The 2011 Eisner Awards were announced yesterday. Shockingly not only do I agree with most of the winners, but I actually reviewed several of the titles.

Here are the winners and if available my original review of the title.

Best Short Story
"Post Mortem," by Greg Rucka and Michael Lark, in I Am an Avenger #2 (Marvel)

Best Single Issue (or One-Shot)
Hellboy: Double Feature of Evil, by Mike Mignola and Richard Corben (Dark Horse)

Best Continuing Series
Chew, by John Layman and Rob Guillory (Image)

Chew Omnivore Edition, Volume 1 by John Layman (script) and Rob Guillory (art) (Image)
Layman and Guillory create an alternate present where, due to avian flu fears, the American government has criminalized the possession, sale, and consumption of all poultry! Tony Chu, investigator for the Special Crimes Division of the powerful FDA, employs his abilities as a cibopathic — he gets psychic impressions from whatever he eats — to solve crimes. Guillory’s over-the-top humorous illustrations and Layman’s clever script expertly mix to spawn an enjoyable concoction of cannibalism, conspiracy, and murder. This luscious hardcover collects issues 1-10 (Volumes 1 and 2 of the trade paperback collections), complete with character design and sketches.
(#10 on my Nexus Graphic best graphic novels of the year 2010)

Best Limited Series
Daytripper, by Fábio Moon and Gabriel Bá (Vertigo/DC)

Daytripper by Fábio Moon & Gabriel Bá (Vertigo)
Twin brothers Moon and Bá beautifully recount the life of Brás de Oliva Domingos, crafter of obituaries and son of a world-famous Brazilian writer. The lavishly illustrated chapters relate important epochs of his life, each ending with his untimely and shocking death. Emotionally wrought and expertly told, the lyrical Daytripper breathes new life into the tired slice-of-life format and emerges as one of the best graphic novels of the year.

Best New Series
American Vampire, by Scott Snyder, Stephen King, and Rafael Albuquerque (Vertigo/DC)

American Vampire by Scott Snyder and Stephen King (writers) and Rafael Albuquerque (art) (Vertigo)
I hadn’t caught up with this Vertigo title until its recent five-issue collection from Vertigo. Those a bit weary of "lovelorn Southern gentlemen, anorexic teenage girls (and) boy-toys with big dewy eyes" in their vampire books (and shows) might enjoy this parallel tale set in both the Old West and silent-movie era Los Angeles, as Snyder (with a scripting assist from King in the "western" parts) seek to create a uniquely "American" take on the vampire. Which they do in the form of gunslinger Skinner Sweet, who — in finest American fashion — is both bloodthirsty and psychotic, in both living an undead incarnations. Though there’s also a certain method to his madness as he takes on a cartel of "ruling class" vampires, themselves from "Old Europe," who see perfect bloodsucking opportunities (literal and otherwise) in America’s nascent corporate plutocracy. And hey, the Hollywood parts — with its tales of "B-girls gone bad" — almost get you thinking that Nathanael West must’ve written a vampire tale right before he tackled Day of the Locust. The traffic in the denouement(s) gets a tad cluttered, but it’s a compelling ride all the way through, leaving you with a nice set-up for the next arc (and the next American decade in the cycle!)
(I’m cheating a bit on this one by including the review from my Nexus Graphica cohort Mark London Williams. He included this as #7 on his Nexus Graphic best graphic novels of the year 2010)

Best Publication for Kids
Tiny Titans, by Art Baltazar and Franco (DC)

Best Publication for Teens
Smile, by Raina Telgemeier (Scholastic Graphix)

Best Humor Publication
I Thought You Would Be Funnier, by Shannon Wheeler (BOOM!)

