will do anything to bring Talyn down.

Little does the Hunter know that salvation is looking for her, and it wears the face of gentleness and strength. Finn is a teller of tales who carries his own dreadful secret. He sets out to find answers to his path but ends up in the city of Perilous and Fair where he meets Talyn. He knows the danger and yet is drawn to her. Their fates are bound together.

Meanwhile, the Hunter’s lost brother Byre is searching for his own solution to the terrible curse placed on the Vaerli. He sets forth on a treacherous journey of his own, which will intersect in the most unlikely place with that of Talyn and Finn.

The ramifications of this encounter will be felt by all the people in Conhaero, from the lost Vaerli to the Caisah on his throne.

Destroyer of Worlds (Kingdom of the Serpent, Book 3)
by Mark Chadbourn
Cover by John Picacio

Promo copy:

A quest of epic reach spans the globe under the mythologies of five great cultures

It is the beginning of the end… the end of the axe-age, the sword-age, leading to the passing of gods and men from the universe. As all the ancient prophecies fall into place, the final battle rages, on Earth, across Faerie, and into the Land of the Dead. Jack Churchill, Champion of Existence, must lead the Brothers and Sisters of Dragons in a last, desperate assault on the Fortress of the Enemy to confront the ultimate incarnation of destruction: the Burning Man. It is humanity’s only chance to avert the coming extinction. At his back is an army of gods culled from the world’s great mythologies—Greek, Norse, Chinese, Aztec, and more. But will even that be enough? Driven to the brink by betrayal, sacrifice, and death, his allies fear Jack may instead bring about the very devastation he is trying to prevent.

Part I

Books received 6/18/12 Pyr edition Part II was originally published on The Geek Curmudgeon

Evil, Inc.

Title: Evil, Inc.
Author: Brad J. Guigar (writer/artist), Ed Ryzowski (colorist)
Start Date: 2005
Genre: Superhero, parody, comedy, satire
Update Schedule: Daily
Website: http://www.evil-comic.com

Synopsis:

Evil, Inc. is a corporation run by supervillains, whose goal is to provide evil-doers everywhere with the tools and services they need to thwart superheroes and enact their plans of crime and world domination. Rather than focusing on a protagonist (this comic contains a large cast of central characters, which include staff members as well as the superheroes they face), the comic instead chooses to focus on the politics in and surrounding the corporation, providing an analogue and satire on real-world business practices.

Recommended Age Group: 12 and group. Most of the comic’s content is safe, although there is some sexual humor.

Strengths:

The comic’s art style and format are very reminiscent of newspaper comic strips. The characters are sympathetic and likable and it contains well-written nods to the tropes of DC and Marvel heroes and villains.

Weaknesses:

This comic contains a lot of filler, usually one strip per week. To their credit, many of these are gut-bustingly hilarious, but the author prefers to keep many of these strips in the exact same format. He basically copies and pastes them and just changes the dialogue. They tend to break the flow of the storylines, and they begin to feel redundant after a while.

Also, the author has a habit of including a bio page for EVERY SINGLE CHARACTER in the comic. It’s fine if you want to introduce main, major, or even secondary characters into the story, but here’s the problem: Guigar also gives bios to background characters who don’t even deserve them. Thankfully, Guigar rarely does this anymore, but it can make for a very annoying read when catching up through the archives.

Verdict:

I give this comic a wholehearted recommendation. In the same vein as Atomic Laundromat, Evil, Inc. provides a unique take on the superhero genre that isn’t necessarily about good guys fighting bad guys. Instead, it’s a cleverly crafted social commentary that’s definitely worth a look.

The Apes of Wrath Table of Contents

Here is the table of contents for The Apes of Wrath as it will appear in the book.

    Foreword by Rupert Wyatt

    Editor’s Introduction

    “The Ape-Box Affair” by James P. Blaylock

    “The Murders in the Rue Morgue” by Edgar Allan Poe

    “Evil Robot Monkey” by Mary Robinette Kowal

    “Apes in Literature” by Jess Nevins

    “Tarzan’s First Love” by Edgar Rice Burroughs

    “Rachel in Love” by Pat Murphy

    “Dr. Hudson’s Secret Gorilla” by Howard Waldrop

    “The Four-Color Ape” by Scott A. Cupp

    “Red Shadows” by Robert E. Howard

    “The Cult of the White Ape” by Hugh B. Cave

    “The Maze of Maâl Dweb” by Clark Ashton Smith

    “Quidquid volueris” by Gustave Flaubert

    “Gorilla of Your Dreams: A Brief History of Simian Cinema” by Rick Klaw

    “After King Kong Fell” by Philip Jose Farmer

    “Deviation from a Theme” by Stephen Utley

    “Godzilla’s Twelve-Step Program” by Joe R. Lansdale

    “The Men in the Monkey Suit” by Mark Finn

    “The Apes and the Two Travelers” by Aesop

    “Her Furry Face” by Leigh Kennedy

    “A Report to an Academy” by Franz Kafka

    “Faded Roses” by Karen Joy Fowler


Cover by Alex Solis

The Wyatt foreword and the essays by Nevins, Cupp, and Finn were prepared especially for this book. My essay is a substantially revised and expanded version of the article that originally appeared in Moving Pictures Magazine, December/January 2005/2006.

The Flaubert and Kafka were newly translated by Gio Clairval.

Everything else is a reprint.

Watch for The Apes of Wrath in March 2013 from Tachyon Publications.

The Apes of Wrath Table of Contents was originally published on The Geek Curmudgeon