Hairballs Anonymous

So, Cats

Cats.

The movie adaptation of the beloved Broadway show. 

Cats

Yeah, that was a movie. It happened.

I saw it. 

I’ll be the first to admit, I’ve never seen the show live. I’ve seen clips, heard the songs, and yeah, it’s iconic. It changed Broadway/Theater in the 80’s, for good or ill, there’s no denying it. There’s also no denying the power of “Memory.” It’s a legit showstopping number. So while I’ve never seen it performed in person, I respect it.

(I will also never forget the SNL bit where John Lovitz was a Hypnotist with a show on Broadway, and all the reviewers were a monotone “I loved it. It was better than Cats. I’m going to see it again and again.” I’d link it if I could find it.

As for the movie….wow. 

All I can kind of say is wow. 

First up, yes, the CGI is an absolute train wreck. I didn’t see the “patched” version, but I can not see how any kind of patch would help. It needs major work. There are times the dancer’s feet are not on the floor, but hovering over it. They also usually have no “weight,” and are just obviously not part of the environment. There is sometimes a shifting rim around the actor’s faces where they tried to blur the makeup into the fur, and when it shifts, it’s jarring. 

The design work of the cats themselves was fine, none of them really stuck out as terrible or amazing. But you could tell which ones had received the most work, and which ones were “Ok, this is a background character, we’ll touch it up later. What do you mean we don’t have a later?” 

The directing was serviceable, and I’ll leave it at that. 

The sets were…fine. They had a nice bit of unreality, putting us in this world of weird humanoid cats.  

The acting…isn’t terrible. There’s not a lot of it, as this is a singing musical, so most of the dialog is via song. But there are some moments, and they’re passable. My main issue is that, and I know that I’m going to get heat for saying this, but I dislike James Corden, and I absolutely HATE Rebel Wilson. I wish she’d drop into a hole and never been seen again. So, all their major scenes were not pleasant for me. At all. 

Everyone else was fine, and seemed to be having a good time. I really liked Jennifer Hudson, Laurie Davidson, Judi Dench & Ian McKellen (obviously), and I thought Francesca Hayward was really good. The duo doing Mungojerrie and Rumpleteazer (Danny Collins & Naoimh Morgan) reminded me of the Lutece Twins from Bioshock. Not a bad thing. 

And Idris Elba is Idris Fucking Elba. Damn. 

But people don’t really go to Cats for the acting. You go for the choreography, the music, and the songs. And boy howdy, there are a lot of songs.  Most of them are done well, and they made sure to nail “Memory”. They had to get that one right, or people would have rioted.

I also really enjoyed Tailor Swift’s song, but it felt like it had come in from an entirely different movie. “Beautiful Ghosts” was also good, but it was not done any favors by being next to “Memory.” 

I have to say that, overall, the movie is a disjointed mess of a thing. I feel where it worked best was where it was futzed with the least. The tap in the railway cat song,  Victoria’s ballet-inspired performances, and some of the group dances.

I wonder if they ‘d had the courage to go with makeup and prosthetics on a real stage, if it would have worked better? Or been less weird? Maybe? I don’t know.  

I do know, though, why they did go the CGI route, and while I think the effects being the energetic mess that they are will be a factor in why “Cats” ends up being a cult hit, it really could have used another few passes of work. Which probably means a six month delay, at least.

But then, I also wonder if the CGI had been improved, if it really would have made that much of a difference? Or at least a positive one? Because it is this “WTF AM I WATCHING?!” vibe from these weird and wild effects that are adding into the love I’m seeing for this movie online.  

And I get it. I see the appeal. I can feel it pulling on me, trying to get me to join in on the weirdness. There is something catchy about it, beyond the songs that already appeal to fans of the play. (And speaking of attraction, oh lord, can I see this being a huge Furry “that’s when I knew” movie). 

So, in the end, the movie is kinda weird, kinda plotless, that’s only held together by a few good and one great song, but same can be said of the show. So on that note, it’s a good adaptation.

I think it overstays it’s welcome by about 20 minutes (it should end when Grizabella flies off to heavy heaven/rebirth/whatever). It is a hot mess of a movie, but it’s a glorious hot mess, with some standout moments. And I will probably watch it again at home. 

I’m not going to catcall anyone who does love it, even if I don’t exactly do so myself (I think). This is because as a general rule, I try not to harsh anyone else’s buzz. And I would rather see a movie that dares to be weird, to be different, to swing for the fences like this and doesn’t quite get there, than some boring, bland and safe piece of film put together by committee. 

But oh man, it’s a “WTF did I just watch” mess.

The Other Worlds 2019 preview Days 1 and 2

Art by Lauren Kitching

Returning for a sixth exciting year, Other Worlds, one of the premier SciFi Film Festivals in the US, features some of the best and unheralded genre films. Beginning on Thursday December 5 at Austin’s Galaxy Highland 10, the four day event includes over 20 feature films, a slew of shorts, a screenwriting workshop, and the Mary Shelley Award. This year also features the return of Under Worlds, which brings the best of indie to Austin.

Not terribly surprising to anyone who regularly follows my writings, I’ll be there.