I Thought You Would Be Funnier by Shannon Wheeler (Boom! Town)
Best known for creating the iconic slacker Too Much Coffee Man, cartoonist Shannon Wheeler always entertains with his humorous observations of relationships, politics, and society, in multi-panel stories or as in the case with I Thought You Would Be Funnier, single gag panels. A regular contributor to The New Yorker, this volume collects Wheeler’s cartoons that the respected publication rejected. Though always funny and insightful, several of the strips may have been to caustic for the magazine. The second strip in this volume has two women sitting at a table drinking wine, one of them looking over an open newspaper, with "Here’s one: ‘an unattractive incompetent man seeks an attractive bitchy woman for a sitcom-type relationship.’" scrolled across the bottom. Perhaps not New Yorker material but hilarious nonetheless. Within, Wheeler pulls back the thin veneer of American society to reveal the comedic underbelly. I Thought You Would Be Funnier supplies yet further evidence that Shannon Wheeler is one of the preeminent cartoonists of his generation.

Best Anthology
Mouse Guard: Legends of the Guard, edited by Paul Morrissey and David Petersen (Archaia)

Best Digital Comic
Abominable Charles Christopher, by Karl Kerschl, www.abominable.cc

Best Reality-Based Work
It Was the War of the Trenches, by Jacques Tardi (Fantagraphics)

It Was The War of the Trenches by Jacques Tardi (Fantagraphics)
This extraordinary collection of World War I tales offers perhaps the finest work from the lauded Tardi. Each story, based on actual accounts from French soldiers, relates the often-horrific realities of trench-warfare. Disturbing yet compelling images abound: a dead, mangled horse hanging from a tree serves as a warning; rats feasting on corpses; amputations; executions; countless dead. Far more memorable are the impassioned stories themselves. Betrayal, deceit, mistrust, murder, hope, and even humor run throughout these tales. Painstakingly researched, the amazing Tardi perfectly captures the everyday despair of the World War I trench soldier. Visceral, powerful, and effective, the flawless It Was The War of the Trenches blazes a new standard for the war comic.
(#3 on my best of 2010)

Best Graphic Album-New (tie)
Return of the Dapper Men, by Jim McCann and Janet Lee (Archaia)
Wilson, by Daniel Clowes (Drawn & Quarterly)

Best Graphic Album-Reprint
Wednesday Comics, edited by Mark Chiarello (DC)

Wednesday Comics (DC)
Throughout the 30s, 40s, and 50s, adventure strips dominated the Sunday newspaper comics pages. Oversized, full color pages featured the thrilling tales of Prince Valiant, Tarzan, Flash Gordon, and countless others. Under the guidance of DC art director Mark Chiarello, Wednesday Comics successfully re-captured this lost era with a series of oversized weeklies à la the Sunday funnies (dubbed Wednesday rather than Sunday in honor of the day new comics arrive in stores). This beautiful 11"x17" 200-page hardcover volume collects all the tales from the incredible 12-week run. While each featured A-list talent, some stories work better than others. Jack Kirby’s creation Kamandi: The Last Boy on Earth (expertly rendered by writer Dave Gibbons and artist Ryan Sook); Paul Pope’s unique take on Adam Strange; and especially Hawkman as delightfully envisioned by Kyle Baker lovingly embrace the format and lessons of their antecedents. Other excellent tales include writer Brian Azzarello’s and artist Eduardo Risso’s noir-infused Batman; the charming Silver Age style science fiction adventure of the Green Lantern (Kurt Busiek, writer and Joe Quiñones, art); the Karl Kerschi/Brenden Fletcher unique time travel take on The Flash; and an unusual team-up of The Demon and Catwoman (imagined by writer Walt Simonson and artist Brian Stelfreeze). Regardless of the story, one mood permeates the entire volume: fun. Combine all this with previously unpublished strips starring Plastic Man and Creeper, original sketches, and Chiarello’s impressive book design, and Wednesday Comics quickly emerges as must-experience for all classic comic book fans.
(#5 on the best 2010)

Best Adaptation from Another Work
The Marvelous Land of Oz, by L. Frank Baum, adapted by Eric Shanower and Skottie Young (Marvel)

Best Archival Collection/Project-Strips
Archie: The Complete Daily Newspaper Strips, 1946–1948, by Bob Montana, edited by Greg Goldstein (IDW)

