Books received 3/12/09 Part Two

Let’s take a quick look to see what’s arrived in the mail here at the Geek Compound.

James Bond: The History Of The Illustrated 007 by Alan J. Porter

Promo copy:

Now for the first time, the complete history of the illustrated James Bond is chronicled by pop-culture historian Alan J. Porter in James Bond: The History of the Illustrated 007. Before Bond became world famous with his movie series, the character was the subject of successful English newspaper strips and later in comic books. James Bond: The History of the Illustrated 007 examines it all, covering Bond’s newspaper strip and comic book appearances from the 1950s to the present.

This absolutely gorgeous book reveals the secret history of the world’s most famous spy. Essential reading for any serious Bond fan!

Troy: Fall of Kings by David Gemmell and Stella Gemmell

Promo copy:

Outside the golden city of Troy, Prince Hektor leads the Trojan cavalry in daring raids against the forces led by his young rival, the peerless warrior Achilles. Meanwhile, burning for vengeance after the brutal murder of his wife, Helikaon commands the Trojan fleet, sowing misery and death among the Mykene navy and supply ships. But even these mighty efforts are of scant avail against the hordes of battle-hardened Mykene infantry, the Myrmidon soldiers of Achilles, and the cunning strategies of Odysseus, compelled against his heart’s urgings to aid the cause of Agamemnon.

Now, before the gates of Troy, Hektor and Achilles will find themselves inexorably drawn into a battle of champions that will decide the fate of the innocents trapped within the city walls. There, as King Priam slips into madness, Andromache–wife of Hektor, lover of Helikaon, mother, warrior, and priestess–must navigate a maze of treachery and danger to save her children and her city from the massacre about to unfold.

Buyout by Alexander C. Irvine

Promo copy:

From acclaimed author Alexander C. Irvine comes a gritty near-future thriller in the paranoid, prophetic vein of Philip K. Dick and Richard K. Morgan.

One hundred years from now, with Americans hooked into an Internet far more expansive and intrusive than today’s, the world has become a seamless market-driven experience. In this culture of capitalism run amok, entrepreneurs and politicians faced with rampant overcrowding in the nation’s penal system turn to a controversial new method of cutting costs: life-term buyouts. In theory, buyouts offer convicted murderers the chance to atone for their crimes by voluntarily allowing themselves to be put to death by the state in exchange for a one-time cash payment, shared among their heirs and victims, based on a percentage of what it would have cost taxpayers to house and feed them for the rest of their natural lives. It’s a win-win situation.

At least that’s what Martin Kindred believes. And Martin is a man who desperately needs something to believe in, especially with his marriage coming apart and the murder of his brother, an L.A. cop brutally gunned down in the line of duty, unsolved.

As the public face of the buyout program, Martin is a lightning rod for verbal and physical abuse–but he embraces every challenge, knowing his motives are pure. But when evidence comes to light that a felon in line for a buyout may have been involved with his brother’s death, Martin’s professional detachment threatens to turn into a personal vendetta that will jeopardize everything–and everyone–he holds dear. Inspired by today’s politics, Buyout is an unforgettable look at an all-too-believable future . . . and one man’s struggle to do the right thing.

More in Part One.

C.O.U.S.: Reflections from Rick’s Collection #21

While "researching" a recent Nexus Graphica, I had reason to look through my collection of Comics Of Unusual Size. This set of the big and small and odd of comicdom offers many gems. Deciding that I really should share some of these largely forgotten and sometime rare pieces, I’m taking you through a tour of the more interesting selections.

Click on images for full sized versions.


Litterbox #0

Kat Butt Comix, late of Bryan, TX, promoted Litterbox, "an anthology of fresh material by some of today’s top creators and up-and-coming talent." To support the forthcoming book, they produced Litterbox #0, a 200 copy, numbered minicomic.

The giveaway contained Scott Cupp and Brad W. Foster‘s necrophiliac comedic tale "Somebody To Love" and info about the anthology series.