Here’s what to expect at Other Worlds 2019.

Thursday, December 5

7:42PM Dreamscape (35TH ANNIVERSARY SCREENING) 
LAUNCH FILM

https://spartandog76.files.wordpress.com/2010/04/dreamscape-poster-1.jpg

Joseph Ruben | USA | 99 min | 1984

Writer: David Loughery, Chuck Russell, Joseph Ruben
Cast: Dennis Quaid, Kate Capshaw, David Patrick Kelly, Max von Sydow, Christopher Plummer

Psychic Alex Gardner escapes his life of petty crime to join a government research project in which he uses powers to enter dreams of those with sleep disorders. However, as his talents develop and he delves deeper into the experiment, he discovers not everyone on the team shares the same motives and he may be the only one who can stop a plot against the project.

Featuring a great cast and the perfect mix of SciFi, Horror, and Action, DREAMSCAPE was only the second film to receive a PG-13 rating. We are very proud to bring together Director and co-writer Joseph Ruben, Producer and co-writer Chuck Russell and Screenwriter David Loughery for this exclusive 35th Anniversary Screening care of 20th Century Fox.

David Loughery broke into television with a story for HART TO HART. After the success of DREAMSCAPE, Loughery wrote STAR TREK V: THE FINAL FRONTIER. He teamed up with Rubin again for Wesley Snipes/Woody Harrelson buddy cop film MONEY TRAIN.

Joseph Ruben broke into film with sexploitation films like THE SISTER IN LAW and teensploitation films like THE POM POM GIRLS before achieving cult status with DREAMSCAPE and THE STEPFATHER. His greatest success came with the 1991 Julia Roberts thriller SLEEPING WITH THE ENEMY and 1993 Macauley Culkin thriller THE GOOD SON.

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In Another World I’m a Private Investigator

And that world is Corpus Christi. So, when I’m not doing things like, working on the crazy WordPress Multi-Site which is this blog network, I’m doing way too many podcasts. You of course are aware of the fishing podcast, Last Cast Podcast, where my fishing buddy Jamey and I do a live taping of our attempts to catch fish and the ribald jokery which goes on when we’re alone out in the canoe.

You’re probably also aware of This Week in the Multiverse, where my old Space Squid colleague and former co-editor of the RevolutionSF.com fiction section, Steve Wilson and I tell the stories of Sioux Cantu across all his different versions of the multiverse.

You may also be aware of the spin-off Bad Roll Models podcast where Steve and Jamey and a few other surly customers play vintage 80s RPGs.

Well, all of this comes together with Corpus Thunder, a podcast where Jamey and I bring some of the characters from Bad Roll Models and This Week in the Multiverse, to the seedy detective stories of Corpus Christi, Texas. It’s a perfect storm, a confluence if you will, of many podcasts come together.

David Letterman and the Helpful Power of Goofiness

Them bats is smart. They use radar.

That’s one of the many, many goofy things that David Letterman lodged in my brain. He inspired me at a young, goofy age to try to be funny.

I do not want to get super-sentimental about it. He’s not being fired. (That already happened to him, and he came out of that OK.) I don’t know him personally. He’s not dying. He’s just not doing a show anymore. But his show started me on a path to being a creative person.

When I was 12, 13, 14, I didn’t talk a lot to people and thus, didn’t get noticed by people. Not a bad thing, really, but for some reason, it stressed the heck out of me as I was going through the social stuff that one goes through at school.

Letterman was a huge influence on my sense of humor. He helped me step outside my worries and just try to do stuff. He approached everything as a smarty-pants. He did the silliest things and grinned while he did them. He’s incredibly smart and incredibly sarcastic. He made me love the silliness that’s a basic part of all popular culture. He made me think “I can do that.”

So I told a funny speech and won a spot on my oh-so serious high school student government. I told jokes and won a talent show while wearing nothing but a raincoat. I rode inside a giant toilet on a homecoming float.

Doing all that just to gain confidence is like using a bazooka to kill fire ants.

In college, I volunteered to write a column for the campus newspaper. I made up my own college-TV channel show and had my Mass Comm buddies on as guests. We turned on the cameras and just winged it. Letterman gave the impression that’s how he did it.

We didn’t have social media back then, so I don’t know if anyone read or saw what I did. But I’ll be honest. I thought I was terrific.

Letterman and Saturday Night Live were languages spoken by lots of people my age. When Letterman published a book of his show’s top ten lists, I thought that was the Holy Grail. I took to reading Letterman’s Top Ten List books as if they were instructions on how for me, personally, to accomplish things. The lesson I learned from them was that eight or nine out of ten things were of no value at all, but the complete package, together with that tenth thing, wow, my goodness.

Letterman isn’t my only inspiration, he was just my first pop-cultural one. My grandma and my dad taught me to remember funny stuff even when things are terrible. My wife and my daughter are the funniest people I know.

Letterman taught me to find humor in everything. Every single thing. Of course I love the stuff he famously did. I also love a short Letterman skit about Mark Hamill teaching parallel parking.