Best Archival Collection/Project-Comic Books
Dave Stevens’ The Rocketeer Artist’s Edition, edited by Scott Dunbier (IDW)

Best U.S. Edition of International Material
It Was the War of the Trenches, by Jacques Tardi (Fantagraphics)

Best U.S. Edition of International Material-Asia
Naoki Urasawa’s 20th Century Boys, by Naoki Urasawa (VIZ Media)

Best Writer
Joe Hill, Locke & Key (IDW)

Best Writer/Artist
Darwyn Cooke, Richard Stark’s Parker: The Outfit (IDW)

Best Penciller/Inker or Penciller/Inker Team
Skottie Young, The Marvelous Land of Oz (Marvel)

Best Painter/Multimedia Artist (interior art)
Juanjo Guarnido, Blacksad (Dark Horse)

Blacksad Written by Díaz Canales, Art by Juanjo Guarnido (Dark Horse)
Perhaps the most acclaimed French comic of the new century, Canales and Guarnido cleverly combine the seemingly disparate elements of anthropomorphic animal and 1950s crime fiction into their wholly original creation, Blacksad. Private eye cat John Blacksad uncovers the often filthy depths of mysteries involving child abductions, nuclear secrets, racist hate groups, and of course murder. Guarnido evokes the period through his evocative and elegant art while Canales’ script successfully evokes the era’s moods and attitudes through a contemporary lens. One of the best books of the year, Blacksad more than deserves its abundant praise.
(#4 on the best of 2010)

Best Cover Artist
Mike Mignola, Hellboy, Baltimore: The Plague Ships (Dark Horse)

Best Coloring
Dave Stewart, Hellboy, BPRD, Baltimore, Let Me In (Dark Horse); Detective Comics (DC); Neil Young’s Greendale, Daytripper, Joe the Barbarian (Vertigo/DC)

Best Lettering
Todd Klein, Fables, The Unwritten, Joe the Barbarian, iZombie (Vertigo/DC); Tom Strong and the Robots of Doom (WildStorm/DC); SHIELD (Marvel); Driver for the Dead (Radical)

Best Comics-Related Periodical/Journalism
ComicBookResources, produced by Jonah Weiland (www.comicbookresources.com)

Best Comics-Related Book
75 Years of DC Comics: The Art of Modern Mythmaking, by Paul Levitz (TASCHEN)

Best Publication Design
Dave Stevens’ The Rocketeer Artist’s Edition, designed by Randall Dahlk (IDW)

HALL OF FAME
Judges’ Choices: Ernie Bushmiller, Jack Jackson, Martin Nodell, Lynd Ward
Elected: Mort Drucker, Harvey Pekar, Roy Thomas, Marv Wolfman

Los Tejanos by Jack Jackson (Fantagraphics)
Under the non-de-plume "Jaxon," the late Jack Jackson may have first established his legendary reputation as the producer of the first underground comix (God’s Nose) and as the co-founder of the influential publisher Rip Off Press, but his most important and lasting legacy lies in his historical publications. His third Texas history graphic novel, Los Tejanos, relates the tragic tale of Juan Nepomuceno Seguin. An important figure during the War of Texas Independence, Seguin played crucial roles at the Alamo and the war’s finale at San Jacinto. He served as a Senator in the Texas Republic and as mayor of San Antonio, but he ran afoul of his own government when he protested the mistreatment of Tejanos, Texans of Mexican descent. Falsely accused by his opponents of aiding the Mexican army, he fled to Mexico where he was conscripted into the army and even served with Santa Anna during the Mexican-American War. Refusing to gloss over the uglier aspects of history, Jackson expertly and accurately recounts this largely ignored tale of racism and betrayal.

Russ Manning Promising Newcomer Award:
Nate Simpson

Bob Clampett Humanitarian Award:
Patrick McDonnell

Bill Finger Excellence in Comic Book Writing Award:
Del Connell, Bob Haney

Will Eisner Spirit of Comics Retailer Award:
Comics & Vegetables, Tel Aviv, Israel – Yuval Sharon, Danny Amitai[i]

Congratulations to all the winners.