"Somebody To Love" p. 1 by Scott Cupp and Brad W. Foster (Litterbox #0, Kat Butt Comix 1998)


"Somebody To Love" p. 2 by Scott Cupp and Brad W. Foster (Litterbox #0, Kat Butt Comix 1998)


"Somebody To Love" p. 3 by Scott Cupp and Brad W. Foster (Litterbox #0, Kat Butt Comix 1998)

The projected lineup for the first issue included "Bob the Dinosaur Goes to Disneyland" by Joe R. Lansdale, Rick Klaw, and Doug Potter, "Dog, Cat and Baby" by Joe R. Lansdale and Keith Lansdale, "Just Enough Light" by Thomas Knowles II and Adam Richards, "Underman Can Walk" by Doselle Young and John McCrea, and "Somebody To Love." The ashcan also teased "And more to be announced!" and a cover by Brian Stelfreeze. The first issue was promised for 1999, but was never published.

At least two of the projected stories have appeared elsewhere.

"Bob the Dinosaur Goes to Disneyland" by Joe R. Lansdale, Rick Klaw, and Doug Potter first ran in full color at RevolutionSF and the black & white version along with my script was included in my collection Geek Confidential.


"Bob the Dinosaur Goes to Disneyland" by Joe R. Lansdale Adapted by Rick Klaw Art by Doug Potter (RevolutionSF)

"Dog, Cat and Baby" by Joe R. Lansdale and Keith Lansdale with art by Timothy Truman eventually appeared in Murder by Crowquill and later reprinted in Joe R. Lansdale’s By Bizarre Hands #6 (Avatar Press).


"Dog, Cat and Baby" by Joe R. Lansdale Adapted by Keith Lansdale Art by Timothy Truman (Murder by Crowquill, Amazing Montage Press 1999)

To the best of my knowledge, none of the other stories have appeared and Kat Butt Comix never published a single title and faded into obscurity.

Books received 3/5/09 Graphic novel edition

Let’s take a quick look to see what’s arrived in the mail here at the Geek Compound.

Asterios Polyp by David Mazzucchelli

Promo copy:

The triumphant return of one of comics’ greatest talents, with an engrossing story of one man’s search for love, meaning, sanity, and perfect architectural proportions. An epic story long awaited, and well worth the wait.

Meet Asterios Polyp: middle-aged, meagerly successful architect and teacher, aesthete and womanizer, whose life is wholly upended when his New York City apartment goes up in flames. In a tenacious daze, he leaves the city and relocates to a small town in the American heartland. But what is this “escape” really about?

As the story unfolds, moving between the present and the past, we begin to understand this confounding yet fascinating character, and how he’s gotten to where he is. And isn’t. And we meet Hana: a sweet, smart, first-generation Japanese American artist with whom he had made a blissful life. But now she’s gone. Did Asterios do something to drive her away? What has happened to her? Is she even alive? All the questions will be answered, eventually.

In the meantime, we are enthralled by Mazzucchelli’s extraordinarily imagined world of brilliantly conceived eccentrics, sharply observed social mores, and deftly depicted asides on everything from design theory to the nature of human perception.

Asterios Polyp is David Mazzucchelli’s masterpiece: a great American graphic novel.

Watchmen: The Complete Motion Comic

Promo copy:

Watched any great books lately? Now you can. The most celebrated graphic novel of all time that broke the conventional mold continues to break new ground. WATCHMEN illustrator Dave Gibbons oversees this digital version of the graphic novel that adds limited motion, voice and sound to the book’s strikingly drawn panels. All 12 chapters of the story are here, nearly 5 hours spanning everything from the mysterious demise of the Comedian to the crisscrossed destinies of loosely allied superheroes to their fateful impact on the world. Be in the know. Be watching. With Watchmen: The Complete Motion Comic.

My review from the latest Nexus Graphica:

Overseen by artist and co-creator Dave Gibbons and voiced by Tom Stechschulte, this two-disc oddity offers the limited motion digital version of the classic graphic novel. Though the packaging claims "the entire Watchmen graphic novel comes to life," the set includes only the graphic narrative. It lacks the essential prose sections from the original book. Only for the hardcore fan, the 325 minute adaption adds some niceties such as Rorschach’s ever-changing mask and light effects associated with Dr. Manhattan. As with other adaptations of Alan Moore’s work, his name does not appear.

