Fantastic Fest wrap up Part II

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As promised here’s a wrap up of the movies I screened at Fantastic Fest 2013.
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Greatful Dead

Alongside the coverage here, I also wrote reviews about several of the movies for The Horn. The Japanese feature Greatful Dead, which enjoyed it’s world premiere at the Festival, fell in that category.

Greatful Dead (Gureitofuru deddo), the newest film from Japanese director Eiji Uchida (Last Days of the World), paints a darkly comic portrait of a disturbed young woman. The unsettling, but flawed, picture follows a descent into madness.

Nami (Kumi Takiuchi) grew up in a fractured household. Her mother (who cares more for poor foreign children than her own) abandons Nami and her older sister; her father spirals into depression and starts dating a beautiful younger woman; Nami’s older sister runs off with her boyfriend so she can have a “normal” life; and then her father commits suicide. All before she turns eighteen.

When she turns twenty, Nami inherits a sizable fortune, which enables her to engage fully in her secret life as voyeur. She prefers watching elderly men, who live alone with minimal contact with others. Nami calls these people “solitarians.”

Read the rest of my review at The Horn.

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Fantastic Fest wrap up Part I

fantastic-fest-2013-poster

As promised here’s a wrap up of the movies I screened at Fantastic Fest 2013.

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Borgman

Borgman, the subversive film by Alex van Warmerdam (The Last Days of Emma Blank), opens oddly as a priest and two men armed with guns hunts for the dirty, unshaven, and frail Camiel Borgman who lives underground. He and two other similar men narrowly escape the attackers.

From there things get weirder and more inexplicable as he befriends Marina and Richard, eventually living in their house as the gardener. Borgman wields psychological and sexual power over Marina. Others of similar temperament join with him as the dead bodies start to pile up.

The bloodless movie relies on subtlety and dark pervasive humor in a story riddled with fascinating ideas and concepts but little explanation. All characters save Borgman are very passive in their actions and reactions. Matter of fact, the moment characters begin to exhibit proactive traits, they are killed.

Though Borgman suffers from vagueness and lack of clear motivation, van Warmerdam crafted an intriguing and compelling movie, fueled largely by the mysterious lead.

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