Because I decided to try being goofy, now I sometimes get to be goofy in public. I did stand-up comedy, and made three or four other comedians laugh. I host game shows at sci-fi conventions, I write about TV and movies. I get to write at my job. I make my family laugh (and don’t let them tell you any different.)

Letterman inspired me to find ways to be creative and share my creativity, and that improved my whole deal.

I feel like being funny helps everybody, including me. People laughing at stuff I have said or written is just the best.

Some people go through their days making everyone else feel like crap. Letterman ended many of my days on an up-note after I dealt with people like that (or did that to myself.) I hope, like Letterman, that I don’t let anyone stay stuck in the mud with those people.

Of course, being funny and helping people aren’t the only things you need to live your life. But they’re on the top ten list.

The Haunting of Hill House SPOILERY

I really enjoyed this mini series. The most fun thing about it to me was trying to piece together the history of the house from the tidbits we were given episode by episode. With that in mind here are some thoughts about the history of Hill House and how it went down.

SPOILERS (obvs)

At first we had the Hill family, who made all their money in bootlegging and then at some point the patriarch of the family died leaving his wife Hazel and son Walter with the house. Walter went crazy (more than likely caused by the house) and was institutionalized where he met Poppy (a special kind of crazy that turned malignant). Poppy and Walter had a son and a daughter. The story told by Poppy suggested that the daughter died of some respiratory ailment and the son of what sounded like some form of muscular dystrophy  (or they could have been ill and Poppy killed both of them which isn’t completely out of the question). Walter went crazier and walled himself in the basement after the death of the children and if I had to bet at that point Poppy killed herself. Hazel died of old age-itus and that was it for the Hills.

If Poppy killed both her kids and then herself there is a very good chance Walter saw all of it go down but for some reason felt he couldn’t do anything about it (from Poppy’s story – he found himself walled in with the sisters – shame and guilt) and it made him feel small. Which is why ghost Walter is so freakishly tall.

Poppy, dead and alive, was an awful type of evil, I think ghost Walter really is just curious about the living residents of the house, and dead Hazel seems down right helpful. We see ghost Hazel meeting the dead little girl in a ghost form that approximated her living form at the end for example.

As a side note, Hazel might have gone through a spiritualism phase where she was trying to talk to her deceased husband. There was a brief throw off line about the ouija boards etc. that were discovered in the drawing room. That may have been some more of Poppy’s crazy though. That one’s hard to guess. But there was a point of time where the dead weren’t quite as chatty in the house it seems.

Going by the number of ghosts standing behind Steven when he leaves the house as an adult, and counting the clock repair ghost there is a sense there were additional deaths at the House. Workers dying in “accidents”, kids in the community being drawn to and consumed by the house and so on.

As for the house itself it sounds like it was sort of a 1408/unhallowed ground sort of thing. It was just a bad place that gave birth to a bad building. Anything more than that didn’t really feel necessary to me.

The newly discovered Tapanuli orangutan of Sumatra

To the surprise to almost no one, I found this very interesting.

New Species of Orangutan Is Rarest Great Ape on Earth

On November 20, 2013, the Sumatran Orangutan Conservation Programme got a call about an injured orangutan found in the mountainous region of Tapanuli.

 

“He had cuts on his face, on his head, back, hands, and legs,” recalls researcher Matt Nowak. “They even found some air rifle pellets inside his body”—indicating torment and harassment by people. Despite veterinary treatment, the orangutan, named Raya, died eight days later.

 

But Raya lives on as the representative member of a new orangutan species, Pongo tapanuliensis, or the Tapanuli orangutanthe rarest great ape species on the planet.

 

An adult male Tapanuli orangutan in the Batang Toru Forest.
PHOTOGRAPH BY TIM LAMAN, NATIONAL GEOGRAPHIC CREATIVE

Don’t worry, everything is under control

As your friendly neighborhood WordPress webmaster, I would like to remind everyone that I have not forgotten about the Revblogs. Just now I have logged in and updated plugins and shook a broom at the cobwebs left by the internet spiders.

An exciting new addition to the blog system is Accelerated Mobile Pages, or AMP for those who are hip. This is in part an improved protocol to deliver mobile-friendly web content, and also another creepy Google scheme to take over the world. You don’t really have to do anything with it, it’s enabled in basic default mode on your blog right now. Just add /amp to the end of any blog post URL like this:
http://www.revolutionsf.com/revblogs/blog/2017/revsf-movie-probe-survivor/amp/
And a generic mobile page will pop up. Let me know if you have any questions. It’s actually much more complicated than what I just said, but in practice it’s easy as pie.

Updates on updates and new security

Hey, y’all!

I was sitting around, staring at a computer monitor like normal, and I thought, if I’m not on the RevBlogs every day, there should probably be some security. So I popped in to install the WordFence security plugin. This has got a bunch of nifty features, like a firewall which blocks a lot of anticipated attacks, a brute force blocker, and an automatic malware scanner. This shouldn’t cause you any problems, except that you can get locked out for inputting the wrong password too many times. But your blog admin email should get you back in. Let me know if you run into any snags or problems!

I also updated all the network wide plugins. If you notice anything odd with your sites from that too, let me know.