The Comics Journal #295

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The Comics Journal #295 is chock full of all the comicky goodness that you’ve come to expect from our fine publication! Check it out:

* Sean T. Collins interviews writer Brian K. Vaughan about Y the Last Man, Ex Machina, Runaways, Pride of Baghdad, how a career in comics led him to writing for the hit television series Lost, and much, much more.
* Paul Karasik presents a conversation with Italian cartoonist Gipi, who talks about Garage Band, Notes for a War Story, the Ignatz books and how he narrowly avoided a life of crime.
* Rob Clough offers us a chat with humor cartoonist John Kerschbaum, covering everything from The Wiggly Reader to Pete & Pussy to why he couldn’t figure out why his first editors hated him so much.
* Michael Dean examines the page rates paid by the Best American Comics anthology series.
* Noah Berlatsky digs into the comic-book closet and finds out what’s hiding back there.
* R.C. Harvey examines the life of Flash Gordon/Rip Kirby creator Alex Raymond.
* Our comics section this issue: Charles A. Voight’s short-lived newspaper strip The Theorist, in its entirety.

Books received 3/5/09 Del Rey edition

Let’s take a quick look to see what’s arrived in the mail here at the Geek Compound.

Duke Elric by Michael Moorcock

Promo copy:

“Michael Moorcock’s work as a critic, as an editor and as a writer has made it easier for me and a whole generation of us to roam the ‘moonbeam roads’ of the literary multiverse.”—from the Foreword by Michael Chabon

Has there ever been a hero–or anti-hero–to match Elric of Melniboné, last emperor of an ancient civilization sunk into decadence and inhuman cruelty? Elric the albino, weary of life and enamored of death, bearer of the soul-devouring black sword Stormbringer, cursed to betray all he loves and to save that which he despises: In the unending battle between the forces of Law and Chaos, he is the wildest card of all.

Del Rey proudly presents the fourth in its definitive collection of stories featuring fantasy Grand Master Michael Moorcock’s greatest creation. Here is the full novel The Sailor on the Seas of Fate, the script of the DC comic Duke Elric (From the out of print Michael Moorcock’s Multiverse –RK), the new story “The Flaneur des Arcades de l’Opera,” essays by Moorcock and others, and a selection of classic artwork.

Lavishly illustrated by Justin Sweet, with a Foreword by Pulitzer Prize-winning author Michael Chabon, Duke Elric is essential for all fans of the fantastic.

The Temporal Void by Peter F. Hamilton

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Many of Peter F. Hamilton’s dazzling novels, which offer startling perspectives on tomorrow’s technological and cultural trends, are epic in scope, spanning vast stretches of space and time. And yet they are grounded in characters–human, alien, and other–who, for all their strangeness, are still able to touch our hearts and fire our imaginations. Now Hamilton returns to the universe of his acclaimed Commonwealth saga with The Temporal Void, the second volume in the trilogy that began with The Dreaming Void.

Long ago, a human astrophysicist, Inigo, began dreaming scenes from the life of a remarkable human being named Edeard, who lived within the Void, a self-contained microuniverse at the heart of the galaxy. There, under the beneficent gaze of mysterious godlike entities, humans possessed uncanny psychic abilities, and Edeard’s were the strongest of all. Equally strong was his determination to bring justice and freedom to a world terrorized by criminal violence and corruption.

Inigo’s inspirational dreams, shared by hundreds of millions throughout the galaxy-spanning gaiafield, gave birth to a religion–Living Dream. But when the appearance of a Second Dreamer seemed to trigger the expansion of the Void–an expansion that is devouring everything in its path–the Intersolar Commonwealth was thrown into turmoil. With the adherents of Living Dream determined to set forth on a dangerous pilgrimage into the Void, interstellar war threatens to erupt.

With time running out, the fate of humanity hinges on a handful of people. There is Araminta, only now awakening to the unwelcome fact that she is the mysterious Second Dreamer–and to the dire responsibilities that go with it; Inigo, whose private dreams hint at a darker truth behind Edeard’s legendary life; Paula Myo, the ruthless field operative of the Commonwealth, whose search for Araminta and Inigo is about to yield a most unpleasant surprise; and Justine, whose desperate gamble places her within the Void, where the godlike Skylords hold the power to save the universe . . . or destroy it.

Outcast by Aaron Allston

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THE NEXT CHAPTER IN THE EXTRAORDINARY HISTORY OF THE STAR WARS GALAXY BEGINS HERE. . . .

After a violent civil war and the devastation wrought by the now-fallen Darth Caedus, the Galactic Alliance is in crisis–and in need. From all corners, politicians, power brokers, and military leaders converge on Coruscant for a crucial summit to restore order, negotiate differences, and determine the future of their unified worlds. But even more critical, and far more uncertain, is the future of the Jedi.

