Aeon Flux #1 (Dark Horse)
By Mike Kennedy & Timothy Green
In anticipation of the upcoming movie starring Charlize Theron,
I thought I’d find out a bit more about the character.
Having finished the first issue of this Dark Horse mini-series
I know nothing beyond what I’d learnt from the trailer.
That she dresses in black, is a good ninja type fighter and
can kick ass. This particular issue is very reminiscent of various
scenes from the trailer floating around the Web, so I’m
not sure if this mini-series is an adaptation of the movie or
not. It doesn’t say it is on the cover, but it sure reads
like one.
Amazing Spider-Man #524 (Marvel)
By J. Michael Straczynski & Mike Deodato
Jr.
So after all the pyrotechnic action last issue with the Avengers
taking on various enhanced Hydra minions, this month we get
22 pages of Peter Parker lying around and having conversations
with Tony Stark and Mary-Jane. Boring? Not in the least. Once
again JMS shows that he is far better at human interaction and
dialog than he is at the big set-piece action scenes. He is
back on form here as he sows a few clues as to what will happen
in the upcoming “The Other” cross-over that will
run through the next two months’ Spidey titles.
Bart
Simpson’s Treehouse of Terror #11 (Bongo)
By various
Eight fresh Halloween stories for $4.99. Presented in a flip-book
format, the first six stories are standard Bongo comics fare
— which means the best and most consistent humor on the
stands. When you flip the book over to read the last two stories,
the level of excellence jumps several notches and made this
fan-boy’s heart skip for joy. For here we have a new Dracula
tale by Marv Wolfman and Gene Colan followed by a muck-encrusted
monster tale from Len Wein and Berni Wrghtson. An exercise in
pure nostalgia, fun and a rare chance to see these masters at
work in the arenas where they produced some of their finest
work. If you only ever pick up one Simpsons-related comic, make
sure it’s this one.
Conan
and the Demons of Khitai #1 (Dark Horse)
By Akira Yoshida & Paul Lee
Let’s see: Conan and his men enter a new land, they
get attacked by a monster, they kill it. Local warriors arrive
and through a misunderstanding Conan ends up fighting them.
He gets knocked out, wakes up in a strange palace with a beautiful
woman tending his wounds. He is introduced to the local ruler,
another misunderstanding . . . and so it goes. Nothing
particularly original here and none of the depths of Conan’s
character or the stunning artwork of the regular series. The
best part for me was the small two-tier strip at the bottom
of the letter’s page depicting a scene from Conan creator
Robert E. Howard’s short life; and that strip is reprinted
from another source. I’d say this is one for the Conan
completists only.
Devil
Dinosaur #1 (Marvel)
By Eric Powell
The first in a series of four one-shots paying homage to Marvel’s
pre-superhero roots. The lead story by The Goon’s
Eric Powell is in the tradition of the great Lee / Kirby
monster tales while still paying within the confines of the
Marvel Universe we know today. In fact a couple of throwaway
lines in the last panel of this story will resonate well with
those knowledgeable about the MU, but you don’t need to
know anything about the continuity to enjoy the story. (It’s
a long time since I’ve been able to say that about a Marvel
product). But easily the best part of this book is the back-up
reprinting the story that introduced the name “The Hulk,”
drawn by The King himself, Jack Kirby.
Giant Size X-Man #4
By Chris Claremont & Rick Leonard et
al
The latest in the Giant-Sized (i.e., 96 pages) X-Men books
focuses on the short-lived X-Man Thunderbird using five different
stories to trace his career, death and legacy. A worthwhile
attempt that could have been a lot better. The main problem
is that the only new contribution is a nine-page lead-in that
does a poor job of establishing itself in continuity, a problem
that could have been solved by the use of the now frowned-upon
caption boxes. At the end of the day the only people who would
buy this are probably die-hard X-fans who will surely have the
four reprinted stories already.
Polly
and the Pirates #1 (Oni Press)
By Ted Naifeh
Polly and the Pirates is a delightful all ages book
that has a broad appeal and a potential to be a strong favorite
on the lines of Leave It to Chance, Courtney Crumrin or
Akiko. The protagonist, Polly, is a prim young girl
living in a boarding school trying to be a proper lady and to
fit into society. Her friend on the other hand has a love of
pranks, books about pirates and a thirst for adventure. But
when adventure comes knocking, it’s Polly who ends up
captured by pirates, who soon reveal that she has a shocking
secret in her heritage. The story is well told and the characters
firmly established within the first few pages. The art gives
the story a slight other-worldly touch that makes you wonder
what level of reality we are experiencing, yet drives the narrative
forward with a great sense of pace.
Star Wars: X-Wing Rogue Leader #1 (Dark
Horse)
By Haden Blackman & Tomas Giorello
Picking up the Star Wars story just a week after
the destruction of the second Death Star (as seen in Return
of the Jedi), this first issue introduces the various members
of the Rogue Squadron of pilots led by Luke Skywalker. Their
“mission” turns out to be cover for a period of
rest and reflection as Luke bonders his new destiny. However
there revelry is interrupted by the appearance of a group of
Imperial Troops determined to fight on. Blackman’s script
captures the group dynamics well while Giorello des a reasonable
job with the likenesses and general feel of the Star Wars
universe.
Sword of Dracula #1 (Digital Webbing)
By Jason Henderson & Terry Pallot
Once producers of a “new talent” anthology title,
Digital Webbing has now expanded to publishing stand-alone creator-owned
properties such as Sword of Dracula. The book has in
intriguing premise. In an attempt to legitimize his power base,
Vlad Dracula literally buys himself a small island nation and
seeks diplomatic recognition. Opposing his plans are a group
of specialist anti-vampire commandos lead by Ronnie Van Helsing.
The story is well told and sets the stage for future confrontation.
Art-wise it is passable, although in the occasional panel it
is difficult to follow which character is which. Overall a better
than average attempt for a high-concept small press title.
Picks of the Week
Bone
Sharps, Cowboys and Thunder Lizards (GT Labs)
By Jim Ottaviani & Big Time Attic
A 150-page comic book about the feud
between two nineteenth-century scientists and the emerging
science of paleontology! Sounds like it should be the
dullest read ever. Yet this is wonderfully engaging and
entertaining book. Writer Ottaviani manages to take a
complex issue and deliver it in a well-paced story that
delves both into the characters of the main players involved
and the social and cultural backdrop of the time that
informed their actions. The artwork by the Big Time Attic
studio is sometimes a little too cartoonish, making it
occasionally difficult to recognize a character (a fault
usually corrected with the space of a couple of panels),
but on the other hand uses the comics form to its fullest
effect, generating transition and visual effects impossible
in any other medium. For anyone interested in the history
of science this is a must-read. The fact that it’s
been achieved in a comics format makes it a remarkable
achievement.
Vigilante #1 (DC)
By Bruce Jones & Ben Oliver
A powerful opening for DC’s second
go-around with the Urban Avenger. Focusing more on the
concept and reactions of victims, criminals and the police
rather than on the titular “hero,” Bruce Jones
and Ben Oliver do an excellent job of setting up the premise,
location and the human drama. Jones’ dialog is among
his best work to date while Oliver’s use of shadow
adds the right degree of tension where needed. The last-page
reveal of the Vigilante in person could be called a cliché,
yet it’s the perfect ending to this opening issue.
Look out for this one; it has all the makings of a sleeper
hit. |