In a shocking move, Chief of State Natasi Daala orders the arrest of Luke Skywalker for failing to prevent Jacen Solo’s turn to the dark side and his subsequent reign of terror as a Sith Lord. But it’s only the first blow in an anti-Jedi backlash fueled by a hostile government and suspicious public. When Jedi Knight Valin Horn, scion of a politically influential family, suffers a mysterious psychotic break and becomes a dangerous fugitive, the Jedi become the target of a media-driven witch hunt. Facing conviction on the damning charges, Luke must strike a bargain with the calculating Daala: his freedom in exchange for his exile from Coruscant and from the Jedi Order.

Though forbidden to intervene in Jedi affairs, Luke is determined to keep history from being repeated. With his son, Ben, at his side, Luke sets out to unravel the shocking truth behind Jacen Solo’s corruption and downfall. But the secrets he uncovers among the enigmatic Force mystics of the distant world Dorin may bring his quest–and life as he knows it–to a sudden end. And all the while, another Jedi Knight, consumed by the same madness as Valin Horn, is headed for Coruscant on a fearsome mission that could doom the Jedi Order . . . and devastate the entire galaxy.

Who reads the Watchmen?

My guide for non-geeks to the Watchmen graphic novel appeared in today’s San Antonio Current.

Quote:
In 1986, DC comic books ran advertisements featuring new costumed characters, and asked, forebodingly, “Who Watches the Watchmen?” Later that year, Watchmen, written by Alan Moore and drawn by Dave Gibbons, premiered, forever changing both comics and film.



As is typical with my articles, I included some historical trivia.

Quote:
After DC acquired the rights to the little-known Charlton Comics’ line of superhero characters in 1983, rising star Moore developed a series to showcase the heroes. DC managing editor Dick Giordano rejected the unsolicited proposal, but encouraged Moore to rework the idea employing original characters. Joined by artist Dave Gibbons, the duo re-imagined the old heroes to suit their unique vision. Charlton’s Peacemaker, Captain Atom, Blue Beetle, Thunderbolt, and the Question evolved respectively into Comedian, Dr. Manhattan, Nite Owl, Ozymandias, and Rorschach. (Not based on a Charlton character, Silk Spectre draws inspiration from a conglomeration of female heroes.)

There’s even some literary analysis throw in.

Quote:
Initially appearing in 12 individual comic-book issues, each 32-page chapter of Watchmen (except for the final installment) offered 25-28 pages of sequential story followed by prose text that enhanced or clarified the complex tale. Commonplace in comics since the 1940s, extensive text rarely formed an integral aspect of the overall tale. Usually, they were stand-alone pieces of short fiction featuring the lead character or, in the case of themed anthologies, functioned as a bonus story. To fully enjoy, and at times even comprehend, Moore’s multilayered epic, all the text pieces need to be read in the order they appear and considered within the larger work. The seemingly random, incongruous prose plays an essential role in the overall narrative.

Check out the rest of the article.

To Hell With Alan Moore

For my latest Nexus Graphica column, I revised and updated the "To Hell With Alan Moore" article, my 2006 history of the films based on the works of Alan Moore that originally appeared in Moving Pictures.

Quote:
Alan Moore (along with Sin City creator Frank Miller) injected relevancy into mainstream comics in the 80s. Previously, comic books lagged some five to six years behind current trends. Moore’s skills moved mainstream superhero comics ahead of popular culture and established new trends, the punk to the old guard’s rock ‘n’ roll. His success paved the way for artists such as Moore protégé Neil Gaiman and Mike Mignola (Hellboy creator), as well as the re-tooling of superheroes that lead to this century’s spate of successful films such as the Spider-Man franchise, the X-Men series, Iron Man, and even The Incredibles.

Not only did I revise large chunks of the original text and correct a factual error, but I expanded the piece to include my thoughts on the V For Vendetta movie and included some observations about the forthcoming Watchmen film.

Quote:
A movie based on Moore’s arguably most nihilistic work, V for Vendetta (1990), premiered in March 2006 starring Natalie Portman. Originally published serially during the height of the Thatcher/Reagan era, V relates the anonymous struggles of an anarchist terrorist in a post-apocalyptic fascist Britain. The movie, from first-time director James McTeigue and a screenplay by the Wachowski Brothers (The Matrix), retained much of the original story’s anarchy and political references. The finest big screen Moore adaptation to date managed a respectable $132 million in total worldwide box office. Yet again, Moore asked for his name to be removed from the credits.